Captain Shyamdas & First Mate Krishna Das

With the Manhattan skyline as a backdrop, a few hundred people crowded the upper deck of one of NYC’s Circle Line cruisers to chant with an all-star line-up of musicians on the 2nd Annual NYC Bhajan Boat, a fundraiser presented by the Mantralogy record label.

The four-hour joyride circumnavigated the City That Never Sleeps, passing under iconic bridges, getting up close with Lady Liberty, and offering stunning panoramas from every direction.  But for all the world-class sightseeing outside the ship, the real magic was happening right on the cramped and crowded “stage” in the bow of the boat. 

Rockin’ & Rollin’ on the River

Gaura Vani

Shyamdas, who has really pioneered the kirtan cruise, captained this showboat as he has many in the past.  He warmed us up with Radhe and got us off the Pier 83 dock with Krishna. Then Gaura Vani put some wind in our sails with his crew of kindred spirits from New York as the boat headed north up the Hudson River, culminating in a rousing Krishna-Radhe mantra by NYC bhakta Acyuta Gopi that ended way too soon.  See it here, at about 15:40 into this clip from Gaura Vani’s set, posted by Om Factory NY.)  

SRI Kirtan, the Woodstock, N.Y.-based divine duo of Sruti Ram and Ishwari, took over just as the George Washington Bridge loomed overhead, and rocked our bhakti all around the northern tip of Manhattan with their signature Chalisa and a new anti-fracking rap they played live for the first time. Kamaniya Devi and Keshavacharya Das, aka Prema Hara — who have just launched an ambitious 12-state tour — accompanied SRI Kirtan and others.

SRI Kirtan rocked the boat

Now we were rockin’ and rollin’ down the crowded East River, with Roosevelt Island and Queens on our port side, midtown Manhattan’s cityscape starboard.  Nina Rao, the first mate of Krishna Das’s organization, took the helm at her boss’s harmonium (he sang back-up) and offered up a preview of her own upcoming debut album, Antarayaami – Knower of All Hearts, a 12-track double CD that will be released this fall.  (As one might hope, the CD will be heavy on Hanuman Chalisas, including a duet with KD, Rao told us.) Sign up to receive CD news and more at www.chantkirtan.com. 

Excerpted in the video below is a track from the upcoming CD (“Bhajagovindam/Narayana”) that melds three traditional chants in a slow-starting, fast-finishing fusion of mantra melodies.  Don’t miss little Bodhi, nestled in Grandpa KD’s lap, tapping right along on his own mini-drum (watch how he studies Arjun Bruggeman’s hand gestures on the tabla and mimics them).

 

Lady Liberty Dancing With Shiva

Lady Liberty: serenaded by Shiva

The special guest of the day, Krishna Das, had his chance to lead kirtan as well, just as the Williamsburg Bridge dominated the view ahead.  (Bodhi kept right on drumming, this time from the lap of Devadas.)  We all did the Krishna Waltz as we passed under the three massive spans bridging the lower East River, then Shiva danced with Lady Liberty as we rounded the iconic statue of the Roman goddess of freedom — symbol of chains unbound — while chanting Om Namah Shivaya to the Hindu god of destruction and transformation. 

Captain Shyamdas, dressed in a traditional dhoti kurta and a blue Nantucket baseball cap slightly cocked to one side, returned for the final leg up the West Side to seal the journey with a kiss to Radhe.  Krishna Das sang right alongside him as the boat steamed north again, the two occasionally exchanging private laughs like schoolboys with a secret.  Pier 83 appeared far too soon, but Shyamdas promised that the next boatride would be longer — to the Caribbean perhaps.  The crowd cheered.  With a final Radhe Shyam, the boat was docked, and the crew forced us to leave (they had to shoo a lot of us out…)

Charity Cruise Trend Setting Sail

This was the Bhajan Boat’s second cruise in Manhattan, but Shyamdas has been organizing kirtan cruises on the mid-Hudson River for a few years now as benefits for Food for Life Vrindavan, a non-profit organization that feeds poor children in India.  Three other charities — Share Your Care, The Seva Foundation, and Off the Mat Into the World — also benefited from the Sept. 30 NYC cruise.

