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Jim Beckwith, Bhakti Fest, by TheBhaktiBeat.com
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Jim Beckwith at Bhakti Fest Midwest by TheBhaktiBeat.comProject: Full-length Studio-Recorded CD
Fundraising Goal: $12,000
Deadline: April 30, 2014 @ 11:59 p.m. PT
Contribute  Here NOW!
 
Ed. Note: This is part of our ongoing series on Crowdfunding Kirtan, in which fans and friends contribute money for new recording projects in exchange for “perks” ranging from free downloads to private concerts.  The trend has grown as record labels have cut back and artists have to fund projects themselves.

 The Artist

Is it us, or is Jim Beckwith showing up everywhere these days?  He is one of those guys who seems to always be on stage at festivals like Bhakti Fest, surrounded by a pile of instruments from shakers to sitar and diligently backing up the lead wallah in whatever way is needed.  A “sound colorist,” Beckwith calls himself — someone who can pick up whatever instrument is necessary to add just the right shade of acoustic toning to support the flow of the music at that moment.  Sounds right to us.

That said, Beckwith is a vocalist first and foremost.  In an interview with The Bhakti Beat from his car, dodging tumbleweeds enroute from his home in Ojai, Calif. to play at a retreat with Saul David Raye in Denver, he said, without hesitation:  “I am a singer,” when asked which, among the many he proffers, is his instrument of choice.  Singing, he said, “is the passion at my core. I only started playing any instrument to support the singing.”

The passion shows.  Beckwith has a vocal range that would make an opera singer do a double-take.  (In fact, Placido Domingo, Jr., the opera singer and son of the famed tenor and conductor, apparently did just that, telling Beckwith he had a voice like “a refined Sting.”)  He can soar to lilting heights or ground you like a bass line.  He is completely self-taught; his formal vocal training consists of a single voice class in college.  “I always had some fear around taking formal vocal lessons,” he told The Bhakti Beat. “I guess I was afraid someone would try to tell me how to sing.”

Jim Beckwith Saul David Raye, on TheBhaktiBeat.com

Orchestrating a Mood

All of those instruments — sitar included — have came in handy as he has moved into more fulfilling musical roles.  Around 2005, a chance encounter delivering a sound system to Jai Uttal ended up with a weekend-long gig playing percussion for the bhakti master, whose regular tablist, Daniel Paul, was otherwise engaged. “I was instantly in love,” Beckwith says. “I wanted to follow him everywhere — but he had Daniel Paul!” Instead, Beckwith stayed in Florida and started picking up gigs with the iconic Bhagavan Das, who gave Beckwith his spiritual name of Hanuman Das.

Over the last 10 years or so, Beckwith has earned a reputation  for supporting the flow of energy in yoga classes, choosing from his toolkit of music-making devices to create the right mood and enhance the dance of asana.  He was doing “live-music yoga” before everybody was doing live-music yoga; at the time he was pioneering the practice in the Eastern U.S., yoga-with-a-band was virtually unheard of outside of the trend-setting L.A. yoga scene.  He’s carved out quite a little niche for himself in the genre (can you call it a genre?), traveling to yoga conferences nationwide, and has become a regular fixture at close friend and yogi superstar Saul David Raye’s retreats and workshops.

Jim Beckwith at Bhakti Fest by TheBhaktiBeat.com

The Project: First Chant CD ‘Hybrid’

Recently, Beckwith has stepped into the center of the kirtan stage to take the lead call himself.  His debut set at Bhakti Fest — a milestone that has become somewhat of a marker of a kirtan wallah’s coming-of-age — was  last fall on the Joshua Tree festival’s Hanuman stage.  In the heat of the blazing afternoon sun in the high desert, he and nine or so close musician friends stepped up and created a buzz among the crowd of hard-core yogi-chanters who turned out for the set.  Saul David Raye introduced Beckwith warmly and stepped in to accompany his friend on the harmonium for the final song.

This will be Beckwith’s seventh CD and the first one focused on chant.  But don’t expect it to be traditional call-and-response kirtan.  Rather, it will be what he calls a “hybrid,” a reflection of his evolving style, which mixes English lyrics culled from his songwriting roots with traditional mantras — hopefully in way that makes sense, he said with a chuckle.

The CD, and his emerging role of songwriter-meets-wallah, is all part of the evolution of Jim Beckwith. “When I first started getting into kirtan, I wasn’t sure what my path would be,” he said.  “I felt a little uncomfortable about how to be myself in it.  Could I do my lyrical content in the context of kirtan?”

He said watching people such as David Newman and Girish combine their singer/songwriting sensibilities with the mantras gave him confidence to pursue the direction his intuition was pointing him in.  “For so many years, I was just kind of dabbling in music without really knowing where I was going with it,” he told The Bhakti Beat. “Now I feel like I’m really stepping into my path.  That is such a relief.  It’s been a process of surrender and getting clear on what my ‘thing’ is.”

Jim Beckwith, Bhakti Fest, by TheBhaktiBeat.comThe yet-to-be-named hybrid album is already in progress.  Beckwith has selected the songs and has begun to lay down instrumentals on each track.  Backing him up will be familiar names in the kirtan world, including Jennifer Sparks on vocals and, on one song at least, harp; David Watts on bass; Matthew Hufschmidt on drums, and others to be determined — most likely including Brenda McMorrow and Benjy Wertheimer, Beckwith said.  A summer 2014 release is anticipated.

