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Monday Night Kirtan by TheBhaktiBeat.com
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Mondays have always been a little gentler for me because of Monday Night Kirtan.  The little weekly community kirtan* in my home ‘hood of Burlington, Vt., has been a welcome ritual for several years.  But this past Monday night it was the last place I, Vrinda, wanted to be.

(Wondering who the hell Vrinda is? Read to the end.)

A series of incidents — small and large, local and global, personal and collective — had left me in a funk: discouraged, disillusioned, disgruntled…generally feeling “dis”ed on many levels and definitely not feeling social. The introvert in me wanted to hole up in my woman-cave and try drowning out the dis-es with a very dry vodka martini.

Plus, it was snowing.

Winter had descended on Northern Vermont in the 48 hours since I had been kayaking on the lake in 60 degrees at sunset.  One more reason to sulk inside.

Alas, I had an obligation to be there.  So I forced myself off the laptop and away from the sickening newsfeeds of Standing Rock protestors being blasted with tear gas and water cannons in subfreezing temperatures, of a new tsunami warning at Fukushima, of the latest xenophobic cabinet pick by Trump, and 10,000 other bits and fragments that suck your energy straight through your eyeballs and into the World Wide Web of Propaganda, Manipulation and Fear.  I dragged a comb through my hair (not really), dabbed on some Javadhu powder in a lame attempt to mask the fact that I hadn’t showered all day (okay two days), packed my to-go altar with extra sage, and raced out the door, last-minute as usual.

But, it was snowing.

I spent the next 10 minutes scraping snow-covered ice off my car. Now I was late AND agitated. I got to Sacred Mountain Studio barely in time to throw some blankets and cushions in a semi-circle before the room filled in for the kirtan. I was all business, head down, task-focused, fairly daring anyone to engage me in conversation.  Nonetheless, this being kirtan, I was hugged. More than once.

As the room settled down and the night’s guest wallahs started to Om in, I assumed the cross-legged position on my purple cushion, scarf over splayed knees, spine straight, eyes closed, ready for lift-off from this hate-filled mundane material world. Take me away Calgon…I mean, kirtan.

Ha!

My mind refused to catch up to the present. It was still racing back and forth from one situation to the next, replaying each interaction like a stuck tape,  re-creating each perceived slight or awkward confrontation, playing its slide show loop of Images One Can’t Forget.  The group was on the third Om by the time I dropped the mental mind-f*ck long enough to tone in to the sound frequency.

The chanting started with praise to Ganesha, remover of obstacles. Immediately, up welled another round of bogus inner chit/chat about this/that followed predictably by self-flagellating loathsomeness for not dropping my over-analzying, self-conscious judgmentalist ego at the door and just sinking into the mantra. And on we went…me and my monkey mind, while the mantras played on.

Then I noticed something.  I noticed myself noticing the mantra.

Hari Ommmmm… Hari Om.

You know how a radio station fades in and out if you’re not quite in full range of the signal? The mantra was coming through in fits and starts amidst the background static in my brain of everything that was not mantra.  It was breaking through the mental orgy. I wasn’t even singing it — that’s how distracted I was — but it was breaking through. This is the power of mantra.

I felt a little inner smile for the observation, for the noticing. Then quickly as it came, I lost myself back into the static.  And I noticed that….with an inner roll of the eyes.

Then came Kali.

Oh boy, I thought with a bit of trepidation, here we go. Kali, with her bloody sword drawn and severed head in hand, poised to cut through the ego’s bottomless pit of judgment and self-conscious blather.  The head-talk flooded in:  Do people even know how powerful Kali is? Do they have any clue what they are invoking when they start calling out to Kali? Are they even remotely prepared for the kind of energy this formidable warrior goddess can whip up?  And then I was chanting it.

Kali Ma, Kali Ma, Kali Maaaaa.

Chant by chant, the layers fell away. I noticed the mind chatter subsiding as my chanting became steadier, less intermittent. The monkey mind was gradually but inevitably losing ground to the mantra. The chanting was misplacing the chatter.

By the time we got to Radhe, I was all in.

It was the trio of Krishna-Radha chants that got me up on my feet and spinning in the corner of the room, inhibitions shed. Not caring about anything or what anyone thinks for at least one blessed moment in time. Letting my freak flag fly. Feeling the world fall away with each repetition of the Name, each spin of the feet…

Tara, the Bodhisattva of compassion, brought me back to Earth, her mantra like warm milk taken before bed. Cradled in the current of Om Tare Tuttare Ture Soha, I felt at home, at peace, aware, present, content, unafraid. The monkey mind quiet at last.

This is the power of mantra.

After the kirtan ended, after the goodbye hugs, after re-folding the blankets and repacking the altar and taking out the garbage, I was dropping off a young man who lived near me, Kyle, who was fairly new to the Monday Night crew. Unprompted, he confides to me that when he had arrived at kirtan this evening he was not in a good headspace, that he wasn’t sure he even should have come.  Over the course of the night, he said, he felt his emotional state shift, leading to what he called a “huge release” toward the end.  He said he felt sure that “spirit” was in the room healing people.

I just stared at him. I felt like I was looking in the mirror…except the face looking back was that of a 20-something hipster dude with old-soul sapphire eyes and an unruly beard twisted into dreadlocks that stuck out of his chin like little goat horns.

That is the power of mantra.

 

Here’s a peek at the last chant of the night, a mashup of the Maha-Mantra and an old Gospel hymn called “Sanctuary.” The perfect cap to Thanksgiving week kirtan.

*Monday Night Kirtan in Burlington, Vt., is currently funded by the Call and Response Foundation as part of their initiative to kickstart recurring community-based gatherings that make the practice of kirtan accessible to all.  Contact them if you’d like to start your own community kirtan.

___________________

The Bhakti Beat welcomes your support!  We are non-commercial and not-for-profit,  a free service to the bhakti community that is completely self-funded save for the loving contributions of Bhakti Beaters like you.  Your support is critical — please share the Beat with your bhakti peeps, connect with us on social media (links below), and consider a one-time or recurring donation (DONATE HERE) to help us keep this bhav boat afloat.  All contributions are used exclusively to cover the direct expenses of bringing you News, Reviews, Interviews and Videos from the kirtan and mantra-music world.  Thank you from the bottom of our bhav brain, heart and soul. In loving service...

Hare Krishna Hare Krishna Krishna Krishna Hare Hare
Hare Rama Hare Rama Rama Rama Hare Hare
Dear Lord, kindly engage me in your service.
 
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Editor’s Note: “I, Vrinda” is an occasional first-person series on TheBhaktiBeat.com in which I, Vrinda (aka Brenda Patoine) say what I’m thinking, whether you want to hear it or not.  Call it op-ed, editorialism, commentary, satire — hell, call it whatever you want.  Vrinda is opinionated but open, largely unfiltered, at times irreverent, and sometimes downright sassy (don’t say I didn’t warn you).  She’s pure Gemini, part wise, part wise-ass; the good the bad and the naughty all rolled up into one messy, messed-up, hopelessly imperfect, doing-the-best-she-can kinda’ gal, er, woman. She — I mean, I — may offer two cents or more on subjects from the ironies of the yoga world to the injustices of the corporatocracy,  the ins and outs of the bhakti community, or the ups and downs of internet dating. She/I may even occasionally try to be funny, undoubtedly with mixed results. Vrinda really just wants everyone to wake the f**k up (I warned you).   For more on Vrinda, including why she uses that name, click here on this link…oops, you’ll have to wait until I get that piece written. *sigh*

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Awakening Bhakti
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Ever dreamed of having Jai Uttal sing the Names in your living room? How about a little kirtan lesson from Uttal himself? Or maybe you’d love to hear him retell — in his inimitable style — some epic scripture, like say…the Ramayana?  Well now’s your chance.