As word gets out about these charity cruises, it seems that everyone is clamoring for one of their own.  Boston wants one on the Harbor, Toronto wants one on Lake Ontario, Midwesterners want one on the Mississippi, California wants more than one…this is the beginning of a trend folks.  Look for it to grow. 

Ki JAI to that.

The Bhajan Boat back-up band, the musicians and vocalists who supported various wallahs, reads like a who’s who of East Coast kirtaneers:  Arjun Bruggeman (tabla), Steve Gorn and Sundar Das (flutes), David Nichtern and Richard Davis (guitars), Adam Bauer (bass), Devadas (cymbals), Ananta Cuffee (mrdanga), Janaki Cuffee, Acyuta Gopi, Kamaniya Devi and Keshavacharya Das (vocals), Jaya Sita Lopez (cello), and more…Who have we left out?

More photos in our Bhajan Boat Photo Journal on The Bhakti Beat’s facebook page.

Stay tuned to The Bhakti Beat’s YouTube channel for new uploads from the Bhajan Boat and more.

Miten even had Snatam Kaur collaborating on stage. She did NOT wail on the harmonica or sing the blues...but maybe next time?

Miten, the sultry, guitar-strumming, wise-cracking singer/songwriter/soul partner of Deva Premal, just seems to inspire extraordinary musical improvs wherever he goes.  At last year’s Omega Chant, he managed to coax the normally reserved Radhanath Swami onto stage for a wailing harmonica solo that had the crowd roaring.

Well, Swami-Ji apparently left his harmonica behind, so what’s a blues lover like Miten to do?  Get Shyamdas in on the act, of course.  You just knew it was going to be good when Miten called him up to the stage toward the end of Miten and Premal’s set during the Labor Day session of Omega’s Ecstatic Chant weekend. 

Nothing quite like the Radhe blues…

Later that same evening (yes, sticking around Omega for that final, fourth day of chanting IS worth it), there was an even bigger surprise.  And yes, it too involved Miten…who was kind of hiding in the dark corner for this one:

Whoa!  Krishna Das singing Bob Dylan’s famous ballad (often credited to Eric Clapton, who made it famous).  Never seen that before.  

In fact, Krishna Das told The Bhakti Beat, this was the first time he has sung Knockin’ on Heaven’s Door at a public concert, and only the second time he has sung it at all.  A week prior to Omega, KD joined his Russian friend Boris Grebenshchikov — who KD called “the Bob Dylan of Russia” and Wickepedia calls the “grandfather of Russian rock” — on stage at a private gathering for a spontaneous rendition of it.  We can’t help wondering if this signals a return to rock ‘n roll for “Ex-Rocker” Krishna Das.

Omega Moments — highlights for us from a long weekend of inspired, blissful (and decidedly more traditional than these two videos suggest) chanting, in all the deliciously diverse incarnations of the contemporary practice of kirtan.  What were yours?

Ram Dass, beaming from Maui

We often get asked: “What are the can’t-miss chant events of the year?”  It’s a loaded question, for sure, since everyone has their own idea about what is “can’t-miss.”  Including us.  So we’re sharing our picks for “The Big 5” chant events that are worth getting to, no matter where you’re coming from.  Here’s part 1; stay tuned to this space for the rest (subscribe here).  And tell us what your top picks are!

Omega’s Ecstatic Chant is the original.  Now moving into its second decade as the annual destination for hard-core chantaholics, its roots can be traced back to Ram Dass’s annual retreats at the Rhinebeck, N.Y. campus in the ’80’s. 

What’s So Special About Omega? 

Radhanath Swami (ctr) with Shyamdas and Deva Premal

 Omega is different from everything else on The Big 5 list because it is chant and only chant.  It’s also the only one that is not a “festival” per se — more like a “retreat.”  Or, in Omega parlance,  a weekend workshop (The Yoga of Voice).  The program is chanting.  That’s it.  No simultaneous yoga classes across campus.  No lectures or experiential workshops to compete for your time.  Just chant, chant and chant some more. 