Help make that happen by donating to this campaign now!

Contribute to Jim Beckwith’s Indiegogo Campaign
Listen to Jim Beckwith’s Music

Connect with The Bhakti Beat!

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Previous articles in this series:
Brenda McMorrow
Sean Johnson & The Wild Lotus Band
David Newman aka Durga Das
Sheela Bringi
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Closing Out Bhakti Fest West 2012, by TheBhaktiBeat.comDo you have any of these symptoms? 

1. You wake up humming the Hanuman Chalisa.

2. You’ve exceeded your internet data allowance watching kirtan livestreams.

3. You have at least one pet — or possibly a child — named after a Hindu deity.

4. Your family whispers behind your back because every time they see you you’re quietly singing Hare Krishna Hare Krishna Krishna Krishna Hare Hare.

5. When the Jehovah’s Witness comes to your door, you try to convince them that Jesus and Krishna are the same…because, you know, Maharaji said so. 

Neem Karoli Baba by Balramdas, from ImageEvents.com, on TheBhaktiBeat.com

Photo by Balramdass, from ImageEvents.com

6. You know who Maharaji is.

7. You secretly fantasize about becoming a roadie for Krishna Das. Or Dave Stringer.  Or Girish…

8. You’ve ever been stopped for speeding with a kirtan CD blasting in your car.

9.  You dumped your boyfriend/girlfriend because they kept complaining that the only “music” you ever play is kirtan.

10. You’ve emptied your savings account buying plane tickets and weekend passes to Bhakti Fest, Omega Chant, and any other kirtan festival, retreat or event you can get to.

If any of these signs describe you, you might be a kirtan addict.  There is no cure, but don’t despair:  the treatment is simple… 

Chant more.

Whatever you do, just…

Keep Calm and Bhav On by TheBhaktiBeat.com

And follow The Bhakti Beat, of course!

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Earth Day Kirtan 2013 @ Burlington Earth Clock by TheBhaktiBeat.comEarth, water, sky, a temple of stones and kirtan.

You can travel all over the world but sometimes the sweetest vibes are right in your own backyard.  The Monday Night Kirtan crew in my home ‘hood celebrated Earth Day chanting for Mother Gaia amid the circle of stones that is Burlington’s Earth Clock.  With Lake Champlain shimmering beside us.  On a cloudless blue-sky day.  With the sun setting over the Adirondacks across the lake.  Does it get any more blessed than this?

 

 

The red sun sank into the distant mountains while we chanted, its last wink precisely timed to the moment our long Jai Ma chant wound down from a soft whisper to silence.  It could not have been choreographed more perfectly if it were a movie.  I can’t make this stuff up, I swear. 

I had brought along a dilapitated old globe that had been rescued from certain demise in a landfill, repaired, then left to gather dust on a high shelf in my apartment.  Freshly dusted, she was placed in the center of our altar-in-the-round along with the candles and prasad and other offerings.  Our own little “unknown bhakti band,” Yogi P & the Funky Shanti (aka Patrick McAndrew and Heidi Champney) held the space, but we all sang as one circle.  Anyone who was so moved led a chant and everyone was in the band. 

Earth Day Kirtan 2013 @ Burlington Earth Clock by TheBhaktiBeat.comPeople were walking their dogs and riding their bikes along the Burlington Bikeway, which wound right around Earth Clock’s temple of mega stones.  Some would stop in curiosity, observing our circle from a safe distance; others would jump right in, chanting and clapping along for a song or two, then meandering on their way.  Toward the end Jeanette Bacevius taught us “Ise Oluwa,” the African prayer song that was chanted by millions of people around the globe on 12.21.12 in the One Earth One Voice movement and has become somewhat of an anthem for global healing. 

When it got chilly (this being Vermont in April), Yogi P got us up on our feet to get funky with the shanti (and warm up).  We danced and twirled around the circle inside the stones, swinging one another as we went, Mother Gaia in the center and all around.

Earth Day Kirtan 2013 @ Burlington Earth Clock by TheBhaktiBeat.com

Dancing for Gaia -- and warmth!

Afterward, when the prasad was all gone and the socializing winding down, a small knot of stragglers huddled in a tight circle, and someone lowered the old globe into the center of us.  Spontaneous unscripted prayers for Ma Earth’s health and healing came pouring forth, one after another, showering her with love and blessings….gathering the energy of our kirtan and concentrating it on Gaia.  Then, one final Om Shanti Shanti Shanti for the Mother.

I tucked the globe — now verily glowing — back into my bag and made my way home, smiling and humming for the sweetness and authenticity of this last-minute gathering.  But it didn’t feel right to just put her back in her corner of the shelf high above, out of sight, out of mind, gathering dust.  She had just been the focus of so much love, the receiver of so many prayers, the center of attention — didn’t she deserve better than to be forgotten again?  So I put her in the center of the table, held up by a lotus-shaped candle holder. 

And I thought, what would happen if we all gave this much attention and love to Mother Earth every day — not just Earth Day? 

__________________

Yogi P & the Funky Shanti are releasing their debut CD, Ganesha Kirtan, at a special Cosmic Love Kirtan Afterparty following the Burlington Yoga Conference on May 4 at Laughing River Yoga in Winooski.  They will also be joining the party April 27 in NYC at the Brooklyn Yoga & Kirtanpalooza.  Follow their facebook page to stay up to date.