As part of his quest to “share my music, my heart and my experiences with people without being on the road all the time,” Jai Uttal is trying something new (to him anyway): offering an online course for fans and followers, webcast from the comfort of his own home to the comfort of yours.  It’s called “Awakening Bhakti” and you can register for it here.

We asked Uttal why this course, why now, why online? He said that traveling “has taken a bigger and bigger toll on me, physically and emotionally” in recent years, and that this course is part of his effort to create a “sustainable lifestyle” that lets him be at home with his family.

“I LOVE SINGING WITH AND FOR PEOPLE!!!” Uttal told us (in all caps, yes) in an email interview in between recording sessions for his album in-the-works, “Roots, Rock, Rama,” which he is making with long-time collaborator Ben Leinbach plus Jeff Cressman and Peter Apfelbaum, the horn section of the Pagan Love Orchestra, Uttal’s band for the Grammy-nominated 2002 album “Mondo Rama.”   Despite his obvious passion for live, up-close and personal sankirtana, Uttal says he just can’t take the travel. The online course is “a way for me to share with everyone in a deep, meaningful and relaxed way from my own home.”

‘Hang Out’ With Jai

There’s a full description of the course at www.whereismyguru.com, which is hosting it.  Uttal told The Bhakti Beat that it’s a chance “to learn about bhakti and how it can became the central core of our lives and how some of my life experiences have deepened my own relationship to this path; to hear where some of the songs come from, and stories about my Guru, Neem Karoli Baba; to receive never-before-seen videos of my live performances; to hear the entire Ramayana in five chapters; to receive audio recordings of many live kirtans, and to just hang out with me and get to know me a bit better…”

Jai Uttal at Bhakti Fest 2012 by TheBhaktiBeat.com“Awakening Bhakti” takes place over three weeks beginning March 1.  At the core are four live, interactive web-conferences with Uttal that can be downloaded and viewed at any time.

The $99 price includes everything.  Seems like a reasonable investment to bring Jai Uttal into your living room, no?  Sign up here.

Call & Response Scholarship Available

Still, not everyone has an extra 100 bucks lying around waiting and available to awaken their bhakti, we get that.  That’s why we were so happy to hear that the Call and Response Foundation is offering a scholarship to one lucky bhakta in need of some financial support.  All you have to do is write to jen@callandresponsefoundation.org before March 1 and tell her why you need the scholarship. One winner will be randomly chosen from the entries and announced on the Call and Response Foundation’s facebook page.

Do check out all the good work of the Call and Response Foundation — under the expert leadership of Jen Canfield, this non-profit organization is taking the healing power of chanting into places you wouldn’t expect, like prisons and psychiatric centers and recovery services.  Plus, they’ve just launched a new program to support and maintain community kirtans across the country. In short, they’ve got your bhakti back.

_____________________

The Bhakti Beat welcomes your support!  We are non-commercial and not-for-profit,  a free service to the bhakti community that is completely self-funded save for the loving contributions of Bhakti Beaters like you.  Your support is critical — please share the Beat with your bhakti peeps, connect with us on social media (links below), and consider a one-time or recurring donation (DONATE HERE) to help us keep this bhav boat afloat.  All contributions are used exclusively to cover the direct expenses of bringing you News, Reviews, Interviews and Videos from the kirtan and mantra-music world.  Thank you from the bottom of our bhav brain, heart and soul. In loving service...

Hare Krishna Hare Krishna Krishna Krishna Hare Hare
Hare Rama Hare Rama Rama Rama Hare Hare
Dear Lord, kindly engage me in your service.
 
Follow The Bhakti Beat on facebook
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Closing Out Bhakti Fest West 2012, by TheBhaktiBeat.com
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Is it just us, or does it seem like everyone is doing a “chant fest” these days? Or maybe it’s a “kirtan retreat.” By any name, big, little or in between, in your back yard or Bali, at the local yoga studio or a luxury spa, bhaktified music fests and mantra marathons are popping up everywhere.  Which is a good thing. Well, at least we think so…

When is a bhakti festival NOT a good thing, you ask? For starters, if it’s so expensive that only the wealthy can afford it, that’s a problem.  The mantra revolution that Sri Caitanya Mahaprabhu (most famously) popularized in the 1500’s was about bringing yoga — which at the time was a means for spiritual salvation reserved only for the highest castes of society — back to the people. Bhakti yoga was the way. Its hallmark was that it was accessible to ALL.

That’s still the case of course.  Bhakti IS accessible to all.  Love and devotion can have no price tag, and all one has to do to reap the benefits of kirtan is open one’s mouth and chant.  But it’s a rare retreat that is offered up free, with good reason of course. These things cost money to run, after all. We get that. But a retreat that is only accessible to the wealthiest yogis has no business calling itself bhakti. There, we said it.

The point is, there’s a right way, and there’s a wrong way to run a festie.  And lots of ways in between.  We’ve seen ’em all. So, even though no one asked us, here are our unsolicited tips for how to do a chant fest right. (See disclaimer at end.)*

  1. Make it affordable. This is No. 1 for the reasons already stated. It shouldn’t cost an arm and a leg to get to a chant fest! Build work exchange and scholarships into the business plan. Line up sponsors to defray the costs. Set up systems so people can contribute toward “Kindness Passes” for those with limited financial means. Get creative and make it accessible to ALL, in the spirit of the bhakti tradition.  (ISKCON, by the way, has perfected the affordable kirtan retreat, largely by collecting donations to subsidize the costs; the rest of the bhakti world could take a lesson from the Hare Krishnas in this regard.)
  2. Give back. Work in a charity component.  Collect donations or have a silent auction, and offer the proceeds to organizations that are making a difference in your community or field of interest, or put them toward scholarships for people with limited financial means.
  3. Pay the artists. Not just the rock stars either. If it’s a local community event or a charity benefit and the artists have offered their services for free, at least cover their expenses.  Take care of their housing and transportation. And please feed them. Well.
  4. Give them time.  Resist stacking a schedule with one band an hour. Two-hour sets should be the norm. (Three if it’s Jai or KD.) This goes for festivals of any size, local community to national multi-stagers.
  5. Sound matters.  Get it right, whatever it takes.  And please amplify the musicians.  All of them.
  6. Aesthetics count. Light the artists, not the room. And please don’t make them pink or blue. Give them a nice backdrop and a place to store their equipment cases so there’s not a bunch of stuff littering up the “stage.”
  7. Build in breaks.  Have a short guided asana practice or meditation in between sets. Set aside an hour for meals if it’s an all-day or multi-day event.
  8. Don’t make us choose.  Until we all have the siddhis to bilocate, could you please not have two or six things going on simultaneously?  Festivals of thousands may need options, but still…the best fests we’ve been to do things sequentially.
  9. Feed people.  Bring in local vendors to offer organic, farm-to-table, ahimsa-principled real food and drink.
  10. Consumerism Lite. Please sell kirtan CD’s.  And go ahead and showcase local artists, crafters and conscious merchants who sell things of interest to your audience.  Just don’t let the materialism interfere with the spiritualism.  Give it its own space and keep it separate.  No one wants to hear people hawking Lululemons in that silent space after a chant.
  11. Don’t be a douchebag. Any event that calls itself yoga or bhakti has an obligation to rise above the business-as-usual model of event production and promotion.  Treat people right. Keep your promises. Set a new standard for conscious business and marketing practices. Cultivate community.  Be nice.

*DISCLAIMER: Not intended to be used in place of a professional event organizer’s advice. We actually have no experience in running a chant festival.  We just know what works from the participant’s point of view.