Manose

On the second day, there is an extraordinary all-night session that, if you are game, is pretty much guaranteed to take you so deep into the bhav that you just might, as Swami Satchidananda said, “forget everything.”  Participants fairly camp out in the Main Hall, variously dancing furiously or quietly meditating, dozing or chatting in between sets… and before you know it, dawn is rising, right in tune with the lilting flute-play of Manose and Steve Gorn.

But what makes Omega stand out for us are those completely unpredictable moments that are pure gold for the soul — like Radhanath Swami wailing on the harmonica with Deva Premal and Miten.  Or Donna De Lory joining C.C. White to sing Lokah Samastah Sukhino Bhavantu.  Or this little gem from Shyamdas, who never fails to liven things up with his stories and shenanigans:
 

‘The Super Bowl of Chant’

Miten, with Omega Co-Founder Stephan Rechtschaffen

Jai Uttal once famously called Omega Chant “the Super Bowl of chant fests,” maybe because only a handful of artists make it to the line-up and the competition to be on the schedule is intense.  (Each artist typically plays at least two full sets over the course of the weekend, and many play a third time at the Labor Day bonus session.)  Rechtschaffen, who makes the line-up decisions, says he is inundated with artists’ CDs and promo tapes and is always on the look-out for bands with a “unique” sound, but knows that bringing in someone “new” means someone else gets bumped, even if they’ve been on the Omega line-up for years. 

C.C. White was at fall Chant for the first time last year, and Dave Stringer returned after a few years’ absence.  Snatam Kaur and Wah!, both long-time Omega regulars, were noticeably absent last fall, as was David Newman (Wah! played at Omega’s smaller Spring Chant in May; Newman and Kaur both led workshop at the retreat center this summer).  Rechtschaffen openly lamented the absence of each of these favorites at fall Chant.   

The 2012 Line-Up 

KD and Arjun Bruggeman

Krishna Das, Shyamdas, Jai Uttal (with Daniel Paul) are constants on the Omega schedule.  They have been leading the Omega Chant pack since the early days and it’s hard to imagine Chant Weekend without all of them.  They can usually be counted on to be stage center during the famous closing session, when all the wallahs and musicians join together on stage for a final free-for-all.   Typically, you can find Shyamdas directing the action, Jai Uttal playfully rebelling, and Krishna Das playfully grumpy at having to be in the spotlight at such an “early” hour (it’s only 11:30 a.m. or so, after all). 

The ever-popular Deva Premal and Miten and Sikh songstress Snatam Kaur round out the top-bill headliners at this year’s Chant.

Vishal Vaid astounds

Vishal Vaid, who has trained in traditional ghazal (an ancient form of poetry in song that translates to “conversation with the divine”), astounds audiences every year (watch this for example) and seems to have a pretty solid position on the Omega roster.  The Mayapuris, the Florida-based band of “Krishna Kids” who have leaped — literally — into the international kirtan scene are back for a third year, and if previous years’ pattern holds true, will join just about everyone else’s bands as well.  

C.C. White

C.C. White is back for her second year, having solidified her return with two crowd-rousing sets last fall showcasing songs from her debut solo CD, This IS Soul Kirtan, which was “pre-released” at Omega.  Gaura Vani and bansuri flute virtuosos Manose and Steve Gorn complete the bill of musicians.  Radhanath Swami, who caused all sorts of excitement last fall when he joined Deva Premal and Miten on stage for an impromptu (and seriously wailin’) harmonica solo, will also be on hand.  We hope he brings his harmonica.

The Deets

When:  Aug. 31-Sept. 3, with a special 10-Hour Labor Day session on Sept. 3.  (If you still haven’t had enough, Krishna Das keeps the bhav flowing with a separate workshop on Tuesday, Sept. 4.)

Radhanath Swami & Donna De Lory

Where:  Omega Institute is located in Rhinebeck, NY, smack in the middle of the “Bhajan Belt,” the upstate New York region known for a confluence of kirtan.  It’s about 90 miles north of NYC and roughly the same distance from Albany.  There’s an Amtrak station nearby and a commuter train to NYC.

