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Larisa Stow & Shakti Tribe Bhakti Fest 2014 by TheBhaktiBeat.com There is nothing traditional about Larisa Stow & Shakti Tribe.  And that’s just fine with us.

Larisa and the Tribe deliver unapologetic Mantra Rock.  Quite unlike anything we’ve seen anywhere else. The first time we experienced their edgy urban-laced brand of bhakti, our jaw dropped, and they just keep get juicier each time we see them.  Quite possibly the tightest little shakti band in the West, they never fail to fill your cup with lovelovelove and take it right over the top — and then bring it back down to earth with something authentic and grounding like Larisa’s now-signature LOVE-IN with the crowd.

Larisa Stow, Bhakti Fest 2014, TheBhaktiBeat.comThis year’s set at Shakti Fest was no exception, as love goddess Larisa snuggled up close and personal at the front of the stage with adoring fans pouring out their affection.  She reflected it right back, singing them a heart-felt love ballad laced with advice for living fully from one who knows how. “We need to embrace all the parts of ourselves,” she said. “Even those wild parts.”  It was like group therapy in the bhav!

“How juicy can we get?” Larisa asked the crowd at one point.  “How much can we open up in this moment?”

They set the tone for their set right off the bat, with a Maha Mantra rock-out that proved why they call this music mantra rock.  Then it was time to “wake up those heartlines,” as Larisa implored the obedient bhaktas before her to put hands to hearts as she launched into an electrified ode to Tara, the Buddhist goddess of compassion who is always ready to spring into action to relieve suffering.  This was like no Om Tara you’ve heard before;  the seed mantra Om Tara Tuttare Ture Soha was fused with the English chorus “Om Tara, wake up in my life…” and driven by rich rhythmic layers of horns from the Wizard of Woodwinds Richard Hardy, bass, guitar, violin, and percussion.  Oh, just watch the video…

Then things got really juicy.

Shakti Fest 2014 by TheBhaktiBeat.com Larisa Stow Shakti TribeWith Tara sufficiently awakened in our hearts, the Tribe turned our attention to the Goddess Who Takes No Prisoners with a powerful seed mantra to invoke Kali.  We were also treated to a brand new song based on the Sanskrit mantra Ahem Prema, which means “I Am Divine Love.”  The Tribe’s version featured Bethany Folsom’s  exquisite violin amidst original lyrics reminding us that “The universe is in my womb” and “I am the love that I seek.”

Quotes, Bhakti Fest May 2014 by thebhaktibeat.comJust when you thought you couldn’t get any more love from the Love Tribe, “Whatcha Gonna Do With All That Love?” poured forth.  The song, already a signature anthem  for this Long Beach-based band, is now immortalized on Shakti Tribe bumper stickers that were given away freely from the stage.

But they weren’t through with us yet.  They hit us with another version of the Maha Mantra that shook the ground with its high-energy must-dance vibe (trust me — I just shook my whole neighborhood blasting it in my apartment…).  If you weren’t dancing by now…well, I don’t think anyone wasn’t dancing.  The set ended, fittingly, blessedly, with the title track from their epic CD “Rock On Sat Nam,” officially sealing the Tribe’s place as the Bhaktas Most Likely to Rock Your World.

What are we gonna do with all that love?  Pass it along of course!  Larisa made us promise.

Shakti Tribe is Benj Clarke on bass, Richard Hardy on woodwinds, Bethany Folsom on violin, Keith Larsen on drums, and of course, Larisa Stow holding court center stage on harmonium and vocals. Bray Ghiglia played guitar at Shakti Fest, and Mirabai Devi held space energetically throughout the set.

Mirabai Devi, Shakti Tribe, by thebhaktibeat.com at Bhakti Fest 2014 MaySo go ahead. Pass on the love.

See the full Photo Journal from Larisa Stow & Shakti Tribe’s set here.

 Also See:
Too Much Talking from a Kirtan Wallah?  Hmm. Bhakti Quotes Worth Repeating from Shakti Fest 2014
Top 12 Bhavalicious Moments at Shakti Fest 2014 (Photos)
Shakti Fest Moments” Photo Journal on The Bhakti Beat’s facebook page
Shakti Fest Finale” Photo Journal on The Bhakti Beat’s facebook page
“Jai Uttal” Photo Journal on The Bhakti Beat’s facebook page
‘We Need a Bus!’  Kirtaniyas Kick Off Shakti Fest Kirtan and Take Bhakti to A ‘Whole Other Level’
 
Connect with The Bhakti Beat!
Subscribe to The Bhakti Beat
The Bhakti Beat on facebook
The Bhakti Beat on twitter
The Bhakti Beat on YouTube
The Bhakti Beat on Google+
 

Like what you see here?  Help us keep The Bhakti Beat flowing!  Consider donating today, a one-time contribution or a recurring contribution — any amount is so appreciated and will help us continue to bring you the bhav.  The Bhakti Beat is a labor of love, completely self-funded by Brenda Patoine (moi), who is a freelance neuroscience writer by day.  Every little bit helps! THANK YOU! Donate Here.

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Shakti Fest 2014.2 006At one point during the weekend-long love feast that was Shakti Fest 2014, I ran into Vijay Krsna and his beloved, Sarasvati Devi, the couple who lead the Kirtaniyas.  It was the day after their late-night set,  and I was gushing to them about how deeply touched I was by their kirtan and teachings (I despise gushers, frankly, but there I was, gushing…)  Vijay asked if he had talked too much.  I was perplexed by the question.  He said that he had “gotten into a little trouble” for talking too much during his set.

Really?  I was dumbfounded.  I mean, I know we’re here to sing, to chant the Names, to raise our voices in unity, to dance and clap and twirl in ecstatic joy.  I’m all for that.  But really, too much talking?  Kirtan is, after all, more than just another live-music concert like you can get at any bar or nightclub on a Saturday night.  It’s the core practice of bhakti yoga, an ancient discipline of devotion and service.  There is so much joy and wisdom in the teachings of bhakti yoga! Personally, I love it when kirtan wallahs pause from the chanting to offer little bits of wisdom or profound teachings from this tradition, or simply personal reflections from their own bhakti path.  Am I alone on this? I don’t think so.