Also see Earth Day Kirtan Photo Journal on The Bhakti Beat’s facebook page

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The Southern Bhav rose again on Day 2 of Chantlanta on the altar-cum-stage of the Druid Hills Baptist Church in Atlanta, the backdrop for a line-up of regional bands that showed the depth and diversity of the “unknown” bhakti bands in the Southeast.  (We use the quotes on “unknown” because they’re only unknown to those not in the know, you know what we mean?)  And we want all y’all to be in the know, because these bhaktas really deserve to be known…you know?  

So here’s Part 2 of our series on Chantlanta’s “Unknown” Bhakti Bands.  Read Part 1 here.  (More Chantlanta coverage linked at the bottom.) 

Chris Korb, sitar for Kirtan Bandits at Chantlanta, by TheBhaktiBeat.com

Chris Korb on sitar, Kirtan Bandits

Kirtan Bandits

This was an unexpected treat. First up on Day 2 of Chantlanta, the Kirtan Bandits stole hearts with a mix of Sufi prayers and Sanskrit mantras set to trancey tabla-driven rhythms. The Bandits were new to us, but the Chantlanta crowd sure seemed to know this sextet of multi-instrumentalists from Rome, Ga.  Jeffrey Lidke, a go-to tablist for the region who gets the prize for most stage time at Chantlanta, led the troupe, with Jen Corry sharing lead vocals.  

Jeffrey Lidke, Kirtan Bandits, at Chantlanta, by TheBhaktiBeat.com

Jeffrey Lidke

Even against the vocal finesse and seasoned musicality of Lidke (tabla and harmonium) and Corry (flute and keyboarding) — both of whom are professors at Rome’s Berry College — young bassist Chris Korb shone on the 25-stringed sitar in a Maha Devi chant punctuated by scat-like call-and-response vocal exchanges between Lidke and Corry (watch it here). With John Graham and Jesse Burnette on guitar, and Hari Siddhadas on clarinet and cymbals.

Kirtan Bandits just released five songs recorded at Chantlanta 2013; check ’em out here.

 Sunmoon Pie

Sunmoon Pie at Chantlanta day 2, by TheBhaktiBeat.com

Bonnie Puckett & Michael Levine, Sunmoon Pie

Soon-to-be-newlyweds Michael Levine and Bonnie Puckett, aka Sunmoon Pie, have been bringing Hebrew chants into the Chantlanta mix since the the first fest in 2010. (At one point Levine cheekily pointed out the irony of singing Jewish prayers at a kirtan festival in a Baptist Church.) 

Victor Johnson for Sunmoon Pie at Chantlanta, by TheBhaktiBeat.com

Victor Johnson

He on guitar and she on the keys, they led us through a stirring sequence of chants based loosely on the prayers recited in a traditional Jewish Shabbath celebration. Each was layered over the band’s own original melodies…or in the case of the last prayer, borrowed melodies: Paul Simon’s “Sounds of Silence” provided the musical score. (Video coming soon.) Larry Blewitt laid the drum beat, and Victor Johnson wailed on the electric fiddle.

Sunmoon Pie has a 5-track digital EP out, recorded at Chantlanta 2012. Personal favorite: Modim Anachnu.

Phil McWilliams

Phil McWilliams at Chantlanta, by TheBhaktiBeat.com

Phil McWilliams

Phil McWilliams brought us back to India on the wings of a bluesy/folksy singer/songwriter and the guitar that never left his lap. We’re already on record as loving everything we’ve heard from McWilliams and his Journey of Sound, so you might know where this is going. And we can’t seem to stop ourselves from using the warm-blanket metaphor to describe the feeeel of this music. But we’ll try, for your sake, dear reader.

The vibe was soft, deep and warm (oops) — but not in a way that made you want to lie down and go to sleep. You wanted to capture every word, every chord, and wrap yourself up in the rhythms (sorry!). There’s an authenticity to McWilliams’ music, a yearning in the voice that borders on melancholy yet feels soothing, not sad. And just when you thought you might drift away on a prayer of a melody, McWilliams & Co. kicked it up a notch, punctuating the set with a sublime, slow-build Mahamantra whose ecstatic peak seemed to shake the rafters in the soaring Druid Hills sanctuary. It was all holy.

Phil McWilliams Band at Chantlanta, by TheBhaktiBeat.com

Journey of Sound

The Journey of Sound featured Amanda Feinstein on vocals; Susan Stephan and Nakini Groom sang back-up.  With Rob Kuhlman on bass, Michael Levine on electric guitar, Larry Blewitt on drum kit and Brihaspati Ishaya on percussion.  Phil McWilliams’ first solo album is Signs of Peace, and yes, we’re in love with it. (Personal favorite song: “Holy Now”) Okay I give up: it’s like goose-down for the soul. Snuggle in.

See www.philmcwilliamsmusic.com for music and events (he’s opening for Dave Stringer and Donna DeLory for their SE mini-tour), and www.bhaktimessenger.com for Universal Prayer, the CD by McWilliams’ previous band project (with Ian Boccio), Bhakti Messenger Kirtan.