How Much:   This is the only bug in the ointment.  Tuition alone for Ecstatic Chant is $395.  The Labor Day session is $125, or $75 if you’re doing the weekend retreat also.  Accomodations are additional, and on-site cabins or dorms tend to be, shall we say, “rustic” (but pleasant enough).  See http://eomega.org/workshops/ecstatic-chant for details.

What Else? Rhinebeck is a quaint and boho-chic Hudson Valley town with lots of restaurants, shopping and an indie movie house.  But you may never want to leave the Omega campus, a rolling oasis with a small lake where you can kayak, hiking paths, great vegetarian meals, a wellness spa with all manner of body-work and subtle-energy treatments available, a soothing sanctuary at the top of the hill, and the charged energy of 30 years as a destination for spiritual masters and seekers of all stripes. 

So, what do you say?  Will you be going to Ecstatic Chant this year?  Why or why not?

Pascale LaPoint: "It just comes through me."

To witness the Bhakti Fest debut of Pascale LaPoint and her band, Kirtan Path, was to witness the unfolding of a bhakti dream coming true.  Having just begun leading kirtan a mere three years ago, the Minneapolis-based chantaholic found herself sitting center-stage at the biggest bhakti bonanza the Heartland has ever seen, singing her heart out and basking in the bhav flowing from her own soul-stirring vocals.

You know how some singers’ voices just touch you deeply?  That have that indefinable something that goes right through your skin, leaving goosebumps on the way, to resonate deep within?  Krishna Das has one.  So does Pascale LaPoint.  (There’s a video below to prove it, but keep reading.  Please.)

Big Love for Newbies

Kirtan Path: (L to R) Mark Baker (percussion), Deana Downs (vocals), Pascale LaPoint (harmonium, lead vocals), Nancy Lemke (violin)

We were not alone in our surprise at this break-out performance.  The German-born LaPoint had the mid-afternoon crowd in the palm of her hand.  Chanters gathered tight to the stage, huddling in the little bit of shade that offered refuge from the blistering sun and giving the set an intimate feel, like one big family.

Shortly after her set, she told us:  “I’m not a singer.  It just comes through me.”  Huh?  You’ve never been a singer?  She said she attended David Newman’s Kirtan College in 2009 and started leading chants soon after, getting her feet wet at Sacred Rearrangements, a healing center/shop owned by Sitara and Pavan Kumar (aka Susan Shehata & Keith Helke of www.raisingtheconsciousness.com) that had become the “hub of the kirtan scene in Mpls,” according to Sitara.

On The Bhakti Fest Radar

Well, their blip on the bhakti radar map just blossomed.  Their set was full of classics:  KD’s Baba Hanuman, The One I Love ballad Gina Sala and Shantala regularly play, traditionals like Govinda Jaya Jaya and Jaya Mata Kali, and original melodies for Sita Ram, Rama Bolo and a skin-tingling Hare Krishna Maha Mantra that Pascale said is her favorite chant.  See if you can feel the energy flowing in the rousing Hari Bol near the end of their set (below).

Something tells us we’ll be hearing more from Kirtan Path and the Minneapolis kirtan crew.  Just watch…

What’s in store:  Wah! returns East, Shantala storms the Northwest, Ragani rocks Milwaukee, KD opens hearts in Orlando and C.C. White stirs souls in Santa Monica.  Lots of great kirtan out there this weekend; here are our top five picks for weekend bhav.  Where will you be chanting?