Here, in honor of the “talking” part of kirtan, are a few of our favorite quotes — at least the ones that we had the presence of mind to write down — from the bhakti feast in the High Desert at Joshua Tree:

Vijay Krsna, Kirtaniyas, Shakti Fest 2014 by TheBhaktiBeat.com“It’s no longer enough to perform kirtan.  We want to inspire kirtan.  We want to be inspired by kirtan.” Vijay Krsna of The Kirtaniyas, Thursday night’s pre-kirtan.

“We are the way heaven shows up.” Akahdahmah Jackson of Aykanna (an Aramaic word from the Lord’s Prayer meaning “as it is in heaven”), Friday afternoon.

“Our true nature is whole and complete.  You are infinite joy. When you realize you are one with Krishna, you realize you are whole and complete.” ~Manoj, the Deity Wallah, speaking between sets on Friday.

Larisa Stow & Shakti Tribe, Bhakti Fest May 2014, by TheBhaktiBeat.com“We need to embrace ALL the parts of ourselves — even those wild parts.” ~Larisa Stow, Larisa Stow & Shakti Tribe, Friday evening.

“It’s half English, half Sanskrit, and 100 percent ecstasy,” ~Dave Stringer, Friday night, speaking of his forthcoming collaborative CD with Donna De Lory interpreting the Radiance Sutras in mantra music.

Simrit Kaur, Bhakti Fest May 2104, by theBhaktiBeat“Sometimes I feel like I’m dangling from a thread. The mantras are all I have to hold onto.” ~Simrit, Kundalini chantress, Friday afternoon.

“You’ve got to give love in order to receive love.  With every step you take, give love, receive love.  Give love, receive love.  Give love, receive love.” ~Wah!, Saturday evening

Jai Uttal, quote, Bhakti Fest May 2014, by TheBhaktiBeat.com“Every day I wake up with the a feeling of being completely lost. How can I function in a meaningful way on this earth? The answer is that I get to sing God’s name.  Without that I’m basically a lost cause.” ~ Jai Uttal, in his “playdate” (aka workshop) Saturday afternoon.

 

“I love that silence at the end of the chant.  It’s almost as if you work the whole song to get to that point of silence.  Then it’s just you and the Divine for a moment.” ~Cooper Madison, The Gandharvas, Sunday afternoon.

“Hanuman is the embodiment of grace.  The Chalisa opens up our hearts to that channel of grace.” Govindas, of Govindas & Radha, during the Sunday morning Hanuman Chalisa session.

Kamaniya & Keshavacharya, Prema Hara, Kirtan Revolution, Bhakti Fest May 2014, by TheBhaktiBeat.com“It takes a lot of people to make a kirtan revolution.” Kamaniya Devi of Prema Hara, Sunday afternoon.

 

“Unconditional love.  It’s really the only thing we should be practicing all the time.  But it’s hard, isn’t it?  Singing is the most powerful way to unconditional love. ” ~ Masood Ali Khan, Sunday morning.

“The only way to get back home is to fall in love with God.” ~Saul David Raye, putting to song a quote from Italian musician Alex Cigolini, during Monday’s Post-Intensive.

Gina Sala, Bhakti Fest May 2014, by TheBhaktiBeat.com“Because the one I love lives inside of you, I lean as close to you as I can.” ~Gina Salá, singing one of her signature love songs during Saul David Raye’s Post-Intensive.

Quotes, Bhakti Fest May 2014 by thebhaktibeat.comSo then, the question is: Whatcha gonna do with all that love, Bhakti Beaters?

Pssst…Pass it on.

 Also See:
Top 12 Bhavalicious Moments at Shakti Fest 2014 (Photos)
Shakti Fest Moments” Photo Journal on The Bhakti Beat’s facebook page
Shakti Fest Finale” Photo Journal on The Bhakti Beat’s facebook page
“Jai Uttal” Photo Journal on The Bhakti Beat’s facebook page
‘We Need a Bus!’  Kirtaniyas Kick Off Shakti Fest Kirtan and Take Bhakti to A ‘Whole Other Level’
 
Connect with The Bhakti Beat!
Subscribe to The Bhakti Beat
The Bhakti Beat on facebook
The Bhakti Beat on twitter
The Bhakti Beat on YouTube
The Bhakti Beat on Google+
 

Like what you see here?  Help us keep The Bhakti Beat flowing!  Consider donating today, a one-time contribution or a recurring contribution — any amount is so appreciated and will help us continue to bring you the bhav.  The Bhakti Beat is a labor of love, completely self-funded by Brenda Patoine (moi), who is a freelance neuroscience writer by day.  Every little bit helps! THANK YOU! Donate Here.

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Kirtan, Bhakti Fest May 2014 by TheBhaktiBeat.comNo, this is NOT a blog professing to proclaim the “best wallah” or the “best music” or the best anything at Shakti Fest, the Bhakti Fest franchise’s spring fling in honor of the Divine Feminine.  Choosing a best kirtan artist would be like proclaiming azure blue or burnt orange to be the “best” color in the rainbow.  Like the vast palette of hues on Earth, there is a vast range of kirtan “moods,” from soft and prayerful to raucously ecstatic, from pared-down and traditional to full-on electrified rock-out.  Who am I to say what’s “best”?  That’s a deeply personal opinion based on what resonates with any one of us.  I know what I like, but that doesn’t mean it’s “best” for you…

And besides all that, I never met a kirtan I didn’t like, so picking a few “best” ones is nothing short of impossible for this chanthead.

Instead, I’m focusing on a few of the many moments during the course of Shakti Fest when my heart was touched deeply enough to fill this old softie cynic’s eyes with salty tears, or make me laugh out loud, or simply smile inwardly at the sweetness of it all.  So here are my top 12 bhavalicious moments from Shakti Fest, in no particular order…

1) Meeting bhakti friends for the first time and getting hugged like they were your best friends for life.  Does that ever get old?

Dave Stringer set, Shakti Fest Bhakti Fest 2014 by TheBhaktiBeat.com2) The little pod of princesses who climbed up on stage to dance and prance about during Dave Stringer’s set and summarily stole the show.  And Stringer’s “let it flow” response when asked if it was okay if they stayed.  (Personally, my only problem with the adorable little girls was that they were blocking my view of Steve Postell; how could I ogle my guitar hero with a 7-year-old sweetie in the way?)

Steve Postell, Bhakti Fest May 2014, by theBhaktiBeat.com3) And since we’re on the subject, Steve Postell. Period. Because when a celebrated electric-guitar rock star from L.A. comes out to Bhakti Fest to play with every headliner plus a few others, that’s worth crowing about (and yeah, even ogling over).  Stay in the bhav, Steve, we need you here.  Please.