Blue Spirit Wheel

Blue Spirit Wheel at Chantlanta, by TheBhaktiBeat.com

Stephanie Kohler & Ian Boccio, Blue Spirit Wheel

More than any other, this was the band we wanted to experience live at Chantlanta. By the time Blue Spirit Wheel came on to close out the afternoon, the crowd was primed. Ian Boccio (vocals and bass) and Stephanie Kohler (vocals and harmonium) are kind of the hometown heroes, and have each been instrumental in making Chantlanta happen. The Atlanta kirtan community was out in force — and they were pumped. The forestage was packed, dancers weaved at the edge of the altar, children played limbo under saris…

My notes on the scene read: “Rockin’ it! Joyful chaos. Dancing at edges. Kids everywhere.”

Stephanie Kohler, Blue Spirit Wheel, Chantlanta day2 by TheBhaktiBeat.com

Stephanie Kohler

Chaos in the church be damned, this pair of mantra mavens took us deep, orchestrating a trance-inducing mash-up of overlayered mantras drawn from their debut CD, adi.  They “wanted to do something different” for their hometown followers, Kohler told us afterward, so she devised this long thread interweaving the individual chants they’ve been leading for the last year or so.  The mantra mash-up.  Judging from the response they got, we’d say the homeys liked it.  The post-chant silence was eventually broken by a single “Wow,” giving us all the permission we needed to applaud.  Loudly.  And that was just the first chant.

They finished out the set like they started, mixing mantras.  This time, Kohler sang a lilting old Christian hymnal she learned from her grandmother.  It was layered in between and over a low, deep chorus of “So Hum” led by Boccio’s gravelly baritone.  Her hymn over his Hum.  (Couldn’t resist.)  Without the pun, it was enchanting. (Watch it here.)
 
Jeffrey Lidke for Blue Spirit Wheel at Chantlanta, by TheBhaktiBeat.com

Jeffrey Lidke, tapped again

Grounded by Jeffrey Lidke and Brihaspati Ishaya on percussion and Lindsey Mann on back-up vocals, Blue Spirit Wheel proved why they’ve become one of metro Atlanta’s favorite mantra bands.  But you don’t have to be in Atlanta to experience their bhav live; the duo starts a six-week most-of-the-US tour May 30, including Bhakti Fest Midwest in Madison, Wisc. July 5-7. If they’re coming anywhere near you, check ’em out.  And don’t miss the magical mantra trip that is adi.

www.bluespiritwheel.com
www.bhaktimessenger.com (Boccio’s previous project, with Phil McWilliams.)

Whew! And that was all just a warm-up to Krishna Das…

Krishna Das at Chantlanta by TheBhaktiBeat.com
Krishna Das packed them in…
Also see:
Pt 1: Chantlanta’s ‘Unknown’ Bhakti Bands Show Depth & Diversity of Southern Bhav (Video)
Fresh from The Grammys, Krishna Das Shines At Chantlanta, With Band of One (Video)
Southern Bhav Rising: Chantlanta Demonstrates How To Do a Regional Chant Fest (Video)
Photo Journal of Chantlanta, on The Bhakti Beat’s facebook page
Photo Journal: Krishna Das at Chantlanta, on The Bhakti Beat’s facebook page
Chantlanta Playlist on The Bhakti Beat’s YouTube Channel (building daily!)
 
www.chantlanta.org
www.swahaproductions.com (co-organizer of Chantlanta; produces kirtan events in the South)
 
 
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Jeffrey Lidke, tabla, at Chantlanta by TheBhaktiBeat.comWatch these Wallahs…

One of the things we love about this “mantra revolution” is how many largely unsung local bands are out there doing their thing, bringing the bhav to their communities, just waiting for people to wake up to this thing called kirtan. The Unknown Bhakti Band. Of course, they’re not unknown to those in the know…but there must be thousands of them, right? Under-the-radar ensembles and Monday night quartets, each with their own unique expression of bhakti, quietly offering music and mantras for anyone who will come out and chant with them?

Chantlanta grew out of this kind of community in Atlanta and beyond.  Seven local and regional bands ended up on the “free” part of Chantlanta’s two-day line-up in the sanctuary of the Druid Hills Baptist Church, representing kirtan in a broad range of incarnations. From traditional Sufi chants to Hebrew Shabbath prayers, from Hindu scripture to contemporary Gospel, and from Paul Simon to the Beatles, Chantlanta embraced it all. 

We’re putting each one of these bands on our “Wallahs to Watch” list.  You might want to too.  Just sayin’.

This is Part 1 of 2, because…well, there were seven of them, and they each deserve attention.  And blogs aren’t supposed to be 1,600 words long. 

First up, Friday night’s line-up of Mantra Ma, Wynne Paris and Chaitanya.  Don’t miss Part 2, with Kirtan Bandits, Sunmoon Pie, Phil McWilliams and Blue Spirit Wheel. Video highlights from each artist, some still uploading…(hello, wifi?)

Mantra Ma at Chantlanta by TheBhaktiBeat.com

Mantra Ma

Mantra Ma

Mantra Ma, aka singing moms Jocelyn Rose and Shonali Banerjee from Atlanta, opened us up softly with a long, layered Ganesha chant, then graced us with Gayatri, the mother of all mantras. With Crystal Stafford on acoustic guitar and Rose on harmonium, the mood was meditative, soft and earthy, reverent and reassuring…

Chantlanta Day 1 by TheBhaktiBeat.comAt one point Banerjee invited everyone to open their palms to the sky and repeat “I am open to receive all of life’s blessings.” Communal abundance prayer…we swear it sent a ripple of energy right down our collective spine.

