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Capture logoKrishna Das will be there. Jai Uttal will be there. Deva & Miten too.  Even Shyamdas, the bhakti world’s most beloved Ambassador of Bhava, will be there, in all his bhavalicious glory.  Journey OM: Into the Heart of India, the cinematic masterpiece in the works from veteran filmmaker and original bhakti bhaiya John Bush, promises to be the bhakti movie of the year.

Right now, you can be a part of this film’s development by pre-ordering the DVD and soundtrack featuring Krishna Das, Jai Uttal, Deva Premal & Miten and more.  ACT FAST! The campaign ends at 1:19 a.m EST on Friday, April 24.

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There’s a certain mystique about India that can be hard to define.  For many in the bhakti world, the pull is strong, like that of a mother beckoning her children home.  There’s an almost inexplicable longing that cuts straight to the soul, not unlike what we imagine the Gopi cowherds felt for their sweet Govinda.

Journey OM aims to capture that elusive quality that makes India unlike any other place in the world.  But don’t mistake this upcoming film for some ordinary travelogue cataloging must-see pit stops on a well-trodden tourist path. Journey OM, according to filmmaker John Bush, takes you off the beaten track.  Way off.

Focused on ‘Places of Passage’

Bush focuses his camera on so-called tirthas, holy “places of passage” that are believed to be sacred sites where the veil between worlds is thin, where it is possible for even ordinary humans to cross over from worldly materialism to spiritual nirvana with relative ease.  (Tirtha is a Sanskrit word that translates to “ford,” or a shallow part of a body of water that can be easily crossed.)

Mother India is rife with tirthas — legendary places with thousands-years-old histories in Hindu scripture and mythology. For example, at the very Southern tip of India is the island of Rameswaren, said to be the place from which Hanuman and Rama’s army built the bridge to Lanka to rescue Sita from the evil king Ravana, as is written in the Hindu epic, “The Ramayana.”  In the holy land of Braj there is Govardhan Hill, the mountain that Krishna, as a young boy, lifted high to protect the people of Vrindavan from the torrential rains that the god Indra had let loose in his anger.  And the list goes on…

“These are power spots,” says Bush. “They’ve been identified over thousands of years as places of transcendence, where one can go from earthly consciousness to celestial consciousness.”  Journey OM will take the viewer on a magical mystery tour of a dozen or so of these sites, with the intent of conveying a feeling of the sacredness of these places.

Bush at RanakpurJain Temple in Rajasthan“Each place has its own story, its own flavor,” Bush told The Bhakti Beat. “The revelations along the way are really geared to have a transformative effect for the viewer, to impart that ‘inner-journey’ experience of a sacred pilgrimage.”

Bush, the inspiration and perspiration behind Journey OM, is the real deal. He didn’t jump on the mantra bandwagon yesterday; his bhakti roots are deep — more than 40 years deep to be exact.  He was with Ram Dass back in the days of “psychedelic evangelism” of 1960’s America.  Like Ram Dass, he traveled to the Far East in search of that same feeling of transcendence, of divine consciousness, sans LSD.  He met Shyamdas when Shyamji was just 19, and developed a deeper friendship with him in the weeks before he died. The night Shyamdas left his body, they had been in satsang together, and Bush was in the car that, mere minutes after it happened, came across the scene of the motorcycle accident that claimed Shyamdas’ life.  They had planned for weeks to shoot footage around Shyamdas’ home in Braj for Journey OM, which is dedicated to Shyamdas.

On the Bus with Maharaji

John Bush 1971Along with  Ram Dass, Krishna Das, Daniel Goleman and a host of others, John Bush was on “the bus” — the one that Krishna Das has told the story of countless times — that arrived at its destination at precisely the same moment that the elusive Maharaji, Neem Karoli Baba stepped into the street, leaving the bewildered Westerners on board scratching their heads with mouths agape.

That moment — the first time Bush met the Indian Saint — was a turning point for the long-haired hippy from America.  “My life changed dramatically at that point,” Bush says.  He had been on his way back home after a series of meditation retreats in a remote Burmese monastery.  Instead, he spent the next couple of years following Maharaji in a kind of ongoing pilgrimage.  It was when the young Bush first connected with the age-old tradition of spiritual pilgrimage, and became fascinated by it.  It was also the period where Bush connected with kirtan, taking his turn as one of the Western wallahs in Baba’s entourage.