4) Manoj, the Deity Wallah, offering his humor-laced teachings about God and gods during the set changes. “God is not external,” he said, “He is not some old bearded guy in the clouds with an anger-management problem.”  LOL.

Vijay Krsna & Sarasvati Dasi, Kirtaniyas, @ Bhakti Fest May 2014, by TheBhaktiBeat5) Vijay Krsna welling up with tears on stage when he started to talk about his guru.  Unable to continue speaking, his beloved wife Sarasvati Dasi, with a pump of the harmonium, seamlessly stepped into the silence while her husband composed himself.  Divine union.

Wah, Bhakti fest 2014 May, by TheBhaktiBeat.com6) Wah! shimmering like the Bhakti Goddess of Love that she is in an iridescent plum-colored Gopi skirt and a big black bad-ass bass, reminding us all that if we want love, we have to give love.  “Are you loved?”  She yelled out, then answered with another question:  “Are you LOVE??”  (This simple exhortation is what unleashed the tears in me for the first time — but not the last — of the fest.)  The crowd swooned.

“You’ve got to give love in order to receive love.  With every step you take, give love, receive love. Give love, receive love. Give love, receive love…”

7) Story time with Jai Uttal during his “playdate” (his answer to a “workshop”), when he told of chanting at Maharaj-ji Neem Karoli Baba’s temple in India in the 1970’s.  Each time the chant faded to silence — even after 6 hours of chanting — Baba’s voice from a back room would chime in, yelling: “Keep singing!” and the chanters would start anew.   Jai’s playdate ended with a long, exuberant Radhe chant, which eventually slowed and faded to blessed silence.  That is, until a voice from somewhere in the back yelled out: “Keep singing!”  Wait, was that…?

Larisa Stow Shakti Tribe @ Bhakti Fest May 2014 by TheBhaktiBeat.com8) Larisa Stow, Shakti Tribe Goddess, sitting at the edge of the stage and gathering her adoring fans close around her like a mother gathers her children to her chest, palpable love flowing in all directions.  Whatcha gonna do with all that love?

9) Cooper Madison, extolling the virtues of the space between the chants.  “I love that silence at the end of the chant,” he said from the helm of his new bhakti band, the Gandharvas.  “It’s almost as if you work the whole song just to get to that point of silence.  Then it’s just you and the Divine for a moment.”  mmmmmm, yes.

Saul David Raye, Bhakti Fest May 2104, by TheBhaktiBeat.com10) Saul David Raye, pumping a harmonium with a bumper sticker on it that proclaimed LOVE WINS, staying gracefully composed and present despite the sound problems that plagued his set (and others).  His mike was out for a good half of his set, cutting in and out loudly much of the rest of the time.  He never lost his focus, never once lashed out in annoyance at the sound guys who seemed to be taking their sweet time getting the problem fixed.  He just kept singing and smiling and pumping the harmonium we could barely hear.  Yep, Love Wins.

Jaya Lakshmi & Ananda @ Bhakti Fest May 2014, by TheBhaktiBeat.com11) This scene, from Jaya Lakshmi and Ananda’s luminescent love-feast of a set:

12) Gina Salá raising her hoarse-from-the-desert voice (she was on stage a lot) one final time during sivasana at Saul David Raye’s Post-Intensive to lull us all into sweet oblivion with a little diddy that went like this:

“I Love You, I Love You, I Love You….Just as You Are.”

And with that little love song came the tears again for this bhakti-fried chanter.  Could there be a more perfect way to end this Shakti love Fest than a reminder that we are all love? Just as we are.

Now there’s something to take home with you…

OK, your turn.  What was your favorite part of Shakti Fest?  Or of any Bhakti Fest you’ve ever been to… The Bhakti Beat wants to know!

Jai Jai Shri Radheeeeeeeeee!

K.d. Devi Dasi @ Bhakti Fest May 2104, by TheBhaktiBeat.com

Also See:
Shakti Fest Moments” Photo Journal on The Bhakti Beat’s facebook page
Shakti Fest Finale” Photo Journal on The Bhakti Beat’s facebook page
‘We Need a Bus!’  Kirtaniyas Kick Off Shakti Fest Kirtan and Take Bhakti to A ‘Whole Other Level’
 
Connect with The Bhakti Beat!
Subscribe to The Bhakti Beat
The Bhakti Beat on facebook
The Bhakti Beat on twitter
The Bhakti Beat on YouTube
The Bhakti Beat on Google+
 

Like what you see here?  Help us keep The Bhakti Beat flowing!  Consider donating today, a one-time contribution or a recurring contribution — any amount is so appreciated and will help us continue to bring you the bhav.  The Bhakti Beat is a labor of love, completely self-funded by Brenda Patoine (moi), who is a freelance neuroscience writer by day.  Every little bit helps! THANK YOU! Donate Here.

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Kirtaniyas Kirtan by TheBhaktiBeat.com @ Bhakti Fest May 2014Shakti Fest 2014 — the first of the three bhakti yoga “love fests” by the Bhakti Fest franchise — kicked off with a little pre-show Thursday night with the Kirtaniyas, the progressive Krishna Kid bhakti band that is pushing the kirtan movement into new ground.

The leader of the pack, Vijay Krsna, paused midway through the high-energy kirtan to tell a story of something that happened in Las Vegas a week or two prior (yeah, forget that old maxim that what happens in Vegas stays in Vegas — does not apply here).  The band was in Vegas for Holi Festival of Colors, the spring ritual in India where people throw brightly colored powder on one another which is swiftly spreading in the U.S., with at least a dozen color festivals at last count in the States.  If you’ve seen any of the videos of these festivals, you know how high the energy is…

Vijay Krsna, Kirtaniyas, Bhakti Fest 2014 by TheBhaktiBeat.comWitnessing the exuberance of the festival in Vegas, Vijay said, he realized “Bhakti is going to a whole other level, a level beyond ourselves individually or collectively.  We’ve entered a new phase of this kirtan movement.”

Sitting with a group of other devotees in Las Vegas after Holi Festival, Vijay exclaimed: “We need a bus!  We need a bus so we can drive wherever we want to sing and dance and share the Names.”