Top Five Weekend Bhav

SHANTALA in PORTLAND (3/3), SEATTLE (3/4), VANCOUVER (3/5)

BENJY and HEATHER WERTHEIMER, aka SHANTALA, are barnstorming the Northwest this weekend with a CD Release Tour celebrating their latest, Jaya, which everyone has been raving about.  First up is their home ‘hood of Portland, Ore. on Friday 3/3, where they’ll be joined by bansuri flute master STEVE GORN, bass and two-string guitar virtuoso SEAN FRENETTE and vocalist LINDSEY STORMO for a kirtan benefiting Living Yoga and the Oregon Food Bank.  Saturday the gang heads north to Seattle to hook up with GINA SALA to raise money for Yoga Behind Bars with a concert at the Seattle Unity Church.  On Sunday 3/5, it’s off to Vancouver, BC for a CD release party at St. Mark’s Trinity Church.  SHANTALA live never fails to be an experience in master musicianship and deep, reverent devotion, and with this band of stellar musicians backing them, this tour is not be missed.

WAH! AT INTEGRAL YOGA, NYC (3/3)

Fresh from the release of her newest CD, Loops N Grooves, WAH! heads back East for a concert Friday 3/2 at Integral Yoga in New York City.  The long-awaited new CD– more than two years in the making — takes the electronic grooves and dance beats we fell in love with on Love Holding Love up another notch.  Wah’s signature soaring vocals are punctuated throughout with luscious loops and live beatboxing from the amazing “human drum kit” MIKE HAZZIA.  Have you seen this guy?  Vocal percussion at its funkiest!

Next weekend Wah! heads South for CHANTLANTA, the first big two-day kirtan fest in Atlanta, where she’ll be joined by DAVID NEWMAN & MIRA and SEAN JOHNSON & THE WILD LOTUS BAND as well as regional Wallahs to Watch BHAKTI MESSENGER, RAHASYA, and lots more.

KRISHNA DAS RETREAT (3/3-5) AND CONCERTS (3/4 & 3/5), ORLANDO, FLA.

Chant Master KRISHNA DAS, just back from a long weekend retreat at the beautiful Sivananda Ashram in the Bahamas, is jumping right into an urban retreat at the Hindu Temple in Orlando, Fla. Friday night 3/3 to Sunday 3/5.  As part of the retreat, NINA RAO will be leading chanting of the Hanuman Chalisa, the 40-verse prayer to the  “monkey god” who embodies grace and devotion, and GENEVIEVE WALKER, KD’s masterful violinist, will be leading asana classes daily.  Kirtan concerts Friday and Saturday nights have been opened to non-retreatants.  Retreating with KD is an opportunity to get up close and personal with a bhakti “rock star” who is still keeping it real.  KD’s new venture with SiriusXM, KRISHNA DAS YOGA RADIO, launched March 1, bringing kirtan (even if they don’t call it that by name) to a national audience of radio listeners for the first time.  You can try Sirius out for free for 30 days and support this groundbreaking new channel!

Photo by Dale Buegel

RAGANI FIRST FRIDAY KIRTAN (3/2), MILWAUKEE, WISC.

Midwest kirtan is not just alive and well, but thriving, in large part due to the charismatic chantress RAGANI, who has been leading call-and-response chanting for some 30 years.  First-Friday Kirtan with Ragani is practically an institution in Wisconsin, regularly attracting 400 or more people and counting among the largest and longest-running ongoing chant communities in the U.S.  No wonder BHAKTI FEST is setting up camp in Wisconsin this July, and no wonder they’ve signed Ragani as a headliner.  Friday night’s kirtan with Ragani is at the Unitarian Universalist Church West in Brookfield.  Ragani is a local celebrity in greater Milwaukee, and her wry humor is legendary.  Watch her pass a few right over the heads of her hosts in this segment from a local morning TV show that aired just last week (and give a really nice explanation of kirtan as well — all in under five minutes!).  For more depth (lots more) about Ragani’s world, check out her interview with Josh Polich, whose new Three Teas Podcast covers kirtan and lots more.

C.C. WHITE AT BHAKTI YOGA SHALA, SANTA MONICA, CALIF. (3/5)

Who shall we take along on the ride today?

You know when you’ve got one of those seemingly endless drives ahead of you?  Four, five, six hours in the car with nothing to do but drive drive drive?  Well, silence may be golden, but throw in a couple bhakti-rockin’ CD’s and the miles will just flyyyy by.  Trust us.

Having just endured a 6-hour drive home from Cape Cod, we know this.  I was about to crawl out of my skin from sheer boredom when I discovered Om Spun (the latest release from Wynne Paris’ all-star band Groovananda) in a crevice of my car and popped it into the CD player.  Immediately I started bopping and singing along with the gospel-infused chants and multi-layered instrumentalism.  I was grooving to Groovananda and loving life.  And apparently, driving faster.

Suddenly, there were blue lights flashing in my rear-view.  Talk about a buzz-kill.

“Is there any particular reason you were speeding, Ma’am?” the baby-faced rookie officer asked me in that official, you’re-busted tone.  Me: “um, uh….”  I thought about taking out the CD and handing it to him, but didn’t know how that would go over.  Plus, I still had three hours to go — I needed that CD!

I’m thinking that there are a lot of kirtan CD’s that need to come with a warning label like this one from Krishna Das’s Chants of a Lifetime CD:

Caution: This CD features chants that render it inappropriate for use while driving or operating heavy machinery.

Warning label or not, here are a few of our favorites for car kirtan.  Please use with caution.

Five for the Ride

1. Om Spun, by Groovananda.  This is “raga rock kirtan,” brilliantly fusing world beat, jam-band, rock, jazz, kirtan, folk, Indian, trance and gospel. Whew!  Featuring Wynne Paris on vocals and sarod, Rick Allen on drums, JT John Thomas on organ and Doug Derryberry (Bruce Hornsby band) on mandalin, plus Mark Karan, Krishna Das, Badal Roy, Perry Robinson, Girish Cruden, Dave Stringer, Kim Waters (Rasa), Ramesh Kannan and many others. (2011) Get it here.

2. This IS Soul Kirtan, by C.C. White.  By now everyone’s got this on their playlist, right? C.C. White’s debut solo album is a sweet, rollicking joy ride of classic chants reinvented with a Southern Gospel and soul-shaking exuberance.  I’m in love with the reggae-style Hare Krishna maha mantra punctuated by a deep, thunderous — and alltogether too brief! — Krishna rap by Bob Wisdom.  Chills.  Every time.  Co-produced with Matt Pszonak, with Patrick Richey, Denise Kaufman, Cooper Madison, Steve Postell, Richard Hardy, Michael Jerome Moore, Jeff Young, Arjuna O’Neal, Vasu Dudakia, more special guests and the Soul Kirtan Choir. (2011) Listen & buy here. 

3. Thunder Love, by Jai Uttal.  Queen of Hearts, Jai’s reggae-kirtan CD released last fall, would easily fit the bill here too.  But Thunder Love, released in 2008, has occupied one of the slots on my car CD changer since I bought the disc.  Jai’s trademark heart-soaring vocals will make you forget you’re stuck in a car and take you right with him into the inner chambers of the heart.  Please, put it on cruise control before Bolo Ram (Track 2) comes on…Produced by Jai Uttal and Ben Leinbach for Nutone Records.  Get it here.

4. Love Holding Love, by Wah!  Of all the Wah! albums I love, I love this one the most.  (Of course, I haven’t heard Loops and Grooves yet, which is due out any day now.)  Maybe it’s the chill, almost trancey lounge feel, or the heart-pumping electronica beats, or the soft-rap riffs of love-centric lyrics that never fail to remind me that it’s all love baby, even if you’re stuck in the worst traffic this side of the 405.  It holds a near-permanent slot in the Baja’s player.  A two-year collaboration with Paul Hollman, with guest artists that include Elijah Tucker (drums), Katisse Buckingham (vocal percussion, flute), Ryan Pate (drums), produced for Nutone. (2008)  Get it here.