Later, back in the States, Bush roomed with Jai Uttal in Berkely for a period, and joined with Uttal, Krishna Das and Bhagavan Das in a bhakti band called “Amazing Grace.” They made a kirtan album, played at festivals and toured the Pacific Northwest, essentially launching the careers of three of the bhakti world’s best-known wallahs.  But unlike his bandmates, Bush — a new father at the time — decided the life of a professional musician was not for him.  He moved to Cambridge, Mass., and settled into a more traditional lifestyle, albeit one where kirtan and satsang continued to have a strong presence.

Fast-forward to the year 2000 or so.  Career finished, Bush returns to his “long-deferred dream” of sharing with the world, through film, the sacred cultures he fell in love with as a youth.  He filmed and produced an award-winning trilogy of pilgrimage films to Southeast Asia and Tibet, which were aired on PBS and around the world.  His documentary feature film, “Vajra Sky Over Tibet,” is endorsed by the Dalai Lama and has been screened as part of the official program of His Holiness in more than a dozen cities.

Bush describes Journey OM as “wall-to-wall bhakti.”  Not only does the soundtrack feature Krishna Das, Jai Uttal, and Deva Premal & Miten, but the entire film is steeped in the bhava of the devotional journey.

“Pilgrimage is part of the yoga of devotion,” he says. “My hope is that through the cultural immersiveness of this film, the viewer has their own transformative experience, their own inner journey.”

Journey Om cover shot

 

 

Contribute Now to JOURNEY OM’s kickstarter campaign.

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grammy nominationGrammys season has officially begun, and more than ever before, the world of mantra music represents.  More than a dozen artists in the “non-genre” of kirtan/chant/yoga music are on the first-round ballot for consideration to be among the 57th Annual Grammy Award Nominees for Best New Age Album.

[Yes, “New Age” is what the non-genre of kirtan seems to get lumped into in the Grammys world.  Not World Music, which is a separate Grammy category.  But that’s another story. That we’ve already written.  Read it here: Kirtan in a New Age: What’s in a Grammys Category?]

The buzz started a week or so ago on social media, when Jai Uttal announced that his “Return to Shiva Station” was among those being considered for nomination in the Best New Age Album category.  Next, Sean Johnson and the Wild Lotus Band put it out that their latest release, “Unity,” is also being considered.  Bit by bit, word came forth of other artists whose offerings are also on the list of qualified entrants that members of the National Academy of Recording Arts & Sciences (NARAS) will vote upon to decide who gets the coveted Grammy Nomination.

This got us thinking: who else is on that list? And what exactly does that mean?

So here’s the scoop that we got from one of our favorite voting NARAS members (who preferred to remain under the radar).  Among the total of 78 titles on the nominations ballot for Best New Age Album, we counted 18 from artists in the kirtan or mantra-music world (few can be accurately termed “kirtan albums” in the strict sense of call-and-response kirtan).  And the entrants are…(drumroll please):

AKASHA BLUE SKY, Bhakti House Band
UNITY, Sean Johnson and the Wild Lotus Band
LIVE IN CONCERT, Mirabai Ceiba
AT THE TEMPLE DOOR, Ajeet Kaur
FROM WITHIN, Nirinjan Kaur feat. Mathew Schoening & Ram Dass
RIVER OF LIGHT, Ashana
LIGHT OF THE NAAM: MORNING CHANTS, Snatam Kaur
KIRTAN WALLAH, Krishna Das
SARASWATI DREAMS, Jaya Lakshmi and Ananda
MANTRAS FOR LIFE, Deva Premal + Miten with Manose
BHAKTI, Paul Avgerinos
SHAKTI GUITAR, Stevin McNamara
RISING, Alex Theory and Shiva Rea
RETURN TO SHIVA STATION: KAILASH CONNECTION, Jai Uttal 
SHIVOHAM, Manish Vyas
KASHI: SONGS FROM THE INDIA WITHIN US, Prem Joshua & Chintan 
HOLISTIC DEVOTION, Patrick Bernard
INCANTATIONS, Sheela Bringi

So, what does it actually mean to be on the “first-round ballot?”

Essentially, it means that you’ve passed the basic entrance exam of submitting an album in accordance with the Academy’s fairly rigid guidelines.   It means that you are “on the list” — your album is officially entered on the ballot that was sent on Oct. 16 to 12,000 or so members of NARAS. Considering there were at least 300 submissions that didn’t make that cut, we’d say Congratulations to anyone who made it that far.

What’s next? The nominations voting is the next step in the Grammys process.  NARAS members have until Nov. 5 to vote for their favorite artists/albums/tracks (in the New Age category there is only one award, for Best Album).  Members can vote in up to 20 categories.  In some Grammy categories, special committees help sort through and determine who gets the nomination.  In the New Age category, there are no committees, so it’s the membership vote that counts here.  The top four or five will get the coveted Grammy Nomination, and will forever after be known as “Grammy-nominated so-and-so.”

Kirtan Grammy Win Would Be a First

Kirtan artists have gotten the nomination only twice before:  Krishna Das in 2012 for “Live Ananda” and Jai Uttal in 2002 for “Mondo Rama.” Neither won the Award; both broke new ground.  Uttal was the first Grammy nomination ever in this category and Krishna Das was the first to play at the Grammy Awards (at least, on the internet broadcast).  It was a pretty exciting night.  Well at least for a kirtan junkie…

As for this year’s first-round entrants, well, what can we say?  Just look at the diversity within that list.  Jai Uttal is back in the Grammy pool with “Return to Shiva Station” (read our review here) and KD is back with “Kirtan Wallah.”  New to the Grammy ballot are  Sean Johnson and his cohorts, Alvin Young and Gwendolyn Colman, aka the Wild Lotus Band, for their epic and long-awaited “Unity.”   All Grammy-worthy, IMHO.  The other chant-world luminaries on the list are Deva Premal, Miten and Manose’s “Mantras for Life,” a collection of practical-oriented mantras done in repetitions of 108, and Snatam Kaur’s “Light of the Naam,”a sequence of traditional Sikh greet-the-day chants.

Of course, that’s just the beginning of this list of Grammy hopefuls.  We fell in love with Steve McNamara’s Shakti Guitar when we heard him play it live at Ahimsa Fest last year (and we missed him there this year), and are continuing the love affair with the album, a  soundscape of acoustic comfort music that’s easy to snuggle up inside.  Patrick Bernard, a sonic chameleon of sorts and, with 20+ albums, practically an icon in the world of New Age music-therapy,  melted our hearts when we first heard him at the Montreal Chant Fest — unplugged and pared down to a harmonium and a response singer with kartals, singing to Radha and Krishna with such deep soulfulness it brought us to tears (yeah, I know, Chant Fests will do that…).  “Holistic Devotion” takes that core and arranges it up, with an apparent choir of angels singing backup.

At the other end of the spectrum are the best little bhakti band in Texas that you may not have heard of yet, the Dallas-based Bhakti House Band, whose “Akasha Blue Sky” oozes with joyful devotional.  Remember the name.

The Kundalini crowd is well represented on this list, no doubt due to the crack management at Spirit Voyage records.  There’s Snatam of course.  Then there’s Nirinjan Kaur, who has been whispered to be the “next Snatam” and who collaborated with respected producer/musician RamDass Khalsa and cellist Matthew Schoening for “From Within.” Ajeet Kaur is another Sikh-tradition songstress on the rise who seems to wow everyone who experiences her live kirtans.   Jaya Lakshmi and Ananda have a partnership that transcends ordinary notions of “music” into something wholly pure and transcendental, whether they’re chanting kundalini mantras or rockin’ the kirtronica.  The same could be said for Mirabai Ceiba’s Markus and Angelika, whom we’ve experienced live enough times to be pretty confident that their “Live in Concert” disc is a little slice of heaven.    Ashana is new to us and we like every recording we’ve heard so far.

And there’s more…well, we’ve got some homework to do.  Our favorite kind of homework.

So there you have it, your Mantra Music Guide to the Grammys.  Now, who among these entrants would you most like to see win the Grammy for Best New Age Album…who gets your vote?  Who would you like to see on that list who isn’t?

 

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