Chaitanya at Chantlanta Day 1 by TheBhaktiBeat.com

They closed with Asato Ma Sadgamaya in a slow build (watch it here).  This is a Sanskrit prayer from the Upanishads (Hindu scriptures) which translates to: “Lead me from the unreal to the real/Lead from the darkness to the light/Lead me from death to immortality/Let there be peace peace and peacefulness.”  It was the perfect punctuation mark to a powerful set of mantras, delivered with vocal finesse and a mother’s grace. (And we loved how Banerjee’s two young children raced to the stage at the end to give their mom a group hug.)
 

Wynne Paris

Wynne Paris at Chantlanta, by TheBhaktiBeat.com

Wynne Paris

Worldbeat troubadour Wynne Paris from Florida can hardly be considered unknown — more like a musician’s musician.  He’s played with, well just about everybody (quite a few of them made it onto Groovananda, his latest CD).  He had his own set on the main stage at Bhakti Fest last year.  (What? You missed that 4 a.m. set?) We were there, and it was worth staying up for the sarod serenade alone. 

He brought his sarod to Chantlanta, thankfully, playing a couple of songs on it before switching to harmonium, then guitar.  The set started traditionally with an invocation to Ganesh, then rollicked right into He Ma Durga with the crowd clapping along.  A detour to the 1960’s with a Beatles-inspired Krishna love medley was followed by a full-on gospel jam-dance in the contemporary “sacred steel” tradition popularized by the Lee Brothers and Florida’s House of God church.  This little roof-raiser had everyone jumping and hollering like…well, like we were at a Baptist church in the South…  Even Druid Hills Pastor Mimi Walker joined the joy parade on the altar-turned-stage.  Watch it here.

Wynne Paris gospel jam at Chantlanta by TheBhaktiBeat.com

Everyone joined the jam, including the pastor!

In the end, Paris went back to his sarod to close the set with a hypnotic Om Namah Shivaya he learned from Bhagavan Das. Lori Michele Love and Dorianne Aillery sang back-up; Jeffrey Lidke and Rishi Waterman on percussion.

See www.wynneparis.com, and do check out Groovananda, a personal favorite driving CD.  But be careful…

Chaitanya

Chaitanya at Chantlanta by TheBhaktiBeat.com

Silvia Riverwind & Koriander of Chaitanya, with Laurie Fisher on fiddle.

Chaitanya took the Friday night bhav to the next level with a high-energy set of traditional mantras swept along on a jam-band medley of rhythm and strings.  It was clear these Asheville, N.C. bhaktas weren’t going to let the night end without a shaktified dance jam.  Jai Jagadambe fit the bill nicely. Watch the video here

This band has been a perennial favorite at Chantlanta for four years running, so we’ve heard.  Now we know why.

Rishi Waterman of Chaitanya, at Chantlanta Day 1 by TheBhaktiBeat.com

Rishi Waterman of Chaitanya

Sylvia Riverwind shared lead vocals with Koriander, whose harmonium was the bloodline of the band (though she switched it up for an acoustic guitar occasionally).  Overlayed with some serious fiddling by Laurie Fisher, Rishi Waterman on percussion and Tom Aldrich on bass, it was hard NOT to move. 

Chaitanya’s debut album, Ark of Love, is available now on CD Baby; a CD release party is set for June 1 in Asheville.  www.chaitanyakirtan.com

Chaitanya at Chantlanta Day 1 by TheBhaktiBeat.com

Last-jam dance party with Chaitanya & the Chantlanta chanters

Don’t miss Part 2 for the rest of the Chantlanta line-up — Kirtan Bandits, Sunmoon Pie, Phil McWilliams and Blue Spirit Wheel

See also:
Part 2: Chantlanta’s ‘Unknown’ Bhakti Bands Reveal Depth & Diversity of Southern Bhav (Videos)
Fresh from The Grammys, Krishna Das Shines at Chantlanta, With Band of One
Southern Bhav Rising: Chantlanta Demonstrates How To Do a Regional Chant Fest
Chantlanta Photo Journal (on The Bhakti Beat facebook page)
Krishna Das at Chantlanta Photo Journal (on The Bhakti Beat facebook page)
Chantlanta Playlist on The Bhakti Beat YouTube Channel (new videos being added)
 
www.chantlanta.org
www.swahaproductions.com (produces kirtan events in the South)
www.krishnadas.com
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Yoga Texas Style (Dana Shamas)

What did we love about the Texas Yoga Conference?  The bhakti, baby!

No surprise there, but seriously: these folks “get” that yoga is more than asana.  TYC founder Jennifer Buergermeister told us the integration of practitioners from a wide array of yogic and healing arts was by design, a nod to the Eight Limbs of Yoga.  Bhakti was weaved seamlessly into the weekend, the way we dream about it being weaved into every yoga conference out there.