Okay, that’s our two-cents worth on how to build a bhakti festival we can all love.  What would you add or change? Tell us in the comments please.

_____________________

The Bhakti Beat welcomes your support!  We are non-commercial and not-for-profit,  a free service to the bhakti community that is completely self-funded save for the loving contributions of Bhakti Beaters like you.  Your support is critical — please share the Beat with your bhakti peeps, connect with us on social media (links below), and consider a one-time or recurring donation (DONATE HERE) to help us keep this bhav boat afloat.  All contributions are used exclusively to cover the direct expenses of bringing you News, Reviews, Interviews and Videos from the kirtan and mantra-music world.  Thank you from the bottom of our bhav brain, heart and soul. In loving service...

Hare Krishna Hare Krishna Krishna Krishna Hare Hare
Hare Rama Hare Rama Rama Rama Hare Hare
Dear Lord, kindly engage me in your service.
 
Follow The Bhakti Beat on facebook
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grammy nominationAnd the winner is….Mantra!

Grammys season is officially underway, and once again, mantra music represents — more than ever before. Nearly two dozen bhakti-flavored releases are among the list of contenders in early voting for the 2016 Grammys Best Album Nominees in the New Age and World categories, for which first-round voting by members of the National Academy of Arts & Sciences (NARAS) ends Nov. 4.

Judging by the breadth and diversity of the bhaktified music releases on the first-round ballots, the “non-genre” of kirtan/mantra/sacred chant is alive and well — from the vantage point of the commercial recording industry, at least. The albums that we would place under a broad umbrella of bhakti or bhakti-related mostly fall into the New Age category in Grammy world, though a few of the bhakti titles are found in the World Music category. (More on the odd categorization of kirtan here.)

I know what some of you are thinking…”Who cares about the Grammys?! This is BHAKTI. It’s not about commercialism, or winning awards, or being “the best” of anything; it’s about devotion and service!” I hear you. Really I do. The way I see it, if the Grammys help bring attention to the sacred practice of chanting and unlatch the gates for even one person, is that a bad thing? Tell us what you think in the comments.

Grammy 2015 contenders by TheBhaktiBeat.comWho Made the List?

First things first. One of the biggest surprises on the list — and perhaps the best news for bhakti purists — is second-generation Krishna kid Madi Das, whose charity album “Bhakti Without Borders,” produced by Dave Stringer, features duets with a host of female Vaisnava vocalists singing traditional Krishna bhajans. If we had to pick a favorite among all of these contenders, “Bhakti Without Borders” would be it.  We love everything about this album, and P.S., ALL of the profits benefit a school for girls in India (which is most of the proceeds, because ALL of the musicians on this record offered their time as seva). Now THAT is bhakti.

Also up for consideration are widely known artists like Deva Premal & Miten with Manose (“Songs for the Sangha“) and Russill Paul (“Mantra Magic“) alongside up-and-comers like vocalist Tina Malia (“Bridge to Vallabha“) and folkish singer/songwriter Brenda McMorrow (“My Heart Bows Down to You“). The many flavors of Sufism are nicely represented with “Sufi Kirtan,” from newlywed folk/world/rocker duo HuDost — marked by the otherworldly vocal magic of Moksha Sommer — and a new-to-us band called Rocqawali for “Sufi Rock ‘n’ Roll,” which seamlessly blends powerful Pakistani qawali music with 70’s-style rock. Representing the Jewish tradition of sacred chant is the Kirtan Rabbi Andrew Hahn’s “Nondual,” where ancient Hebrew prayers meet modern rock and reggae. Bhaktified dance music — yet another subcategory in the chant world (is that a sub-non-genre?) — is there too, with Marti Nikko and Dj Drez’s chant-dance fantasy “Dreaming in Sanskrit” and Desert Dwellers’ electronicized house mix, “The Great Mystery.”

In the Kundalini corner, Simrit’s “From the Ancient Storm,” White Sun‘s self-titled debut album, and Sirgun Kaur’s “Dayaal” are in the running along with the ever-popular duo Mirabai Ceiba (for “Sevati“). On the instrumental end, Bansuri flute master Manose, who has played for a decade with Deva Premal & Miten, is on the ballot for “Call Within,” and Hans Christian, master of too many instruments to name here, made the list for “Nanda Devi.” An Indian classical flutist known simply as Flute Raman is found on the World ballot for an album of traditional bhajans called “Krishna Lila.”

But wait there’s more. While we can’t in any stretch of the word consider them “kirtan,” a few others on the ballots are worth noting for their inclusion of mantras in some tracks or their ties to the bhakti world, including: Peter Kater, who has three — yes three! — albums in the running for the nomination in New Age (“Heart of Silence,” “Etheria,” and “Love;” Daniela De Mari & Breath of Life for “Awakening;” David Vito Gregoli for the ambient “Om Land,” and a Classical Indian instrumental disc featuring Saraswathi Ranganathan on veena called “Refreshing Raga Blues.”

All told, the bhakti-ish contenders represent roughly 15 percent of the total New Age list of 116 titles and only a few of the 122 entries on the World ballot. The full lists cover a lot of musical ground, everything from spoken-word meditations to ethereal shamanic ritual music to ambient instrumentalism to synthesized electronica. Among the broadly defined kirtan-related releases are some real gems that deserve a closer look, and The Bhakti Beat will be doing that on a weekly basis between now and Dec. 7, when the Grammy nominations are announced.

We’ll also give one Grammy-contending CD away each week, so stay tuned to our facebook and other social media pages to enter the contests. (Links below.)

With so many bhaktified releases in the running for a nomination, this year marks a new high for mantra music in Grammy world. But it’s certainly not the first time the chant community has gotten Grammy fever. Krishna Das quite famously snagged one of the coveted Grammy nominations in 2012 for “Live Ananda,” and made history by being the first kirtan artist to perform at the Grammys (aired on the webcast). You saw that, right? A decade earlier, Jai Uttal was the first in the kirtan “non-genre” to be nominated for a Grammy, for his pioneering record, “Mondo Rama.”

Last year, more than a dozen bhakti albums made the first ballot, and a record called “Bhakti” by Paul Avgerinos — a new-agey fusion of Christianized chants and ambient electronica that was about as far from traditional kirtan as you can get — made the cut to be nominated but did not win the Grammy.

What It Means

What does it mean to be on the first-round ballot? Essentially, it means that you met the eligibility qualifications and got your entry in on time. Ballots were sent out Oct. 14 to NARAS members, who have until Nov. 4 to cast their ballot for the album they’d like to see nominated for the Grammy in each category. There are about 30 Grammy categories altogether, including the biggies, Album of the Year and Best New Artist. In the New Age and World categories, only one Grammy is given: Best Album.

Let’s state that again so there is no confusion: the first-round ballot voting is to decide who among the contenders will be NOMINATED for a Grammy in their respective categories. It’s the first step. The nominations will be announced Dec. 7, then NARAS members vote for one nominee in each category to receive the Grammy — the music industry’s highest award. The Grammys telecast this year will be on Feb. 15.

So tell us Bhakti Beaters: Who would be YOUR pick for a Kirtan Grammy?

_____________________

The Bhakti Beat welcomes your support!  We are non-commercial and not-for-profit,  a free service to the bhakti community that is completely self-funded save for the loving contributions of Bhakti Beaters like you.  Your support is critical — please share the Beat with your bhakti peeps, connect with us on social media (links below), and consider a one-time or recurring donation (DONATE HERE) to help us keep this bhav boat afloat.  All contributions are used exclusively to cover the direct expenses of bringing you News, Reviews, Interviews and Videos from the kirtan and mantra-music world.  Thank you from the bottom of our bhav brain, heart and soul. In loving service...