A few days later, the band of wandering bhaktas was in Santa Monica leading a street kirtan on the Third Street Promenade, a pedestrian mall in the heart of the city best known for its amusement-park pier and wide sandy boardwalk-lined beaches.  Less well known is Santa Monica’s rich bhakti history — Krishna devotees have long gathered on the city’s promenades to chant the mahamantra accompanied by bells and drums.  (The Third Street Promenade was in fact, where this writer/bhakta first experienced the “Hare Krishnas” many years ago as they danced and chanted their way down the street.)  Since 1977, the city has hosted the Festival of Chariots, a parade of elaborately decorated coaches in celebration of Lord Jagganatha, with devotees, locals and tourists alike jubilantly dancing and chanting all along the route.

Today, Santa Monica is home to a rich “California-ized” bhakti community, a city where you can get your sankirtana fix just about any night of the week.  Ground zero for this community is Bhakti Yoga Shala, a shaktified refuge in the heart of the city founded by Govind Das and Radha, a kirtan couple who are mainstays on the Bhakti Fest schedule. The Shala infuses yoga classes with chanting, holds weekly kirtans, conducts kirtan trainings and workshops, and regularly hosts bhakti wallahs from out of town for roof-raising sankirtana.

Nitai, Kirtaniyas, Bhakti Fest May 2014 by TheBhaktiBeat.comSo, back to the Kirtaniyas…Here they are, chanting the Names on the Third Street Promenade just like their predecessors in the Western bhakti movement, just days after putting out the intention for a bus, when one of their extended family comes forward to announce jubilantly: We have a bus!

“Give thanks to Krishna: WE HAVE A BUS!” Vijay exclaimed to the group that had gathered around the little band of bhaktas.

Recounting the story of intention-turned-to-manifestation in a matter of days with an air of awe and gratitude, Vijay reflected: “This has been the mystery of my life: Would you like to live a life of your heart’s desire?  We have been vortexed into this intention of leading a life of chanting and dancing.”

At the end of the evening’s session, which began with a prayerful “Jai Guru Dev,” built expertly up to a rollicking rendition of “Sri Krishna Chaitanya” followed by a high-energy Maha Mantra/Hari Bol medley, and finished meditatively with Vijay singing “No Ordinary Name,”  the charismatic young kirtaniya offered this nugget:

“It is not longer enough to ‘perform’ kirtan.  We want to inspire kirtan and be inspired by kirtan.”

To which we say, HARI BOLLLLLLL!

Kirtaniyas at Bhakti Fest May 2014, by TheBhaktiBeat.com

Stay tuned for more coverage of Shakti Fest 2014, here (TheBhaktiBeat.com), there (facebook) and everywhere (twitter, Google+, YouTube, yadayada!

Connect with The Bhakti Beat!

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Jim Beckwith, Bhakti Fest, by TheBhaktiBeat.com
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Jim Beckwith at Bhakti Fest Midwest by TheBhaktiBeat.comProject: Full-length Studio-Recorded CD
Fundraising Goal: $12,000
Deadline: April 30, 2014 @ 11:59 p.m. PT
Contribute  Here NOW!
 
Ed. Note: This is part of our ongoing series on Crowdfunding Kirtan, in which fans and friends contribute money for new recording projects in exchange for “perks” ranging from free downloads to private concerts.  The trend has grown as record labels have cut back and artists have to fund projects themselves.

 The Artist

Is it us, or is Jim Beckwith showing up everywhere these days?  He is one of those guys who seems to always be on stage at festivals like Bhakti Fest, surrounded by a pile of instruments from shakers to sitar and diligently backing up the lead wallah in whatever way is needed.  A “sound colorist,” Beckwith calls himself — someone who can pick up whatever instrument is necessary to add just the right shade of acoustic toning to support the flow of the music at that moment.  Sounds right to us.

That said, Beckwith is a vocalist first and foremost.  In an interview with The Bhakti Beat from his car, dodging tumbleweeds enroute from his home in Ojai, Calif. to play at a retreat with Saul David Raye in Denver, he said, without hesitation:  “I am a singer,” when asked which, among the many he proffers, is his instrument of choice.  Singing, he said, “is the passion at my core. I only started playing any instrument to support the singing.”

The passion shows.  Beckwith has a vocal range that would make an opera singer do a double-take.  (In fact, Placido Domingo, Jr., the opera singer and son of the famed tenor and conductor, apparently did just that, telling Beckwith he had a voice like “a refined Sting.”)  He can soar to lilting heights or ground you like a bass line.  He is completely self-taught; his formal vocal training consists of a single voice class in college.  “I always had some fear around taking formal vocal lessons,” he told The Bhakti Beat. “I guess I was afraid someone would try to tell me how to sing.”

Jim Beckwith Saul David Raye, on TheBhaktiBeat.com

Orchestrating a Mood

All of those instruments — sitar included — have came in handy as he has moved into more fulfilling musical roles.  Around 2005, a chance encounter delivering a sound system to Jai Uttal ended up with a weekend-long gig playing percussion for the bhakti master, whose regular tablist, Daniel Paul, was otherwise engaged. “I was instantly in love,” Beckwith says. “I wanted to follow him everywhere — but he had Daniel Paul!” Instead, Beckwith stayed in Florida and started picking up gigs with the iconic Bhagavan Das, who gave Beckwith his spiritual name of Hanuman Das.

Over the last 10 years or so, Beckwith has earned a reputation  for supporting the flow of energy in yoga classes, choosing from his toolkit of music-making devices to create the right mood and enhance the dance of asana.  He was doing “live-music yoga” before everybody was doing live-music yoga; at the time he was pioneering the practice in the Eastern U.S., yoga-with-a-band was virtually unheard of outside of the trend-setting L.A. yoga scene.  He’s carved out quite a little niche for himself in the genre (can you call it a genre?), traveling to yoga conferences nationwide, and has become a regular fixture at close friend and yogi superstar Saul David Raye’s retreats and workshops.

Jim Beckwith at Bhakti Fest by TheBhaktiBeat.com

The Project: First Chant CD ‘Hybrid’

Recently, Beckwith has stepped into the center of the kirtan stage to take the lead call himself.  His debut set at Bhakti Fest — a milestone that has become somewhat of a marker of a kirtan wallah’s coming-of-age — was  last fall on the Joshua Tree festival’s Hanuman stage.  In the heat of the blazing afternoon sun in the high desert, he and nine or so close musician friends stepped up and created a buzz among the crowd of hard-core yogi-chanters who turned out for the set.  Saul David Raye introduced Beckwith warmly and stepped in to accompany his friend on the harmonium for the final song.