NOLA’s Sean Johnson and The Wild Lotus Band

For starters, there was Saturday’s Bhakti Bash with Sean Johnson And The Wild Lotus Band, the New Orleans-based trio who are pioneering the integration of kirtan and asana.  Johnson told of his own yogic journey, first to hatha yoga, then to bhakti, and finally to a fusion of the two.  When he first started teaching yoga 16 years ago, Johnson said, his “physical practice” and his devotional practice were very separate.  “Even to ‘Om’ in class was scary for me then,” he shared.  But after years of this separation, he said his yoga practice “felt a little dried up.”  For the last several years, he has been “experimenting with how to bring these two paths together.”

“We have to figure out ways to keep bringing juice to our practice,” Johnson said.  “Bringing bhakti to hatha has helped sustain me.”

Bhakti Bash with Sean Johnson and The Wild Lotus Band

Over the next two hours, he brought some juice to the convention center ballroom and proved that his “experimentation” is working.   With a rapt audience of a couple hundred yogis huddled close to the stage, he recounted classic tales from Hindu scriptures and mythology, of Radha and Krishna, of Shiva and Shakti, of Kali and Saraswati.  He told of Durga Ma’s cursed war with the demons, how each time she slayed one, a hundred more would appear from the drops of blood, until she was overwhelmed and could do nothing more but sit down to meditate; how it was only by going within that she found the strength to slay every last demon and return peace to the land.  Then we all joined our voices in praise of Ma, with Gwendolyn Colman’s rich vocals leading the response to Johnson’s call.  Jai Jai Ma, Saraswati Ma. 

An hour or so into the session, Johnson sent us back to our mats for a bhakti-infused yoga flow to the rhythms of Colman’s percussion and Alvin Young’s bass.  It was a side of Sean Johnson we hadn’t experienced before (the yoga teacher) — and one we highly recommend.  Very juicy.

The Bhakti House Band at Texas Yoga Conference by TheBhaktiBeat.com

The Bhakti House Band

The Bhakti House Band proved why they are Texas’ favorite kirtaneers with bookend sets in the morning and evening on Saturday.  By the end of their final set, the little crowd gathered in the common area was rockin’ out to the rhythms of Kristin and Randall Brooks and their band of bhaktas, and didn’t want to see them stop.  Particularly when Randall, the self-described “kid from the ‘hood,” tried out a freshly devised conscious hip-hop riff on us — look for that one on the upcoming album from this Fort Worth-based group, a charity effort for their Peace Love Om project, which aims to raise cultural awareness and promote diversity among youth around the world and support suffering children, families, and communities in need through donations and seva.  Remember this bhakti couple — they are the go-to back-up band for Texas-touring artists and are fast making a name for themselves on the national kirtan scene.  Watch this space for videos and more on The Bhakti House Band…

Prathiba Kirtan at Texas Yoga Conference by TheBhaktiBeat.com

Pratibha Kirtan

On Sunday, we got to experience the sweetness of new-to-us Aaron Lind and Pratibha Kirtan from New Orleans, with Ashley Beach rockin’ the acoustic bass and Jordan Arey on drums.  Lind, whose talents include some pretty impressive acro-yoga, said he was first inspired to lead kirtan thanks to fellow NOLA yogi Sean Johnson.  The bhakti trio is currently touring Texas and in the midst of recording their first CD.

Flight School with ex-punk/monk Raghunath Cappo took off in three sessions over the weekend, a testament to the popularity of Cappo’s practically legendary approach to mastering gravity-defying arm balances, for anyone who dares to fly.

Ragunath Cappo at Texas Yoga Conference by TheBhaktiBeat.com

Raghunath Cappo

What we liked was his down-to-earth, New Yorker style and his keeping-it-real vibe.  What we loved was his bhakti; he started each class with satsang and chanting, complete with a little lesson in what kirtan is (“meditation with your voice”) and does (“It’s about uncovering self-knowledge, or ‘atma jnana'”).

“The saints and yogis in India are not performing yoga to get six-pack abs and a nice ass.  They’re practicing it to become transcendent,” Cappo said.

Jennifer Buergermeister, Texas Yoga Conf. Founder, by TheBhaktiBeat.com

TYC Founder Jennifer Buergermeister

Thank you Texas Yoga Conference founder Jennifer Buergermeister and all the teachers and bhaktas at TYC for bringing the bhav to yoga.   Wouldn’t it be great if EVERY yoga conference did so?

Kick it up Texas!

Also see:
http://www.seanjohnsonkirtan.com/
www.thebhaktihouseband.com
www.pratibhakirtan.com
http://www.raghunath.org/
www.texasyogoconference.com
 

 

 

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One month after Shyamdas’ passing, the bhakti community is still reeling from the gash torn in its heart by the loss of the great Sanskrit scholar who had become, in recent years especially, the Western bhakti world’s favorite uncle.  From the Kumbh Mela in Allahabad India, where a moment of silence in honor of Shyamdas was observed among the millions gathered for the world’s largest spiritual convergence, to the bhaktified walls of Bhakti Yoga Shala in the heart of SoCal’s fertile kirtan country, to a little healing space over a garage  in Montpelier, Vt., near where Shyamdas lived for many years, those who knew and loved Shyamdas have gathered to honor his life and celebrate his lila.

Ananda Ashram, the Yoga Society of New York, offered up its own tribute to its patron saint of satsang on Sunday, Feb. 17.  Ananda sits in the heart of New York’s “Bhajan Belt,” near Shyamdas’ home when he was in the U.S.  The little community tucked away in a sleepy NY hamlet was “the first place he came” when he returned to the States after his winter in India, said Hari Mulukutla, a long-time friend of Shyamdas who organized the tribute in concert with Ananda’s Jennifer Schmid.  (Ananda has more recently come to fame via the Grammy nomination of Krishna Das’ Live Ananda, which was recorded at the ashram in 2007.)