Hare Krishna Hare Krishna Krishna Krishna Hare Hare
Hare Rama Hare Rama Rama Rama Hare Hare
Dear Lord, kindly engage me in your service.
 
Follow The Bhakti Beat on facebook
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Subscribe to our YouTube channel
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Ananda Ashram Shyamdas Tribute by TheBhaktiBeat.com
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The First Annual Shyamdas Foundation Retreat kicks off this weekend (September 25-27) at Ananda Ashram in Monroe, N.Y. for three days of intimate song and satsang with Shyamdas’ closest friends and followers.  You should come.

 

Why? Well, because it’s the FIRST ANNUAL SHYAMDAS FOUNDATION RETREAT.  Do we need to say more? Okay, fine. This is THE retreat in honor of Shyamdas, the beloved bhakti scholar, author, kirtan wallah, respected teacher and friend to all, who left his body — along with a huge hole in the heart of the bhakti world — in January of 2013.  His inimitable spirit and legacy endure thanks in part to the Shyamdas Foundation, which is hosting this intimate retreat at the Bhajan Belt ashram that was so dear to Shyamdas’ heart.  In fact, Ananda was often the first place Shyamdas would go to share kirtan and satsang when he returned to the States after winters in India.

“One of the most important things Shyamdas imparted to us was to keep good association. Part of that is in the kirtan, but part of it is hearing the teachings.  This is an opportunity for a more intimate setting to get fully immersed in not just kirtan, but in the teachings.  There is a particular vibe at Ananda because it is an Ashram, so this has that energy with all of these people coming together to really get drenched in the nectar.” 

~ Ishwari of SRI Kirtan

Need more?  Did I mention there will be kirtan — lots of kirtan — with Shyamdas’ tribe of musician-gopis.  We’re talking Gaura Vani, Adam Bauer, Prema Hara, Steve Gorn, Nina Rao, SRI Kirtan, Devadas, Karnamrita Dasi, David Newman, Vrajdevi from Vraj, India, Arundhati and Prema from Woodstock, Yogi P from Vermont for starters…and we imagine there might be a surprise or two in store.

But wait, there’s more. Jivamukti yoga co-founder Padma Sharon Gannon herself will be leading asana practice, along with her nephew and protegé Jules Febre.  There will be stories and teachings and satsangs with Shyamdas’ dearest scholar-friends, including Radhanath Swami and David Haberman, and Vallabhdas, Shyamdas’ student/co-author and the founding director of the Shyamdas Foundation. There will be readings from Shyamdas’ books.  There will even be an “enchanted forest walk” with Gaura Vani and Vallabhdas that is sure to be…well, enchanted. We’re hoping Gaura brings his flute…

“I see this gathering at Ananda Ashram—a place Shyam loved and where I remember countless great moments shared—as a chance to continue deepening and nourishing what I love best about my experience with Shyamdas and indeed the broader Bhakti lila: meaningful time with friends and family, practicing the Bhakti yogic arts, joining hearts and voices together in the Divine Names, and enjoying the inspiring company of other seekers of love and truth. Plus, a bunch of good prasad! What’s not to love?”

~ Adam Bauer

But wait, you haven’t heard the best part of all. What makes this weekend realllllly special is the rare opportunity for satsang with one of Shyamdas’ own gurus, Shri Milan Goswami, grandson of his original Pushti Marg guru, Shri Prathameshji. These teachers are direct descendants of the 15th century bhakti philosopher Shri Vallabhacharya, the founder of the Path of Grace, who is considered by Pushti devotees to be a manifestation of Krishna and Radha, as well as a witness to the divine couple’s loving plays. Shyamdas was the first western initiate into the Pushti Marg and devoted his life to translating and sharing Vallabhacharya’s teachings.

Did you catch that?  That’s satsang with a living, breathing soul who is believed to be a direct descendent of Krishna & Radhe incarnate.

 

Go ahead, take a moment to wrap your brain around that concept.  We are.

 
Then check out this YouTube playlist of Shyamdas kirtans and teachings.


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Here’s the latest schedule of what’s happening (subject to change of course).  Learn more and get tickets at www.shyamdasfoundation.com

COMPLETE SCHEDULE OF EVENTS:

FRIDAY:
4pm Check in
5:30 pm dinner
6:30 pm  Welcome/Shyamdas video
7 pm Pushti Kirtan: Vrajdevi, Ishwari & Vallabhdas
8 pm Bhakti Satsang: Radhanath Swami w/ Gaura Vani
9:30 pm Kirtan: Prema Hara

SATURDAY:
9 am Kirtan: Nina Rao
10 am Kirtan:  Devadas
11-12:45 Jivamukti Yoga w/ Sharon Gannon and Jules Febre
11 am Kirtan Workshop: “Singing for the Beloved” w/ Karnamrita Dasi, Vallabhdas, Martin Brading
12 pm Shyamdas Foundation Roundtable w/ Vallabhdas and Board members
1:30 pm Bhakti Lecture “Life Lessons & Vedantic Love” by Prof. David Haberman
3 pm En-chanting forest walk w/ Vallabhdas, Gaura Vani et al.
3:45 pm Bhakti Satsang: Shri Milan Goswami w/ Vallabhdas
5:15 pm Dinner
6:15 pm Kirtan: Arundhati w/ Prema
7:15 pm Shyamdas Archive audio clip
7:30 pm Kirtan: SRI Kirtan
8:30 pm Kirtan: Gaura Vani
9:30 pm Kirtan: Karnamrita Dasi

SUNDAY:
9 am Indian Classical Music: Steve Gorn
10 am Kirtan: Yogi P
11-12:45 Jivamukti Yoga w/ Sharon Gannon and Jules Febre
11 am Satsang Workshop: “Find the Beloved” w/ Ishwari, Vallabhdas, Premdas
12 pm Shyamdas Foundation Roundtable w/ Vallabhdas and Board members
1:30 pm Yamunashtakam Dance: Aarati Spadea w/ Vallabhdas, Ishwari, John McDowell
1:45 pm Pushti Bhakti Satsang: Shyamdas book readings w/ Padma Sharon Gannon, Vallabhdas, Ishwari
2:45 pm Kirtan: Adam Bauer
3:45 pm Kirtan: David Newman (Durga Das) w/ Mira
5 pm Multi-musician Finale

BONUS FOR READING ALL THE WAY TO THE BOTTOM! USE CODE “BHAKTI” AND TAKE 15% OFF YOUR WEEKEND PASS OR DAY TICKETS!

_____________________

The Bhakti Beat welcomes your support!  We are non-commercial and not-for-profit,  a free service to the bhakti community that is completely self-funded save for the loving contributions of Bhakti Beaters like you.  Your support is critical — please share the Beat with your bhakti peeps, connect with us on social media (links below), and consider a one-time or recurring donation (DONATE HERE) to help us keep this bhav boat afloat.  All contributions are used exclusively to cover the direct expenses of bringing you News, Reviews, Interviews and Videos from the kirtan and mantra-music world.  Thank you from the bottom of our bhav brain, heart and soul. In loving service...

Hare Krishna Hare Krishna Krishna Krishna Hare Hare
Hare Rama Hare Rama Rama Rama Hare Hare
Dear Lord, kindly engage me in your service.
 
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Crowd Arms Raised Jazz Fest 2015
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Crowd Arms Raised Jazz Fest 2015

Wait a minute, kirtan at Jazz Fest? THE Jazz Fest?? The one going on right now in New Orleans, featuring Elton John, the Who, Lady Gaga, Jimmy Cliff, Robert Cray, Buddy Guy and a long list of luminaries from a genre-blending spectrum of rock/jazz/blues/gospel and more?

Yep, that’s the one.  You can add Sean Johnson and The Wild Lotus Band to that lineup of musical legends.

So, what’s the big deal about kirtan at a mainstream music festival like Jazz Fest?

The Bhakti Beat asked Sean Johnson this in an interview shortly after the band’s set.  He paused, contemplating the question, then offered this: “I feel like kirtan music gets put into a box by people who are not familiar with it.   People who aren’t into yoga or meditation don’t even really give it a chance; there’s a prejudgement about what it is.”

Sean Johnson Wild Lotus Band TheBhaktiBeat.comEven kirtan artists, Johnson observed, have a hard time describing what they do in words that resonate with someone who doesn’t already relate to the bhakti world. Playing a mainstream music festival, he said, “is an opportunity to put mantra music right in front of a general audience, so they can bypass their own judgments about what it might be — to really be able to experience it in their bodies rather than judging it with their minds.”

“We in this kirtan subculture create these experiences and events where we can get together and be inspired by each other, but I think there’s value in the magic of what we share that can really be a gift to the wider culture,” he continued. “Mantras in and of themselves are really powerful, so if we can create experiences that bypass the boundaries that are put around certain cultural experiences, even certain kinds of art, it becomes an opportunity for the labels to become unimportant, to no longer separate us from each other.”

Any way you look at it, a kirtan band at the epic New Orleans Jazz & Heritage Fest is, well, epic.  And this little bhakti band from NOLA has been invited back to Jazz Fest three times so far.  We’re tempted to call them a regular.

Sean Johnson Wild Lotus Band Jazz Fest TheBhaktiBeat.com

Parmita Pushman, the founder of White Swan Records and herself a pioneer in bringing mantra music to the mainstream, had this to say about the Wild Lotus Band’s Jazz Fest participation: “Jazz Fest features the colors and creativity of New Orleans; artists like Sean Johnson and the Wild Lotus Band are part of a vital new future for New Orleans. Kirtan music and yoga are bringing peace and music to people, but wherever it happens they also bring along their own musical influences and tastes which are seen in the expression of their song.”

The trio of Johnson (vocals/harmonium), Alvin Young (bass/guitar), and Gwendolyn Colman (vocals/percussion) has become somewhat of a legend in their own right, at least in the bhakti world.  Their brand of funked-up, bluesy, soul-tingling mantra music is a favorite at chant festivals and yoga retreats, where they never fail to whip the crowds into a frenzy of ecstatic free-dance.  But this band consistently delivers much more than rock-out dance mantra.  They will take you deep, lift you up, and crack you open with soulful sprinklings of bhakti poetry and tear-jerker gospel classics like their signature set closer, Fly Away.  Gets us every time.

Apparently we’re not alone.  Even at Jazz Fest — a big, boisterous, outdoor, party-scene festival with a dozen stages plus parades, pow-wows and pavilions — the band moved people to tears, Johnson told us. Performing on the first day of the two-weekend Fest, the band had their biggest crowd yet in their three years at Jazz Fest, with lots of kirtan newbies plus a dedicated group of hard-core fans, friends and family, who held the response.

“Many people were crying at one point or another,” Johnson said of the band’s Friday afternoon set. “I don’t know how often that happens at a big music festival, so I was really grateful that even in that outdoor, larger-scale environment with a lot of people who were not familiar with kirtan, people had such an intimate emotional experience.”

Sean Johnson Wild Lotus Band Jazz Fest ThebhaktiBeat.comWith less than an hour to play, the NOLA native said it was challenging to find a way to make the experience as accessible and comfortable as possible to people new to kirtan.  He told the crowd that the language of bhakti might be a little different than what you’re used to, but what happens in kirtan is really not that different from what happens in the gospel tent across the field or even at the main stage.

Connecting Through Music

“I don’t want people to think that kirtan is this strange esoteric form of music from another place and time,” he said.  It’s just another way of connecting through music, he said. “The most exalted moments of a stadium rock concert are when everybody knows the song; there is this communion between the band and the crowd.  The essence of what happens in that experience is the same thing that happens in kirtan.”

Unity Sean Johnson Wild Lotus Band TheBhaktiBeat.comBased on the reports we heard, there was a whole lot of communion between band and crowd going on at Jazz Fest’s Lagniappe Stage during the Wild Lotus set.  The band led just four songs in their 50-minute set, all from their brilliant 2014 CD, “Unity,” with a little intro to each to offer some context for the mantras. (You’ve got “Unity,” right? If not, get it here.)

They opened with the exotic, rollicking tribute to the Remover of Obstacles, “Ganesha’s Belly Dance,” then moved into the CD’s title song, a mash-up of original lyrics around the theme of oneness fused with Lokah Samastah Sukhino Bhavantu, the Hindu prayer of peace for all beings. Next, their powerful, primal Kali chant, “The Way of Love,” had the crowd leaping over hedges to dance in a grassy area near the stage in what Johnson called a “little bit of a Bhakti Fest moment…but with grass.”

Then, with the revelers securely in the palm of their hands, the trio knocked it out of the park with the soulful song of hope that they wrote for the city they love in the wake of the hurricane that nearly destroyed it.  “I Will Rise Again” is a moving tribute to the band’s beloved NOLA rising from the floodwaters of Katrina.  It gives us goosebumps, and we’re pretty far removed from the Big Easy…

We imagine there wasn’t a dry eye in the crowd.

Jazz Fest photos courtesy of Bonnie Gustin Photography.

 

_____________________

The Bhakti Beat welcomes your support!  We are non-commercial and not-for-profit,  a free service to the bhakti community that is completely self-funded save for the loving contributions of Bhakti Beaters like you.  Your support is critical — please share the Beat with your bhakti peeps, connect with us on social media (links below), and consider a one-time or recurring donation (DONATE HERE) to help us keep this bhav boat afloat.  All contributions are used exclusively to cover the direct expenses of bringing you News, Reviews, Interviews and Videos from the kirtan and mantra-music world.  Thank you from the bottom of our bhav brain, heart and soul. In loving service...

Hare Krishna Hare Krishna Krishna Krishna Hare Hare
Hare Rama Hare Rama Rama Rama Hare Hare
 
Dear Lord, kindly engage me in your service.
 
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(Wondering who the hell Vrinda is? Read to the end…)

Hare Krishna by TheBhaktiBeat.comIt’s true. I, Vrinda, am a kirtan pusher.

I mean, I’m already a self-diagnosed “kirtan addict,” and we’ve established that there are a lot of those out there. I’m okay with that.

But a pusher? Well, this just, ahem, pushes it to a whole different level.

It hit me in the midst of a PM to a friend in Connecticut about a kirtan in a cave that she simply must attend.

My god, I thought. I’m like a kirtan evangelist.

The idea stopped me in my tracks, mostly because I’ve never had much use for evangelists who go about proselytizing their faith to anyone who will listen, and even less use for the Christian fundamentalists who tend to do the proselytizing.  On the other hand, the Revivalists, with their raise-the-roof/Praise-the-Lord church parties, have always fascinated me.  Maybe it’s the memory trace of that one my sister and I attended as adolescents in the little white church up the road from our farm in northeastern Vermont. It was both exhilarating and terrifying.  I had never before experienced that kind of passion for Jesus — of sheer sing-your-heart-out joy and dramatic redeem-thyself theatrics — certainly not in the staid Catholic church my family filed into every Sunday at 10, like clockwork.

Dear Lord, had I become like the fire-and-brimstone preacher up on that little church altar, waving his Bible at the Congregation of trembling souls and enjoining them to experience ecstatic redemption?  Is my call to Come to Kirtan any different than his call to Come to Jesus? Is this why my non-kirtan friends avoid me like the plague?  Suddenly I was on a roller-coaster ride of self-reflection and deep personal inquiry, along with its inevitable bedfellow, self-doubt.

“Jeezh,” my snarky twin interrupted.  “We just thought it would make a funny blog.  Lighten up already, will ya’?”

Oh, right.  [Sound of brakes screeching] Back to those signs.  After great personal exploration and intense research (a 30-second google search), I, Vrinda, have come up with this list of possible symptoms that may indicate that you, too, might be a kirtan pusher.

8 Signs You Might Be a Kirtan Pusher

1. You always know where your next kirtan is.

2. You drive down the road with kirtan blasting, smiling at anyone who notices.

3. When friends come to visit, you introduce them to so-and-so’s new bhakti CD.

4. You spend copious amounts of your “free time” inviting people to kirtans, posting notices about kirtans, organizing kirtans…and oh yeah, attending kirtans.

5. A typical grocery-store encounter starts and/or ends with Radhe! Radhe! or Haribol!

6. You belong to more than 5 kirtan-related groups on facebook.  (This is a dead giveaway).

7. Your kirtan friends are always asking you what’s going on.

8. Your non-kirtan friends stopped asking you what’s going on.

Keep Calm and Bhav On by TheBhaktiBeat.comIf you recognize any of these symptoms in yourself or others, seek help immediately.

Start by opening your mouth and saying Ommmmmm. Put on Krishna Das. Visit a friend with a harmonium right away. Join The Bhakti Beat’s Chantaholics Anonymous Support Group.  If it gets severe, call the Kirtan Hotline at 1 800 HARIBOL to find out immediately where the nearest wallah is.

 

photographerEditor’s Note: “I, Vrinda” is a new, occasional first-person series on TheBhaktiBeat.com in which I, Vrinda (aka Brenda Patoine) say what I’m thinking, whether you want to hear it or not.  Call it op-ed, editorialism, commentary, satire — hell, call it whatever you want.  Vrinda is opinionated but open, largely unfiltered, at times irreverent, and sometimes downright sassy (don’t say I didn’t warn you).  She’s pure Gemini, part wise, part wise-ass; the good the bad and the naughty all rolled up into one messy, messed-up, hopelessly imperfect, doing-the-best-she-can kinda’ girl, er, woman. She — I mean, I — may offer two cents or more on subjects from the ironies of the yoga world to the injustices of the corporatocracy,  the ins and outs of the bhakti community, or the ups and downs of internet dating. She/I may even occasionally try to be funny, undoubtedly with mixed results. Vrinda really just wants everyone to wake the f**k up (I warned you).   For more on Vrinda, including why she uses that name, click here on this link…but you’ll have to wait until I get that piece written.

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Like what you see here?  Help us keep The Bhakti Beat flowing!  Consider donating today, a one-time contribution or a recurring contribution — any amount is so appreciated and will help us continue to bring you the bhav.  The Bhakti Beat is a labor of love, completely self-funded by Brenda Patoine (moi), who is a freelance neuroscience writer by day.  Every bit helps! THANK YOU! Donate Here.

 

 

 

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Krishna Das by TheBhaktiBeat.comVideo interview at the bottom.

Yes, it’s true.  Krishna Das went to prison for Call and Response. The Call and Response Foundation, that is.

For the least few years, the nonprofit foundation has been arranging for kirtan wallahs to chant in prisons, psychiatric facilities, children’s hospitals, and other places where people might benefit from the healing power of mantra music.  This time, it was the Chant Master himself serving a little time in prison.

(You can support this important seva by contributing now to the Call and Response Foundation’s Prison Outreach Program.)

It was a gray, frigid Monday afternoon in northern Vermont, vexed by a drizzling rain that threatened to turn to snow. Krishna Das and his drummer, Arjun Bruggeman, arrived at the Chittenden County Regional Correctional Facility for Women early, after a double-header weekend of kirtan+ workshop that were partial benefits for Call and Response.

They were at the medium-security prison in South Burlington to fulfill the pie-in-the-sky request of an inmate named Lucinda.  Six months earlier, Lucinda had picked up a Krishna Das CD in the prison library.  Apparently, she couldn’t get enough of it, and she wondered aloud to her counselor, Philip Pezeshki, if Krishna Das would come chant with them.  Long story short, here he was.

Krishna Das Arjun Bruggeman prison VT Call and Response Foundation by TheBhaktiBeat.comThey brought nothing but a harmonium and a Naal drum.

Bruggeman’s usual tablas were left behind because  the little metal hammer that he uses to tune them was a security risk. The six of us — including C&RF director Jen Canfield and local wallahs Patrick (Yogi P) McAndrew and Jeanette Bacevius — dutifully stashed wallets and cell phones and jackets and scarves that could present a choking hazard into the lockers in the waiting room, then traded our driver’s licenses for visitor’s passes.  Krishna Das and Arjun opened up their instruments for a thorough search by a serious but pleasant enough security guard. I presented my Nikon to the guard, hoping for a miracle, but it was not to be,  so I reluctantly stuffed it into the locker with everything else.  At least he let me keep my little reporter’s notebook (after leafing through it thoroughly) and a pen to take notes. Then we all took off our shoes and filed through a metal detector, their instruments and my notebook set to the side.

We were led through a series of security doors to a windowless, concrete-block room off a main corridor.  There was a whiteboard with a hand-written list of stress-relief strategies on one wall, and on another wall, a single poster exhorting viewers to “end the silence” about sexual abuse.  A few rows of yoga mats, folded in thirds, were set up in a semi-circle, with a row of mismatched chairs at the back.

KD and Arjun set up their instruments underneath the “End the Silence” poster.  Then KD wrote out the words to five chants on an easel.  Shree Ram Jay Ram Jay Jay Ram.  Om Na-moh Bhag a vah tay Na ma ha. Om Na-mah Shee vy ah. Jay a Jagat Ambay. Om Ay-eem Shreem Sara swa ty yay Na ma ha. 

Krishna Das prison VT by TheBhaktiBeat.comLucinda, the inmate responsible for all of us being there, came in and sat with KD for several minutes to interview him for the prison newsletter.  Soon enough, about a dozen or so inmates — most appearing to be under 30 — began filtering into the room.  They looked somewhat bewildered, even gruff, like they didn’t know what they were getting into.  Several prison staff members also came in, with serious faces.  Honestly it was hard to tell who the inmates were, until I realized they each had on a dark blue scrub shirt over their street clothes.  The chairs in the back filled up quickly, and the seats in the front, closest to where KD and Arjun were now seated cross-legged on yoga blocks, remained empty.

No, this was not going to be your average Krishna Das kirtan.

KD started by telling the group what kirtan was not.  “This is not a religious practice.  There is no blind faith required,” he said. “This is not a missionary trip.  I’m here because I was invited.”

Arjun Bruggeman at Krishna Das prison VT by TheBhaktiBeat.com(In the waiting room, KD had told me that the last time he chanted in a prison, it was with a group of 100 or so men in a maximum-security facility in the South.  “Everything was going along great,” he recalled, “until I started singing the Maha Mantra.” As soon as the prisoners heard Hare Krishna, they started scowling and fidgeting, looking at one another and shaking their heads.  Every one of them got up and walked out.  Every. Single. One. He hadn’t been back to a prison since.)

Kirtan, Krishna Das told those gathered in the cold cement room, was “a way to quiet the mind, to kind of short-circuit the stories we tell ourselves.”

“We mostly don’t get a vote about our thoughts,” he said.  “Chanting is a means of winding down the mind and training ourselves to let go of thoughts.”

He initiated the singing as he always does, with an opening prayer, which he described as “a prayer to that place within us that is looking for true love.”  After the prayer, he paused in the silence of the room, a silence that was routinely interrupted by a loud slam of the security doors in the hallway outside.  Looking out at the women prisoners in the back, he said quietly: “These mantras are sounds that have a magnetism to them.  By repeating these mantras, we bring the mind to a quiet place.  When the mind is quiet and the heart is at peace, your life can take a different course.”

Sri Ram Jai Ram Jai Jai Ram…

And so it went. Not unlike a typical Krishna Das workshop.  Talk a little. Chant a little. Talk a little more. Chant a little more.  Yet this one was verrrrry different.  We were reminded of that about halfway into the session.  KD had just finished saying something about how to “find some peace no matter what the outside world was throwing at us” when a beefy security guard pushed through the door loudly, with a list in his hand.  KD stopped talking and simply said: “Come on in.” The guard peered around the room, unsmiling, checking people off his list.  He called out a few names — not the Names that had been ringing in the room a few moments before, needless to say.  Then with a slam of the door, he was gone.

“We’re all still here,” KD joked self-consciously, with an awkward chuckle.  Then he picked up the thread, saying there were all kinds of practices — chanting among them — that one could use to “find a way to chill yourself out no matter what’s going on.”  It was an appropriate lesson for the moment, and you could feel it resonating with the folks seated in the room.

Arjun Bruggeman at Krishna Das prison VT by TheBhaktiBeat.comA couple times during the session, Krishna Das asked if anyone had questions.  It wasn’t until the end that one woman spoke up, asking him if he had always known that this is what he would do.  He told a story he has told many times — of how devastated he was when his guru Neem Karoli Baba (Maharaji) told him to go back home to America; how he had asked Maharaji: “How can I serve you in America?” and Maharaji laughed at him with a look “like he had just bitten a sour pickle;” how he, Krishna Das, was walking across the ashram’s courtyard later on and was suddenly struck by the answer: “I’ll sing for you.”  That was 1973, KD said.  It took him 21 years, until 1994, to finally start singing.

Then he told the inmates a story I had never heard.  He said he didn’t think they were even going to let him into the jail for today’s session because he was a convicted felon.  Say what?   Yep, Krishna Das told us he had been charged with money laundering after a criminal investigation involving the IRS and the FBI.  He told the group that it was an “insane story” that they would never believe.  One woman replied, “Oh yes we will,” and they all laughed.  So he related how he thought he was going to end up in prison, but instead — due to a somewhat remarkable series of graces involving the judge, prosecutor and parole officer in the case — was sentenced to six months of house arrest.  He spoke of the period as a blessing, a relief, a much-needed opportunity for rest after a grueling tour schedule.

More importantly, he said, “Being convicted freed me from the secrets of my past. Now everybody knew.  I didn’t have to hide it anymore.”

Arjun Bruggeman at Krishna Das prison VT by TheBhaktiBeat.comWhen there was only time for one more chant, Lucinda, the inmate responsible for KD being there, requested ‘Amazing Grace’ with the Maha Mantra. I held my breath, remembering KD’s story about all the men walking out when he started singing Hare Krishna.  “We cooooould,” KD replied hesitantly… “Let’s sing the third one,” he deflected, pointing to the whiteboard where the chants were written out phonetically.

Om Namah Shivayah. 

A long silence — blessedly uninterrupted by doors slamming — followed.  Then KD looked out at the women and said simply: “Take good care of yourselves, okay?”

Afterward, many of the inmates lined up to thank him, to shake his hand or receive a hug.  Most were new to chanting.  One woman, Chelsea, said she found the session to be “really inspiring and cleansing.” She told us she felt energized, and definitely wanted to chant again.  Another, Sarah, confessed that at first she thought it was “a little weird,” but by the end, felt that “it really worked. I absolutely loved it.”  Adrienne said she felt relieved:  “The stress is gone. I’m more relaxed. I hope he comes back.” A group of them milled around, smiling, chatting, not wanting to leave.  Somehow, the cold concrete room was warmer, softer…

“Come back every week!” a young blond inmate named Suzi exhorted KD.

When all the staff and inmates were gone, our little group walked back down the hallway and through the double security doors .  We gathered our belongings, traded our visitor’s passes back for licenses, and bundled up to face the frigid Vermont evening.  Outside, a cold rain was still falling, and darkness had descended.  None of us seemed to notice.

Before we disbursed, Krishna Das agreed to a short video interview outside the prison door.  I dare you to not be moved by what happens midway through it…

“Everybody’s a prisoner, sweetheart. Prisoners of our own minds.”

Support the Call and Response Foundation’s Prison Outreach Program here.

View the Photo Journals of Krishna Das’ prison visit  in Vermont 2014, and his kirtan and workshop, on The Bhakti Beat facebook page.

Connect with The Bhakti Beat!
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Like what you see here?  Help us keep The Bhakti Beat flowing!  Consider donating today, a one-time contribution or a recurring contribution — any amount is so appreciated and will help us continue to bring you the bhav.  The Bhakti Beat is a labor of love, completely self-funded by Brenda Patoine (moi), who is a freelance neuroscience writer by day.  Every bit helps! THANK YOU! Donate Here.

 

 

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Larisa Stow & Shakti Tribe Bhakti Fest 2014 by TheBhaktiBeat.com There is nothing traditional about Larisa Stow & Shakti Tribe.  And that’s just fine with us.

Larisa and the Tribe deliver unapologetic Mantra Rock.  Quite unlike anything we’ve seen anywhere else. The first time we experienced their edgy urban-laced brand of bhakti, our jaw dropped, and they just keep get juicier each time we see them.  Quite possibly the tightest little shakti band in the West, they never fail to fill your cup with lovelovelove and take it right over the top — and then bring it back down to earth with something authentic and grounding like Larisa’s now-signature LOVE-IN with the crowd.

Larisa Stow, Bhakti Fest 2014, TheBhaktiBeat.comThis year’s set at Shakti Fest was no exception, as love goddess Larisa snuggled up close and personal at the front of the stage with adoring fans pouring out their affection.  She reflected it right back, singing them a heart-felt love ballad laced with advice for living fully from one who knows how. “We need to embrace all the parts of ourselves,” she said. “Even those wild parts.”  It was like group therapy in the bhav!

“How juicy can we get?” Larisa asked the crowd at one point.  “How much can we open up in this moment?”

They set the tone for their set right off the bat, with a Maha Mantra rock-out that proved why they call this music mantra rock.  Then it was time to “wake up those heartlines,” as Larisa implored the obedient bhaktas before her to put hands to hearts as she launched into an electrified ode to Tara, the Buddhist goddess of compassion who is always ready to spring into action to relieve suffering.  This was like no Om Tara you’ve heard before;  the seed mantra Om Tara Tuttare Ture Soha was fused with the English chorus “Om Tara, wake up in my life…” and driven by rich rhythmic layers of horns from the Wizard of Woodwinds Richard Hardy, bass, guitar, violin, and percussion.  Oh, just watch the video…

Then things got really juicy.

Shakti Fest 2014 by TheBhaktiBeat.com Larisa Stow Shakti TribeWith Tara sufficiently awakened in our hearts, the Tribe turned our attention to the Goddess Who Takes No Prisoners with a powerful seed mantra to invoke Kali.  We were also treated to a brand new song based on the Sanskrit mantra Ahem Prema, which means “I Am Divine Love.”  The Tribe’s version featured Bethany Folsom’s  exquisite violin amidst original lyrics reminding us that “The universe is in my womb” and “I am the love that I seek.”