This will be Beckwith’s seventh CD and the first one focused on chant.  But don’t expect it to be traditional call-and-response kirtan.  Rather, it will be what he calls a “hybrid,” a reflection of his evolving style, which mixes English lyrics culled from his songwriting roots with traditional mantras — hopefully in way that makes sense, he said with a chuckle.

The CD, and his emerging role of songwriter-meets-wallah, is all part of the evolution of Jim Beckwith. “When I first started getting into kirtan, I wasn’t sure what my path would be,” he said.  “I felt a little uncomfortable about how to be myself in it.  Could I do my lyrical content in the context of kirtan?”

He said watching people such as David Newman and Girish combine their singer/songwriting sensibilities with the mantras gave him confidence to pursue the direction his intuition was pointing him in.  “For so many years, I was just kind of dabbling in music without really knowing where I was going with it,” he told The Bhakti Beat. “Now I feel like I’m really stepping into my path.  That is such a relief.  It’s been a process of surrender and getting clear on what my ‘thing’ is.”

Jim Beckwith, Bhakti Fest, by TheBhaktiBeat.comThe yet-to-be-named hybrid album is already in progress.  Beckwith has selected the songs and has begun to lay down instrumentals on each track.  Backing him up will be familiar names in the kirtan world, including Jennifer Sparks on vocals and, on one song at least, harp; David Watts on bass; Matthew Hufschmidt on drums, and others to be determined — most likely including Brenda McMorrow and Benjy Wertheimer, Beckwith said.  A summer 2014 release is anticipated.

Help make that happen by donating to this campaign now!

Contribute to Jim Beckwith’s Indiegogo Campaign
Listen to Jim Beckwith’s Music

Connect with The Bhakti Beat!

Subscribe to The Bhakti Beat
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The Bhakti Beat on Google+
 
Previous articles in this series:
Brenda McMorrow
Sean Johnson & The Wild Lotus Band
David Newman aka Durga Das
Sheela Bringi
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MD Van Wedeen, Mass Gen.Harvard.connectome imageScientists have definitively identified, for the first time ever, a rare but rapidly increasing brain disorder affecting the frontal lobes, amygdala and hippocampus of people who regularly chant kirtan.

Publishing in the Journal of Neuroscience and Non-Duality, lead author Baba Bhavakirtanananda, a former saddhu who spent 20 years chanting the Maha Mantra nonstop in a cave near Braj, India, before accepting a research position at the University of Vrindavan, even coined a term for the condition: bhav brain.  Symptoms of bhav brain include markedly decreased attachment to one’s self-identity, blurring of the demarcation between “self” and others, disillusionment with materialistic gain, and reduced anxiety about what the future may bring.  In extreme cases, Bhavakirtanananda said, bhav brain can produce symptoms that can mimic intoxication or drug use, including inexplicable elation, stumbling or aimless wandering, or general “spaciness.”

These symptoms, he said, explain why people who have been chanting for many hours — as is common at kirtan festivals — are sometimes described as “stoned on the bhav.”

The scientists reported that they had also identified a potent neurotransmitter that seems to be expressed in excessive quantities after prolonged chanting, which they have accordingly named bhavatonin.  They found bhavatonin-specific receptors in the hippocampus, where the biochemical seemed to trigger a remembrance of one’s own divine nature, and in the amygdala, where it apparently tamped down fearful reactions and anxiety.

Long History in India, But New to the West

Historical documents suggest that bhav brain has been around since at least the 15th century; there are oblique references to the symptoms in sacred texts in the vedic traditions and in the works of so-called bhakti poets like Hafiz and Mirabai.  But the syndrome of symptoms has only recently been observed in the West — first in an area of New York’s Hudson Valley known as the Bhajan Belt, and then in Southern California, especially around the town of Joshua Tree.  More recent evidence suggests the condition is spreading — last summer there was a flurry of reports from Madison, Wisc. of chanters driving in circles, heading in the wrong direction on the highway, and unable to use simple machines like gas pumps.  The geographic and temporal distribution of these reports is closely associated with large-scale chant festivals.

That’s no coincidence, says Bhavakirtanananda.  He said he had long suspected there was a signature biological “fingerprint” associated with the syndrome, and was frustrated that no serious scientist had attempted to investigate it.  So he took it upon himself, first investigating it in a pilot study at India’s legendary Kumbh Mela festival before traveling all the way to Southern California to study attendees at a 4-day festival where the chanting was virtually nonstop.  His team recruited 100 men and women ranging in age from 16 to 97 (median age 39), and conducted functional MRI scans before, during and after the festival.

Prevalence is Rapidly Increasing

In the article, the authors noted that the prevalence of the condition — virtually unknown in the West until recent years — has been rapidly increasing in step with the growing popularity and “mainstreaming” of bhakti yoga, an obscure form of yoga from 15th century India that eschews the Western yoga world’s fixation on having a really great butt in favor of an emphasis on loving devotion and seva, or selfless service.

Reactions from the bhakti community have been mixed.  Kirtan musician Dave Stringananda said he was not surprised.  “I’ve been fascinated for years by how chanting might be affecting neurotransmitters like anandamine and serotonin, so the idea that there is a brain chemical called bhavatonin that is specifically ramped up by kirtan makes so much sense.  I am elated.” Stringananda immmediately set to work incorporating the findings into a new workshop series.

Skepticism in the Bhajan Belt

In Woodstock, N.Y. in the heart of the Bhajan Belt, long-time kirtan wallah Sruti Ramananda dismissed the findings as overhyped hogwash.  “Symptoms of a disorder?  Pshaw! Here in Woodstock, these kinds of behaviors are as common as peacocks in Vrindavan,” he said.  “If ‘bhav brain’ is a disease, then I’m a monkey-god’s uncle.”

The Bhakti Beat asked the members of the popular ensemble band The Hanumen, fresh off a regional tour that included stops at a prison and a psychiatric treatment facility, to comment on the research, but a spokesperson said the band was covered in mud on a beach somewhere and couldn’t be reached.

The Chant and Chill Foundation issued a statement praising the research as an important step forward in understanding what’s going on in the brain of a bhakta:  “This continues to be one of the deepest mysteries of the universe — just look at those Hanumen.  We are delighted to see that someone is finally putting some real effort into it.” The foundation plans to start a campaign encouraging hard-core bhaktas to donate their brains to research in hopes of advancing scientific knowledge about bhav brain.

Stay tuned to TheBhaktiBeat.com for more on this developing story.  Because no one knows bhav brain like we do…

If you like this, you might also like “10 Signs You Might Be a Kirtan Addict”

The Bhakti Beat needs your support!  We are non-commercial and not-for-profit,  a free service to the bhakti community that is completely self-funded save for the loving contributions of Bhakti Beaters like you.  Your support is critical — please share the Beat with your bhakti peeps, connect with us on social media (links below), and consider a one-time or recurring donation (DONATE HERE) to help us keep this bhav boat afloat.  Thank you from the bottom of our bhav brain. In loving service...

Hare Krishna Hare Krishna Krishna Krishna Hare Hare Hare Rama Hare Rama Rama Rama Hare Hare

Dear Lord, kindly engage me in your service.

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return to shiva station coverWith “Return to Shiva Station,” Jai Uttal travels back in time to a period of his life when his musicality was exploding but his personal life was imploding — and emerges with a CD that is more a vision of where he is heading, musically and perhaps personally, than a rehash of where he has been.  It’s a softer, gentler side of Jai — one that is rarely seen at big festivals like Bhakti Fest and largely unseen on his discography of 16 releases.  Until now that is.

“Return to Shiva Station” can hardly be called a remake.  Rather, it is a completely new incarnation of its namesake and inspiration, “Shiva Station,” which was released in 1999.  While the track list on “Return” mimics the original “Shiva Station” song for song, the two albums could not be more different. Where “Shiva Station” is loud and exuberant, “Return” is quiet and understated.  Where “Shiva Station” is multi-layered and unrestrained, with lush instrumentation from an extravagant 11-piece band (The Pagan Love Orchestra), “Return” is pretty much Just Jai, mostly solo and unplugged.  Where “Shiva Station” was “bursting through the heavens,” in Uttal’s words, the new album looks inward.

The difference is by design.  When his current record label, Sounds True, asked him to do a remake of “Shiva Station,” Uttal said his first response was: “Why?” With more than a little cajoling from the label and his manager, Steven Saporta, he reluctantly agreed to try his hand at reinventing the opening track, Guru Brahma.  “I said, if I’m going to do this album – I still wasn’t committed – but if, it’s got to be really different,” he told The Bhakti Beat.

It’s as if Uttal took each song, ripped it up in shreds, stripped it of all excess, and then rebuilt it in a minimalist fashion that reduces each to its elemental beauty, revealing the soul of the song.  It’s Jai Uttal, vocalist and one-man band, stripped down and naked.

The first thing he did was eliminate the drums.

Every other album Uttal has done was very rhythmic, he said, with drums and percussion setting the beat. So he threw those out.  The vibrant horn section that blasts through “Shiva Station” is also nowhere to be heard on “Return.”  Instead, strings take center stage, a reflection both of Uttal’s long-time prowess with Indian stringed instruments and his newfound fascination with Brazalian-style guitar.  (His teacher and mentor in Brazilian guitar, José Neto, who has toured with the Allman Brothers, Steve Winwood and Rod Stewart, plays on almost every track.)

“Most of my albums are very orchestrated — lots of music and lots of instruments. On this one, the production is very simple — not simple-minded, but less orchestrated.  Because of that my voice is much more naked,” Uttal said.  “I couldn’t cover it up with a horn section or a drum set,” he added with a self-effacing laugh, pointing out that he has “always struggled with a lot of insecurity” about his voice.

Omega Ecstatic Chant Jai Uttal by TheBhaktiBeat.comThe distinctive Uttal voice is indeed the focal point of “Return to Shiva Station,” supported here and there by back-up vocals by long-time collaborators Ben Leinbach, who also mixed and co-produced the disc, and Prajna Vieira, one of Uttal’s most consistent response vocalists.  But it is the strings that stand out on this disc more than anything.  José Neto is everywhere with his masterful Spanish-style strumming, but there is also cello by Yoed Nir, sitar by Timothy White, bass by Leinbach, and Uttal on guitar, banjo and the single-stringed Indian ektar.

Mad for the Banjo

Uttal’s love affair with strings goes all the way back to when he was a young preadolescent living in New York City, he told us.  That’s when he first discovered the banjo, after losing interest in his early piano lessons.  “I was completely mad for banjo,” he said.  “It was my first real love music-wise. Playing banjo was the first time that I felt sort of an inner peace…It still holds a super fondness for me.”

If you’ve ever seen Uttal pull out his banjo at a live kirtan, you know how he lights up when he gets that instrument in his hands.  “Rustic banjo” (Uttal’s words) makes appearances in two songs: “Corner” and “Jaya Jagadambe” – which happen to be two of Uttal’s self-professed favorites on the disc.  Still, it’s the Brazilian guitar that has Uttal currently enamored, and that is his favorite part of the CD.

He’s been studying it with Neto – whom he calls his “current idol” – and is completely in love with the chord progressions and distinctive style of the Brazilian interpretation of guitar, which encompasses bossa nova and samba.  “For the last bunch of years I’ve been finding such joy and challenge and, you know, yearning in studying Brazilian guitar,” he said.

He committed himself to approaching the reinterpretation of “Shiva Station” with a new perspective as an acoustic guitar player, and particularly from the Brazilian perspective. “The Brazilian harmonies are so rich and so deep.  Having spent most of my life involved with Indian music…you know, Indian music is not harmonic; it’s melodic. There are no chords in traditional Indian music. So here I was taking these melodies and wanting to put beautiful chords behind them.”

Uttal said the process was hard on a lot of levels.

Omega d3 613On a technical level, he said: “Every single song was on the absolute edge of my technical ability.  Going to the studio was hard.  I couldn’t play my own songs!”

The voice of self-doubt started “raging,” he said, reinforcing his reservations about revisiting Shiva Station.  “I started to think that I should have waited for six months and just practiced these chords.”

But “Return” presented a challenge not just for the technical aspects, but for the emotions that it raised as well.  Uttal has described the period of his life when “Shiva Station” was produced as unhappy, out of balance, and very difficult.  He told us he was at the end of a period of drug addiction and alcoholism (“the end is always the worst”) and was in a “very, very toxic relationship.”  Moreover, he was frustrated spiritually and musically, having put all of his creative energy into getting the Pagan Love Orchestra off the ground, and feeling that is was still mired in obscurity.