Hari Mulukutla: “This was his playground, and we are all his Gopis.”

“This was his playground, and we are all his Gopis,” Mulukutla said, referring to the famous lila of Krishna and his devoted dairy maidens who would follow the sound of his flute into the forests of Vrindavan, the divine playground of the Hindu scriptures.  Shyamdas chose the Vrindavan region as his home base in India in order to “touch the dust of the dust of the dust that touched the Beloved’s feet,” he once said.

An image of Shyamdas ecstatically singing was the focal point of a high altar at the gathering.  An offering of Krishna Devi, Ananda resident and “gypsy kirtan” wallah, it was lit by tealights and nestled with flowers and Indian textiles of the type Shyam-ji often wrapped about his neck or head.  It gave the impression throughout the evening that the teacher himself was there, watching over the musicians gathered on stage and singing right along with them.

Shyamdas’ sister, Susan S. Ryan

Susan S. Ryan, Shyamdas’ sister, was presented with a traditional flower garland to place over Shyam-ji’s picture, after which she spoke briefly about her brother and the outpouring of love for him from the bhakti community.  “I always knew he was special, but now I’ve learned that he really did have a million best friends,”  Ryan said, drawing laughs from the crowd.  “And I thought I was his best friend,” she chuckled.

She said growing up with Shyamdas for a brother was full of surprises, because he “was such a rascal.”  At the same time, she said, he was “such a devoted person, devoted to his translations and to his music, but also to his family.”  She called him “sometimes mindful, sometimes manic,” but always “clear-headed.”

“He was willing to risk everything to express what he knew to be true,” Shyamdas’ sister said.

The evening proceeded with stories, poetry from Shyamdas’ translations, and of course, kirtan — in a rapid progression of 9 separate bands/artists leading two chants each.  Vallabhdas, Shyamdas-ji’s dear friend and devoted student who has collaborated on many of his books, offered up a poignant ode to his teacher and mentor, singing what might be the anthem song of Shyamdas’ life:  Beloved.  The song, from Shyamdas’ first CD, Beloved Chants, combines Shyam’s original lyrics with a traditional composition written (in the Brajabhasa language) by the 16th century Ashta-Chaap poet-saint Govinda Swami. Vallabhdas described the bard as someone whose “life was full of deep realizations, and his words carry to us the essence of pure devotion.”   (Scroll to the bottom for Govinda Swami’s words, plus Shyamdas’ translation and original lyrics for Beloved.)

At the end of the song, Vallabhdas said: “I think Shyamdas found his beloved.  We all miss him of course…but we’ll just keep singing the Beloved’s names and following in his footsteps, and we’ll get there…”

SRI Kirtan with Naren Budhkar

Bhajan Belt favorites SRI Kirtan (Sruti Ram & Ishwari) took the stage next, singing two of their favorites from their many sails on the Bhajan Boats with Shyamdas.  Sruti Ram told a humorous story about long road trips with his bhakti brother (“driving to Vermont for coffee”) and seeking his friend’s counsel about a difficult interpersonal situation (Shyam’s advice: “Delete.”), then launched into a rousing Sri Ram Jai Ram.  Ishwari took over the lead to deliver her now-classic Jai-Jagatambe Ma Durga chant — punctuated with her earth-shaking take on Carole King’s “I Feel the Earth Move Under My Feet.”

To close it out, Hari Mulukutla sang Sharanam, a hymn of auspiciousness from the Upanashids (Hindu scriptures) that Shyamdas often sang when closing his programs.  The evening ended with a recording of one of Shyam-ji’s followers — a Western woman named Nicole — singing a Holi devotional song to Shyamdas for the first time.  It was a sweet, simple reminder of the many lives he touched during his presence in this world and how his influence continues still.

“Hundreds of years in the future, they will still be talking about Shyamdas,” Mulukutla said.  “And it will be very hard to describe him.”

Shyamdas, we imagine, would have chuckled.

The full roster of musicians included:

Krishna Devi

Krishna Devi, who started it off with Radhe (what better for a Shyamdas tribute?) and Krishna, warming up our response with her “gypsy kirtan.”

The Rev. Kim Lesley, who, joined by Jennifer Schmid and Renee on vocals, kept the Maha Mantra flowing.

Arundhati read a poignant remembrance sharing “the ultimate lesson” Shyamdas taught her — “Take shelter of Krishna” — then sang a beautiful Arati followed by a Govinda/Hare Krishna medley.

Prema of the Woodstock sangha sang and played on her tanpura one of the hundreds (thousands?) of ancient love poems that were brought to light by Shyamdas: “Lift up the veil and meet your Beloved.”

Ned Leavitt aka Jambavan

Ned Leavitt aka Jambavan sang Sri Krishna Sharanam Mama — “Sri Krishna is my refuge” — a song much beloved by Shyamdas that he sang often.  Shyam-ji’s partner Ally Gopi was softly singing it in the car as they were raced to the hospital in India just before his physical death, she wrote in a poignant memoir for the spiritual journal Nama Rupa.

John McDowell

Naren Budhkar, who often played tabla for Shyamdas, read another of Shyam-Ji’s translated love poems to the Divine, then joined John McDowell for a drum call-and-response.  McDowell, who co-produced Shyamdas’ first CD and has played with him for many years, called Shyam a “musician’s musician” who “understood that rhythm was one of the ways to keep the bhav going.”

Supporting the music all evening were Sundar Das on flute and Avinash, Tommy Be and John McDowell on percussion.

Sri Krishna Sharanam Mama

Tommy Be, Avinash, Renee, Jennifer, and Rev Kim

Beloved

From Vallabhdas: “This traditional composition in the Nata Raga, sung to Shri Krishna in the early afternoon, was written by the 16th century Ashta-Chaap poet-saint Govinda Swami. His life was full of deep realizations, and his Brajabhasa words carry to us the essence of pure devotion:”
pritama prita hi te paiye
yadyapi rupa guna, shila su-gharata
ina batana na rijhaiye
sat kula janma, karma subha lakshana
veda purana padhaiye
Govinda bina sneha sualo
rasanaa kahaju nachaiye
Shyamdas’ Translation:
The Beloved is found only through love.
Physical beauty, good virtues, fine character
and a noble home –
these possessions will never please God.
You could have a high birth,
good karmas, auspicious signs, and
have read the Vedas and Puranas.
Sings Govinda, “But, my friend!
Without love for the Beloved,
what is the point of wagging your tongue?”
Shyamdasji composed these English lyrics to go along with the song:
Find the Beloved through the beloved Name.
Even if you have good looks and virtues,
they don’t matter in this game.
If you don’t love Shri Govinda,
what are you doing with your day?

More on Shyamdas:

Swept Up in a ‘Tidal Wave of Bhav’ with Shyamdas: Epic 45-Minute Maha Mantra
Storytime in the Bhav with Shyamdas & Friends at Bhakti Fest Midwest
Feels Like ‘Yesterday:’  Classic Shyamdas in Wacky Spontaneous Improv at Omega Chant
Bhajan Boat’ Charity Cruise Circles Manhattan with a Boatful of Bhaktas
Ananda Ashram Shyamdas Tribute Photo Journal on The Bhakti Beat’s facebook page
Remembering Shyamdas Photo Journal on The Bhakti Beat’s facebook page
Shyamdas Remembered, Video Playlist on YouTube
 
Also see:
www.shyamdas.com
www.sacredwoods.net (for Shyamdas’ books and recordings. Note: many sold-out books are being reprinted)
www.anandaashram.org

 

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Kirtan in a New Age: What’s in a Grammy Category Name?

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“Genre unknown.”  Have you ever gotten this message when you download a kirtan CD into iTunes?  We get it a lot.

More often than not, the iTunes database pulls up a blank in the “Genre” category.  Sometimes it pulls up as World Music, sometimes Alternative, sometimes Folk (Shyamdas in particular), and sometimes — get this! — Country (GuruGanesha’s Kundalini Surjhee). Occasionally, the disc is downright  Unclassifiable (Marti Walker’s rEVOLution).  And yes, sometimes it even registers as New Age, which usually elicits a sarcastic snicker from this downloader.

New Age?  Hasn’t that almost become a kind of throwback-to-the-70’s joke?  Something that is spoken of with “air quotes,” maybe with a roll of the eyes thrown in?  Is kirtan New Age?  Does it want to be?

Well, according to the Grammys, it is.  That’s the category for which Krishna Das is in the running for Best Album, marking an historic moment in bhakti history (watch the livestream Sunday, Feb. 10 from 1–3:30 p.m. PT at GRAMMY.com and CBS.com.).  No, he’s not the first kirtan artist to get a Grammy nomination — Jai Uttal earned that honor back in 2002 with his barrier-breaking, genre-bending Mondo Rama.  But this is Krishna Das.  The Yoga Rock Star.  The King of Kirtan.  The Chantmaster.  And Live Ananda, the recording nominated for this year’s Best New Age Album, is pure and traditional unadulterated call-and-response chanting.  In the live.  No apologies for the harmonium.

Will the tux be in plaid?

Still, we have a hard time imagining Krishna Das describing himself as a “New Age artist.”  We could be way off base here, but we’re not seeing it.  You?

Either way, that’s where we are folks.  We don’t know about you, but we’re putting our bets on Krishna Das actually winning this thing.  Why else would he be performing live at the Grammys pre-broadcast livestream? (New Age nominees are never featured on the Grammys live television broadcast, which is reserved for the big “Mainstream” categories.)  We’ll eat crow if we’re wrong.  Whilst brooding.  Heavily.  And chanting along with the Cosmic Kirtan Posse at Ananda Ashram to soothe our pain.

But let’s just say it happens:  Krishna Das wins the Grammy for Best New Age Album.  That would put him in the same Winner’s Circle as Paul Winter (6 times), Enya (4-time winner), Yanni, Pat Metheny, and David Darling, among others you’ve probably never heard of.  Notably, Peter Gabriel won the award for Best New Age Performance in 1990.  KD’s competition for the award this year?  L.A.-based pianist Omar Akram; Michael Brant DiMaria, an integrative psychotherapist who creates music for relaxation and meditation; Celtic artist Loreena McKennitt; renowned cellist David Darling; pianist/composer/producer Peter Kater, and Steven Halpern, whose 1975 release, