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Sunset at shakti fest by Kamaniya Devi on TheBhaktiBeat.com

Photo by Kamaniya Devi

Can we just say how much we love livestream?  We envision a day when every festival and concert, kirtans included, is streamed free to living rooms and laptops everywhere. With perfect audio.  And a strong, steady feed.  And — since we’re dreaming — professional camerawork that zooms in on the action.  While we’re at it, could we get a caption here and there identifying featured musicians? (Who was that on violin with Karnamrita Dasi anyway?)

Until that vision is reality, we’ll take what we can get.  What we got yesterday from Shakti Fest — thanks to New World Kirtan and Kitzie Stern for persevering with the technicalities — was two full sets of the bhav in Joshua Tree, Dasi and Jai Uttal, plus smatterings of choppy, wildly fluctuating audio from Saul David Raye, Deepak Ramapriyan, and David Newman’s sets earlier in the day.  By the time Dasi took the stage, it seemed like the bugs had been worked out on the stream AND video had been added.  Not only did it sound better, but we had a back-row view of the action.  We’re glad we stuck it out and kept listening…

Here’s the link for the livestream to Shakti Fest (May 17-19), which starts at 10 a.m. daily and will continue until the bitter(sweet) grand finale.

Shyamdas at Shakti Fest, by Kamaniya Devi, on TheBhaktiBeat.com

From the stage to the altar. (Photo by Kamaniya Devi)

This is, of course, the first Bhakti Fest without Shyamdas, the beloved “elder statesman of bhakti,” as emcee Shiva Baum described him last night.  Normally, Shyamdas would be steering the ship of bhav here, both behind the scenes and stage center, particularly during the legendary final set, where all the wallahs and musicans crowd the stage for a final Hare Krishna mahamantra.  (Check out the action from last fall’s finale in the video below.)  While he may not have been there in body, it was clear from listening in on the goings-on in the high desert that Shyamdas was on everyone’s minds, and in everyone’s hearts. 

In every set that we caught, the artist paused to say a few words, share a personal remembrance, or dedicate a song to Shyamdas.  Jai Uttal devoted a Sri Radhe chant in what he called “a sad melody” to Shyam; Dasi closed her set with one of Shyam-ji’s favorites, The Song of Sweetness, which glorifies the nectar of Krishna’s form and love.  Govindas, one half of Govindas and Radhe and the founder of the Bhakti Yoga Shala, Santa Monica’s temple to kirtan, spoke at length between sets about his time “sitting at the feet” of Shyamdas. 

The master of Hari Katha was eternally present.

Jai Uttal & friends, by Bhakti Fest, on TheBhaktiBeat.com

Jai Uttal & Friends (Photo courtesy of Bhakti Fest)

Just before Uttal played, Bhakti Fest founder Sridhar Silberfein came onstage to pay tribute to his dear friend in words and a three-minute slide show with an audio track of Shyamdas being interviewed in India just weeks before his death.  Putting it together, sifting through images and recordings of Shyamdas, “has been tearing me up emotionally every single day,” Silberfein said.  He told of the Bhakti Yatra group tour to India in January, for which Shyamdas was a very large part of the itinerary but never made it to the entourage waiting for him. 

You may have heard the story before…but Silberfein added some new details.  He said Shyamdas called him just before they were slated to rendezvous saying he was suffering a breakout of shingles and wouldn’t be able to join the group of 25 or so Westerners who had traveled to India fully expecting a Shyamdas-led tour of Vrindavan, the holy city in India that Shyam so loved (and was practically the town’s adopted mayor , from what we’ve heard). Instead, Shyamdas stayed in Goa to rest and recuperate; the motorcycle accident that ended his life happened a few days later.

Altar at Shakti Fest, by Kamaniya Devi on TheBhaktiBeat.com

K.d. Devi Dasi and Prajna Vierra tending the Main Stage altar (Photo by Kamaniya Devi)

The audio on the slide show dropped out from the livestream feed so it was difficult to catch, but Shyamdas was telling a funny story involving Uttal and Krishna Das, something to do with Uttal’s assertion that KD was too “masculine to be a Gopi.” (Who can fill us in on the details?)  Whatever it was that was lost in cyberspace, it was enough to elicit lots of guffaws from the audience, as well as a good-natured comment from Uttal, who joked that Shyamdas was “hounding me even from the grave.”

Mohan Baba, Shyamdas’s friend of 40 years and one of the close satsang who was with him the night he passed, told of how Shyamdas — in his final hours of life after the accident — was “totally focused inward.”

“He didn’t say a word and was just sitting there calmly, in an intense devotional space,” Mohan said.

One of the things he loved about Shyamdas, Mohan said, was that “he was just a regular guy.  He was not a swami, not a renunciate.  He lived a householder’s life, and was totally fixated on the divine lila.”  Even though he came from a wealthy Connecticut family, ”he turned his back on all that, choosing to live very simply.” 

chanters showing love for gina sala by Kamaniya Devi on TheBhaktiBeat.com

During Gina Sala's set (Photo by Kamaniya Devi)

“There’s a big lesson for all of us there,” Mohan said, “to live life as fully as you can, every day.”

Just when you thought you might make it through this tearjerker tribute without breaking down, Shiva Baum broke down, his voice cracking as he introduced Jai Uttal’s set.

“Shyamdas is irreplaceable, and he will be with us always,” Baum said before turning it over to Uttal   “His love blankets this entire festival.”

Here’s the video from last fall’s Bhakti Fest, with Shyamdas steering the bhav in the festival-closing raucous, windblown, stage-lights-about-to-topple all-wallah finale.  Through it all, Shyamdas just kept singing to Krishna.  

 

Watch the Livestream here.
Shakti Fest kirtan schedule
www.newworldkirtan.com
www.bhaktifest.com
 
See our coverage from last year’s Shakti Fest:
You Want Shakti? Larisa Stow’s Got Shakti
Jai Uttal Captures the Essence of Bhakti Fest
Loco for Lokah & the Bhakti Dance
On-Stage Proposal a Bhakti Fest First
Bhakti Fest Seeds Planted at Woodstock in ’69

Connect with The Bhakti Beat!

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Adam Bauer VerMantra 2012 by TheBhaktiBeat.comProject: Full-length Studio-Recorded CD
Fundraising Goal: $25,000
Deadline: June 4, 2013 @ 11:59 p.m. PT
Contribute NOW!
 
Ed. Note: This is part of our ongoing series on Crowdfunding Kirtan, in which fans and friends contribute money for new recording projects in exchange for “perks” ranging from free downloads to private concerts.  The trend has grown in the music business as record labels have cut back and artists have to fund projects themselves.

The Artist

No, he’s not just a go-to bass player in the East.  Re-meet Adam Bauer, kirtan wallah. Best known as the man in the back with the bass onstage with Shyamdas and many others in recent years (and with Krishna Das before that), Bauer is taking a bold “leap of faith,” in his words, and moving from the back of the band to front and center.  “This is a big move for me,” Bauer told The Bhakti Beat in an interview. “It’s been a very long, very rich journey of 10 feet.”  

Adam Bauer Neem Karoli Baba VerMantra 2012 by TheBhaktiBeat.comOn his debut CD, Shyam Lila, he’s trading his trusty 5-string bass for a harmonium with Neem Karoli Baba’s face peering out from above the keys.  Bauer started learning the harmonium about three years ago, around the time he attended one of Jai Uttal’s Kirtan Camps.  He describes leading kirtan at the camp as a “nervewracking” kind of coming-out for his voice, but one that helped him gain confidence to dive deeper, fueled by encouragement from Uttal and Daniel Paul.  He now regularly hosts living room kirtans in his Northampton, Mass. home and has begun to have his own sets at smaller festivals like Vermantra (video below), and most recently at an upstate New York Shyamdas tribute.

Adam Bauer VerMantra 2012 by TheBhaktiBeat.comHis kirtans are gentle, comtemplative — “devotionally quiet,” he says — the kind that fade away gradually and sweetly into that long deep silence that “nobody in their right mind would whoop or clap after.”  Soft, meditative, drift-away-on-the-melody kirtan prayers. That will be the vibe in Shyam Lila.

The Project

A collection of traditional chants to Radhe and Krishna done to original arrangements, Shyam Lila is “a deep bow from me to Shyamdas,” Bauer said, ”an expression of my gratitude for sharing such intimate space for so long.”

He stops short of calling the new album a “tribute” to Shyamdas per se, yet it was in no small way inspired by the beloved bhakti scholar and wallah extraordinaire, who left his body in January.  “I wouldn’t be who I am in the same way without these last eight years with Shyamdas,” Bauer said.  “He was the closest I’ve ever gotten to the devotional heart of India.”

Shyamdas & Adam Bauer Omega Fall Chant 2012.by TheBhaktiBeat.comBauer had finally arranged his life around spending more time with Shyamdas in India, and was due to be with his friend and mentor just two weeks after the motorcycle accident that changed everything.  He arrived in India just in time for the traditional cremation and final rituals with Shyam’s family and closest friends, a series of events that were “very moving and very difficult, a total mind blow,” Bauer said. 

The songs of Shyam Lila came to him during the torturous weeks that followed, as Bauer wrestled with the reality of Life Without Shyamdas.  “I was trying to wrap my own head around how Shyamdas’s passing is part of God’s lila.  I was thinking, ‘You really f***ing chirped on this one’,” he snarked, instantly recognizing it as the “very human reaction.”  

‘A Deep Bow of Gratitude’ to Shyamdas

After that, Bauer said “Singing with my own voice just felt like the only thing left to do that resonated in a really strong way.” The songs fleshed themselves out over the weeks in India, as he sang them alone and in satsang with Sadhu Maharaja and friends. ”These songs helped me get through that period.”

Adam Bauer Bhajan Boat by TheBhaktiBeat

Don't worry, he's still got the 5-string.

Gaura Vani, who Bauer calls his “bhakti love-bear,” will produce the CD, for which recording got underway in the wake of Omega Spring Chant, the first big kirtan event where Shyamdas would be steering the ship of bhav.  With Ehrin Hanson on tabla, John McDowell (producer of Shyamdas’s Beloved Chants) on African hand drums, and Northampton native Charlie Braun on guitar, Bauer says they laid down the bare bones of eight tracks over two days at the Art Farm, a private recording studio in New York’s Hudson Valley.  Additional instrumentation will be added to the mix as the process unfolds. Bauer is shooting for a Fall 2013 release.

Here’s a taste of Bauer’s kirtan prayer from Vermantra 2012 in Burlington, Vt…

Deets and Links

Contribute Now to Adam Bauer’s Indiegogo Crowdfunding Campaign
Adam Bauer’s Web Site
Adam Bauer on facebook
Adam Bauer on twitter

Connect with The Bhakti Beat!

Subscribe to The Bhakti Beat
The Bhakti Beat on facebook
The Bhakti Beat on twitter
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The Bhakti Beat on Google+
 
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Brenda McMorrow
Sean Johnson & The Wild Lotus Band
David Newman aka Durga Das
Sheela Bringi
 
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