None of which, by the way, comes through in “Shiva Station.” Having discovered it anew because of “Return,” we have to say we didn’t find it depressing at all.  Quite the opposite in fact.  It’s a happy CD, filled with over-the-top joyousness and big-band elation.  We would never have guessed that this came from a severely depressed man in the throes of addiction and a miserable marriage.

And that, my friends, is the point….

“As we sing kirtan, as we express ourselves, there are so many emotions that come out,” Uttal said.  “The bigger the palette of emotional colors that is expressed, the more joy comes through it all.  So as we’re expressing ourselves, sadness comes out, despair comes out, a longing comes out, an incredible ecstasy comes out.  In the end you feel so happy, because nothing is withheld.”

Buy “Return to Shiva Station: Kailash Connection”
Listen to “Shiva Station”
Jai Uttal’s Website
Jai Uttal’s Facebook page
 

 

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Firedancer at Bhakti Fest Midwest, by TheBhaktiBeat.com
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Firedancer at Bhakti Fest Midwest, by TheBhaktiBeat.comWe really wish we had had this song for our road trip to Bhakti Fest Midwest.  The 1,000 miles would have gone by so much faster…

Just released by Count Shakti and the Shakettes, the “Shakti Shindig” hits the airwaves just in time — okay, not quite in time — for the summer bhakti festival season.  Channeling Elvis and the Beach Boys — and maybe every rock guru in between — Count Shakti’s debut track will get your asana moving, mantra-rock style.  If this doesn’t make your chakras chuckle, enlighten up!

What? Never heard of Count Shakti and the Shakettes?  Well, we confess, we hadn’t either.  So we asked, who is this mysterious band? Here’s the response we got:

The Count was born on the seventh hour of the seventh day of the seventh month of the Tibetan year of the Hyena to an Albanian aristocrat and a Nepalese sorceress. At the age of three he demonstrated a miraculous ability to make it rain Milk Duds and could recite the entire Bhagavad Gita in both Cockney rhyming slang and Murray the K “Me-a-Surrey” language. The Shakettes are his tantric consorts and possess all the major and minor siddhis, plus the psychic power to communicate with ants. The Count would like to make a video of “Shakti Shindig,” but like most aristocrats, he’s a bit strapped for cash.

Well, okay then…mystery solved.  NOT. 

Turns out Count Shakti is also known as Alan di Perna, music writer extraordinaire and sometime P.R. flack for the likes of the GuruGanesha Band — and, apparently, a lyrical genius with his tongue in his cheek.  And the Shakettes? That would be DiPerna’s wife and “multi-tracked muse” Robin di Perna. 

The brainstorm (brain cramp??) for this little gem came when GuruGanesha’s marketing team was trying to come up with a name for the band’s upcoming mega-tour with Deva Premal and Miten.  Shakti Shindig was di Perna’s suggestion…but it didn’t fly.  “Too ‘out there,’ I guess,” di Perna told The Bhakti Beat. 

GuruGanesha Singh at Bhakti Fest Midwest, by TheBhaktiBeat.com

GuruGanesha, gettin' down at Bhakti Fest Midwest

Too “out there” for GuruGanesha?? Have you seen that long-beard hippie-Sikh on stage?

Never mind.  By the time his moniker was axed, di Perna said he had already written the lyrics.  For that we thank Krishna, Buddha, Allah and Jesus too.  Not to mention dakinis in bikinis, swamis hidin’ salamis and tantrikas chasin’ chicas.

“Get your rocks off, bhakti-style.”  Om my.

Here are the full lyrics, because you don’t want to miss a bhakti beat…

Shakti Shindig (© 2013 Alan di Perna)
Grab your mala and your yoga mat
We’re goin’ on down to where it’s at.
Throw some tablas in the back of the van
We’re goin’ to a Shakti Shindig, man!
 
Shakti Shindig! Yeah, yeah yeah, Shakti Shindig!
Where all the yogis and yoginis will be makin’ the scene.
Shakti Shindig!
 
Do the Pranayama till your face turns blue
Do the Downward Dog and the Happy Baby too.
Get your mind liberated, get your body tight
This Shakti Shindig is really out of sight!
 
Shakti Shindig! Yeah, yeah yeah, Shakti Shindig!  etc.
 
Gonna get blissed, gonna do the Tantric Twist
Won’t never get pissed, ’cause we’ll give the booze a miss.
Gonna nix the meat, gonna dance in bare feet.
This Shakti Shindig is really sweet!
 
Well, uh, if you’re feeling tired and sick of it all
Come on down and have a ball.
Get your rocks off, Bhakti style
This Shakti Shindig is really really wild!
 
Shakti Shindig! Yeah, yeah yeah, Shakti Shindig!
Where all the yogis and yoginis will be makin’ the scene
All the kirtan wallahs gonna start to holler
All the meditators gonna do the Alligator
All the big Babas gonna do the Bama-lama
All the Dakinis will be dancin’ in bikinis
All the Tantrikas will be checkin’ out the chicas
All the Sikhs will be dancin’ with the freaks
All the Buddhists will be dancin’ with the nudists
All the Hindus gonna shout the blues
All the gurus and swamis will be hidin’ the salami
All the yogis and yoginis will be makin the scene….
 
Shakti Shindig, yeah yeah yeah Shakti Shindig (3X)
Aw, Shakti baby…. 

 

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Closing Out Bhakti Fest West 2012, by TheBhaktiBeat.comDo you have any of these symptoms? 

1. You wake up humming the Hanuman Chalisa.

2. You’ve exceeded your internet data allowance watching kirtan livestreams.

3. You have at least one pet — or possibly a child — named after a Hindu deity.

4. Your family whispers behind your back because every time they see you you’re quietly singing Hare Krishna Hare Krishna Krishna Krishna Hare Hare.

5. When the Jehovah’s Witness comes to your door, you try to convince them that Jesus and Krishna are the same…because, you know, Maharaji said so. 

Neem Karoli Baba by Balramdas, from ImageEvents.com, on TheBhaktiBeat.com

Photo by Balramdass, from ImageEvents.com

6. You know who Maharaji is.

7. You secretly fantasize about becoming a roadie for Krishna Das. Or Dave Stringer.  Or Girish…

8. You’ve ever been stopped for speeding with a kirtan CD blasting in your car.

9.  You dumped your boyfriend/girlfriend because they kept complaining that the only “music” you ever play is kirtan.

10. You’ve emptied your savings account buying plane tickets and weekend passes to Bhakti Fest, Omega Chant, and any other kirtan festival, retreat or event you can get to.