5. Live Your Love, by SRI Kirtan.  Make sure you’re buckled in when this one cues up; it sweeps you up in Track 1 with a hard-rocking Govinda/Hare Krishna medley and carries you on that current of bhakti love right through the duo’s signature Rock the Bhakti and on to the final track, a joyous tribute to the sacred Ganges River.  SRI Kirtan is the fusion of Sruti Ram and Ishwari, whose collective musical background spans punk, opera, Gregorian chant, electronica and doo-wop.  It shows.  With Steve Gorn on bansuri flute, Visvamhar from the Mayapuris on mrdanga, the sacred-rap genius of SriKala Kerel Roach , Charlie “Govind” Burnham on violin, Noah Hoffeld on cello, Kyle Esposito on bass and electiric guitar, and Curtis Bahn on dilruba and sitar. Co-produced with Julie Last for Mantrology/Ishwari Music. (2010)  More info here.

That’s our Five for the Ride today.  What’s playing in your car?

(Oh, and the baby-faced rookie cop?  He let me off with a warning.  Maybe it was the music…)

The majestic Meditation Hall at Garrison Institute

Unlike a Krishna Das kirtan, where you pretty much know what you’re going to get, a workshop with KD can be wholly unpredictable.  Case in point: last weekend’s Heart of Devotion Retreat at the awe-inspiring Garrison Institute, a former Franciscan monastery perched on the banks of the Hudson River across from West Point, N.Y.  The retreat included two afternoon workshops along with public kirtans Friday and Saturday night, daily chanting of the Hanuman Chalisa with Nina Rao, Shyama Chapin and Ambika Cooper, and morning yoga with Jeremy and Lily Frindel of the Brooklyn Yoga School.

The kirtans were classic KD (well, classic in the current post-Heart As Wide as the World era).  It’s the music you know and love, the songs that are playing on your car stereo, the ones playing at the yoga studio.  But the chantmaster himself is right there in front of you (and several hundred others), pumping the harmonium and singing his heart out for his beloved Maharaji.  And whatever that place is that he goes when he’s chanting, KD takes you right along with him.  Repeating the names has a way of “polishing the dust off the mirrors of our hearts,” he has said often.

Garrison retreat inspires a new KD T-shirt. (Photo provided by “Jenni;”original shot by Dr. Ellen Ruth Topol; as shared by Krishna Das on Facebook)

‘I Survived a KD Workshop’

It was the mid-day workshops where the polishing got a little intense.  So intense that KD opened the Saturday night kirtan by joking: “After this afternoon, we’re having a T-shirt made that says I SURVIVED A KD WORKSHOP.”  (It took about a day for the photoshopped version of the imagined T-shirt to reach Facebook; the organic cotton version can’t be far behind, we predict.)

What was so grueling about a couple hours chanting and chatting with KD and a couple hundred of your bhakti family?  No, folks, it was not the chanting.

‘So, What’s Up?’

If you’ve been to any of these day workshops or retreats with KD, you know the drill:  there’s going to be some singing and there’s going to be some talking.  The ratio of one to the other, you never know.  You have to hand it to KD; he essentially opens up the floor to anybody who wants to ask anything.  “So, what’s up?” he said as he invited questions Saturday afternoon in the grand meditation hall at Garrison, the same soaring sanctuary in which the Capuchin friars used to pray.

Think about it:  it’s your chance to ask this icon of Western kirtan, this beloved devotee of Neem Karoli Baba, this bhakti rock star, anything you want.  What would it be?

Why Is Your Apparel Red?

The very first question: “Why do you always wear red?”  A lot of people must wonder about this, because it came up not once, but twice in the first Q&A (the second asker declared herself “Busted!” for coming in late when KD replied perplexedly “Were you here earlier?”) Note to conference participants: never ask a question unless you’ve heard every question already asked. D’oh!  But I digress.

The answer? Well, it’s a long story.  Here’s KD’s condensed version for now: “Maharaji said, ‘Wear red.  Even your underwear.’  It’s Hanuman’s color.”

After the “red question”, KD was asked if he would relate his experience at Aushwitz with Bernie Glassman’s Bearing Witness retreat.  He exhaled loudly, and begged off.  “I will, but not now.”

KD on Relationships: ‘Love Is Not Between People; It’s In Us”

Next, he was asked what constitutes a “spiritual marriage?”  “It’s so horrible everything else looks good?”  KD replied playfully.  Then he said he had no idea what that meant. “That’s not the world I live in.  What’s not spiritual?”  This is what I love about KD, this wry, self-deprecating humor and irreverent wit that just lays it on the line.  He makes no claim to be an expert on anything, least of all relationships, which he has essentially said, more than once, that he sucks at.  Still, he offered this:  “We can learn a lot from relationships.  They can teach us a lot about ourselves, because they show us what we are not.  But relationships never last!…Love is not between people, it’s in us.”  Then, more wry wit: “I’m kind of cranky today, so romance might not be the best topic.”  (Several hands went down.)

Later, he came back to the love question.  “Maharaji didn’t give love.  He was love.  You were loved unconditionally.   That’s what we’re all looking for.  But who can give that?  I can’t.  Only someone who is love can let you into that room.  That room is your heart.”  He said Westerners have a hard time believing this kind of love exists, but  that it “already lives in us.  It’s who we really are.  We just don’t quite know how to find it.”

Pulling Back the Proverbial Curtain

Someone asked what sustains him.  He paused, finding the words.  “It’s not hope, but some kind of wisdom that, in spite of myself, everything’s going to be okay.”  He attributed this to Maharaji, who “pulled back the curtains” one day and opened KD’s eyes to “what is.”

“Within each of us there is this sense of well-being,” he said.  “This is who we really are, but mostly we’re cut off from that.  We need to look at whatever ‘stuff’ is cutting us off from that — whether it’s greed, selfishness, attachments, whatever.”  That’s where spiritual practices like chanting, meditation or yoga come in, KD said.  “These practices help us let go of our stuff, to gather our longings and focus them on what is most important to us, whatever that is.  The result is that we actually start to focus on what’s important, which is finding that missing piece of ourselves that we’re looking for.”

‘Bliss is Our True Nature’

Just when things were getting deep, someone asked a deep question — about the relationship between Sita and Ram in the classic Hindu story, the Ramayana, and who Ram really is.  KD’s answer? “I don’t even know who I am, how do I know what Ram is?”  Then he dropped a bomb that made my jaw drop — and I don’t think I was the only one.  He said: “Look, folks, let’s get real.  I know one thing:  Maharaji is love.  That’s my whole life in a nutshell.  All this other stuff, I don’t have a f***ing clue.”  Thanks KD, for keeping it real.

When everyone stopped laughing, he paraphrased Chogyam Trungpa Rinpoche’s idea that what most people call bliss is really just a little less pain.  “Bliss is our true nature,” he said.  “Singing extracts me from all that stuff that has me stuck, and I come back to that place of love. That’s all I know.”

The moment that prompted the “I Survived” T-shirt came later, an exchange between KD and a participant he knew, quite well apparently.  Well enough to call it like he saw it.  There was sobbing involved.  I felt a little like an awkward observer to a spiritual counseling session.

Chanting Brings Stuff Up

But that’s exactly the point, isn’t it?  We’re all in this room together, chanting and hashing out our individual “stuff.”  And stuff is coming up.  Chanting brings stuff up.  If you’ve ever lost it in the middle of a kirtan, silently weeping or sobbing and heaving, you know what I’m talking about.  And if you haven’t, keep dusting.

“Every time you sit down to practice,” KD said, “you’re breaking that cycle of attachment, so you can let all that stuff go.  The moment you let it go, you feel better.  But we have big problems letting go.  These practices are training us to work with stuff in a new way, to have a vote in the way we deal with things that come up in life.”

Okay, I’m in.  Now can we just chant?  Then we did, blessedly.

After the chant, just before the workshop ended, he left us with this:

“So much pressure builds up in our daily lives to be someone we are not.  That’s why I love these weekends, because everyone gets to see that everyone else is just as weird as they are.  It’s okay to be just who we are.  It’s crazy to go through life expecting the bottom to drop out at any moment because someone is going to find out who you really are.  We have all this stuff that we are trying to hide from others, from the world.  What are we hiding from?”

And then there was silence.  Looooong pin-drop silence.

End of Workshop #1.  I think we survived.