Quotes, Bhakti Fest May 2014 by thebhaktibeat.comJust when you thought you couldn’t get any more love from the Love Tribe, “Whatcha Gonna Do With All That Love?” poured forth.  The song, already a signature anthem  for this Long Beach-based band, is now immortalized on Shakti Tribe bumper stickers that were given away freely from the stage.

But they weren’t through with us yet.  They hit us with another version of the Maha Mantra that shook the ground with its high-energy must-dance vibe (trust me — I just shook my whole neighborhood blasting it in my apartment…).  If you weren’t dancing by now…well, I don’t think anyone wasn’t dancing.  The set ended, fittingly, blessedly, with the title track from their epic CD “Rock On Sat Nam,” officially sealing the Tribe’s place as the Bhaktas Most Likely to Rock Your World.

What are we gonna do with all that love?  Pass it along of course!  Larisa made us promise.

Shakti Tribe is Benj Clarke on bass, Richard Hardy on woodwinds, Bethany Folsom on violin, Keith Larsen on drums, and of course, Larisa Stow holding court center stage on harmonium and vocals. Bray Ghiglia played guitar at Shakti Fest, and Mirabai Devi held space energetically throughout the set.

Mirabai Devi, Shakti Tribe, by thebhaktibeat.com at Bhakti Fest 2014 MaySo go ahead. Pass on the love.

See the full Photo Journal from Larisa Stow & Shakti Tribe’s set here.

 Also See:
Too Much Talking from a Kirtan Wallah?  Hmm. Bhakti Quotes Worth Repeating from Shakti Fest 2014
Top 12 Bhavalicious Moments at Shakti Fest 2014 (Photos)
Shakti Fest Moments” Photo Journal on The Bhakti Beat’s facebook page
Shakti Fest Finale” Photo Journal on The Bhakti Beat’s facebook page
“Jai Uttal” Photo Journal on The Bhakti Beat’s facebook page
‘We Need a Bus!’  Kirtaniyas Kick Off Shakti Fest Kirtan and Take Bhakti to A ‘Whole Other Level’
 
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Shakti Fest 2014.2 006At one point during the weekend-long love feast that was Shakti Fest 2014, I ran into Vijay Krsna and his beloved, Sarasvati Devi, the couple who lead the Kirtaniyas.  It was the day after their late-night set,  and I was gushing to them about how deeply touched I was by their kirtan and teachings (I despise gushers, frankly, but there I was, gushing…)  Vijay asked if he had talked too much.  I was perplexed by the question.  He said that he had “gotten into a little trouble” for talking too much during his set.

Really?  I was dumbfounded.  I mean, I know we’re here to sing, to chant the Names, to raise our voices in unity, to dance and clap and twirl in ecstatic joy.  I’m all for that.  But really, too much talking?  Kirtan is, after all, more than just another live-music concert like you can get at any bar or nightclub on a Saturday night.  It’s the core practice of bhakti yoga, an ancient discipline of devotion and service.  There is so much joy and wisdom in the teachings of bhakti yoga! Personally, I love it when kirtan wallahs pause from the chanting to offer little bits of wisdom or profound teachings from this tradition, or simply personal reflections from their own bhakti path.  Am I alone on this? I don’t think so.

Here, in honor of the “talking” part of kirtan, are a few of our favorite quotes — at least the ones that we had the presence of mind to write down — from the bhakti feast in the High Desert at Joshua Tree:

Vijay Krsna, Kirtaniyas, Shakti Fest 2014 by TheBhaktiBeat.com“It’s no longer enough to perform kirtan.  We want to inspire kirtan.  We want to be inspired by kirtan.” Vijay Krsna of The Kirtaniyas, Thursday night’s pre-kirtan.

“We are the way heaven shows up.” Akahdahmah Jackson of Aykanna (an Aramaic word from the Lord’s Prayer meaning “as it is in heaven”), Friday afternoon.

“Our true nature is whole and complete.  You are infinite joy. When you realize you are one with Krishna, you realize you are whole and complete.” ~Manoj, the Deity Wallah, speaking between sets on Friday.

Larisa Stow & Shakti Tribe, Bhakti Fest May 2014, by TheBhaktiBeat.com“We need to embrace ALL the parts of ourselves — even those wild parts.” ~Larisa Stow, Larisa Stow & Shakti Tribe, Friday evening.

“It’s half English, half Sanskrit, and 100 percent ecstasy,” ~Dave Stringer, Friday night, speaking of his forthcoming collaborative CD with Donna De Lory interpreting the Radiance Sutras in mantra music.

Simrit Kaur, Bhakti Fest May 2104, by theBhaktiBeat“Sometimes I feel like I’m dangling from a thread. The mantras are all I have to hold onto.” ~Simrit, Kundalini chantress, Friday afternoon.

“You’ve got to give love in order to receive love.  With every step you take, give love, receive love.  Give love, receive love.  Give love, receive love.” ~Wah!, Saturday evening

Jai Uttal, quote, Bhakti Fest May 2014, by TheBhaktiBeat.com“Every day I wake up with the a feeling of being completely lost. How can I function in a meaningful way on this earth? The answer is that I get to sing God’s name.  Without that I’m basically a lost cause.” ~ Jai Uttal, in his “playdate” (aka workshop) Saturday afternoon.

 

“I love that silence at the end of the chant.  It’s almost as if you work the whole song to get to that point of silence.  Then it’s just you and the Divine for a moment.” ~Cooper Madison, The Gandharvas, Sunday afternoon.

“Hanuman is the embodiment of grace.  The Chalisa opens up our hearts to that channel of grace.” Govindas, of Govindas & Radha, during the Sunday morning Hanuman Chalisa session.

Kamaniya & Keshavacharya, Prema Hara, Kirtan Revolution, Bhakti Fest May 2014, by TheBhaktiBeat.com“It takes a lot of people to make a kirtan revolution.” Kamaniya Devi of Prema Hara, Sunday afternoon.

 

“Unconditional love.  It’s really the only thing we should be practicing all the time.  But it’s hard, isn’t it?  Singing is the most powerful way to unconditional love. ” ~ Masood Ali Khan, Sunday morning.

“The only way to get back home is to fall in love with God.” ~Saul David Raye, putting to song a quote from Italian musician Alex Cigolini, during Monday’s Post-Intensive.

Gina Sala, Bhakti Fest May 2014, by TheBhaktiBeat.com“Because the one I love lives inside of you, I lean as close to you as I can.” ~Gina Salá, singing one of her signature love songs during Saul David Raye’s Post-Intensive.

Quotes, Bhakti Fest May 2014 by thebhaktibeat.comSo then, the question is: Whatcha gonna do with all that love, Bhakti Beaters?

Pssst…Pass it on.

 Also See:
Top 12 Bhavalicious Moments at Shakti Fest 2014 (Photos)
Shakti Fest Moments” Photo Journal on The Bhakti Beat’s facebook page
Shakti Fest Finale” Photo Journal on The Bhakti Beat’s facebook page
“Jai Uttal” Photo Journal on The Bhakti Beat’s facebook page
‘We Need a Bus!’  Kirtaniyas Kick Off Shakti Fest Kirtan and Take Bhakti to A ‘Whole Other Level’
 
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Like what you see here?  Help us keep The Bhakti Beat flowing!  Consider donating today, a one-time contribution or a recurring contribution — any amount is so appreciated and will help us continue to bring you the bhav.  The Bhakti Beat is a labor of love, completely self-funded by Brenda Patoine (moi), who is a freelance neuroscience writer by day.  Every little bit helps! THANK YOU! Donate Here.

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