If any of these signs describe you, you might be a kirtan addict.  There is no cure, but don’t despair:  the treatment is simple… 

Chant more.

Whatever you do, just…

Keep Calm and Bhav On by TheBhaktiBeat.com

And follow The Bhakti Beat, of course!

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Sunset at shakti fest by Kamaniya Devi on TheBhaktiBeat.com

Photo by Kamaniya Devi

Can we just say how much we love livestream?  We envision a day when every festival and concert, kirtans included, is streamed free to living rooms and laptops everywhere. With perfect audio.  And a strong, steady feed.  And — since we’re dreaming — professional camerawork that zooms in on the action.  While we’re at it, could we get a caption here and there identifying featured musicians? (Who was that on violin with Karnamrita Dasi anyway?)

Until that vision is reality, we’ll take what we can get.  What we got yesterday from Shakti Fest — thanks to New World Kirtan and Kitzie Stern for persevering with the technicalities — was two full sets of the bhav in Joshua Tree, Dasi and Jai Uttal, plus smatterings of choppy, wildly fluctuating audio from Saul David Raye, Deepak Ramapriyan, and David Newman’s sets earlier in the day.  By the time Dasi took the stage, it seemed like the bugs had been worked out on the stream AND video had been added.  Not only did it sound better, but we had a back-row view of the action.  We’re glad we stuck it out and kept listening…

Here’s the link for the livestream to Shakti Fest (May 17-19), which starts at 10 a.m. daily and will continue until the bitter(sweet) grand finale.

Shyamdas at Shakti Fest, by Kamaniya Devi, on TheBhaktiBeat.com

From the stage to the altar. (Photo by Kamaniya Devi)

This is, of course, the first Bhakti Fest without Shyamdas, the beloved “elder statesman of bhakti,” as emcee Shiva Baum described him last night.  Normally, Shyamdas would be steering the ship of bhav here, both behind the scenes and stage center, particularly during the legendary final set, where all the wallahs and musicans crowd the stage for a final Hare Krishna mahamantra.  (Check out the action from last fall’s finale in the video below.)  While he may not have been there in body, it was clear from listening in on the goings-on in the high desert that Shyamdas was on everyone’s minds, and in everyone’s hearts.

In every set that we caught, the artist paused to say a few words, share a personal remembrance, or dedicate a song to Shyamdas.  Jai Uttal devoted a Sri Radhe chant in what he called “a sad melody” to Shyam; Dasi closed her set with one of Shyam-ji’s favorites, The Song of Sweetness, which glorifies the nectar of Krishna’s form and love.  Govindas, one half of Govindas and Radhe and the founder of the Bhakti Yoga Shala, Santa Monica’s temple to kirtan, spoke at length between sets about his time “sitting at the feet” of Shyamdas.

The master of Hari Katha was eternally present.

Jai Uttal & friends, by Bhakti Fest, on TheBhaktiBeat.com

Jai Uttal & Friends (Photo courtesy of Bhakti Fest)

Just before Uttal played, Bhakti Fest founder Sridhar Silberfein came onstage to pay tribute to his dear friend in words and a three-minute slide show with an audio track of Shyamdas being interviewed in India just weeks before his death.  Putting it together, sifting through images and recordings of Shyamdas, “has been tearing me up emotionally every single day,” Silberfein said.  He told of the Bhakti Yatra group tour to India in January, for which Shyamdas was a very large part of the itinerary but never made it to the entourage waiting for him.

You may have heard the story before…but Silberfein added some new details.  He said Shyamdas called him just before they were slated to rendezvous saying he was suffering a breakout of shingles and wouldn’t be able to join the group of 25 or so Westerners who had traveled to India fully expecting a Shyamdas-led tour of Vrindavan, the holy city in India that Shyam so loved (and was practically the town’s adopted mayor , from what we’ve heard). Instead, Shyamdas stayed in Goa to rest and recuperate; the motorcycle accident that ended his life happened a few days later.

Altar at Shakti Fest, by Kamaniya Devi on TheBhaktiBeat.com

K.d. Devi Dasi and Prajna Vierra tending the Main Stage altar (Photo by Kamaniya Devi)

The audio on the slide show dropped out from the livestream feed so it was difficult to catch, but Shyamdas was telling a funny story involving Uttal and Krishna Das, something to do with Uttal’s assertion that KD was too “masculine to be a Gopi.” (Who can fill us in on the details?)  Whatever it was that was lost in cyberspace, it was enough to elicit lots of guffaws from the audience, as well as a good-natured comment from Uttal, who joked that Shyamdas was “hounding me even from the grave.”

Mohan Baba, Shyamdas’s friend of 40 years and one of the close satsang who was with him the night he passed, told of how Shyamdas — in his final hours of life after the accident — was “totally focused inward.”

“He didn’t say a word and was just sitting there calmly, in an intense devotional space,” Mohan said.

One of the things he loved about Shyamdas, Mohan said, was that “he was just a regular guy.  He was not a swami, not a renunciate.  He lived a householder’s life, and was totally fixated on the divine lila.”  Even though he came from a wealthy Connecticut family, “he turned his back on all that, choosing to live very simply.”

chanters showing love for gina sala by Kamaniya Devi on TheBhaktiBeat.com

During Gina Sala’s set (Photo by Kamaniya Devi)

“There’s a big lesson for all of us there,” Mohan said, “to live life as fully as you can, every day.”

Just when you thought you might make it through this tearjerker tribute without breaking down, Shiva Baum broke down, his voice cracking as he introduced Jai Uttal’s set.

“Shyamdas is irreplaceable, and he will be with us always,” Baum said before turning it over to Uttal   “His love blankets this entire festival.”

Here’s the video from last fall’s Bhakti Fest, with Shyamdas steering the bhav in the festival-closing raucous, windblown, stage-lights-about-to-topple all-wallah finale.  Through it all, Shyamdas just kept singing to Krishna.

Watch the Livestream here.
Shakti Fest kirtan schedule
www.newworldkirtan.com
www.bhaktifest.com
 
See our coverage from last year’s Shakti Fest:
You Want Shakti? Larisa Stow’s Got Shakti
Jai Uttal Captures the Essence of Bhakti Fest
Loco for Lokah & the Bhakti Dance
On-Stage Proposal a Bhakti Fest First
Bhakti Fest Seeds Planted at Woodstock in ’69

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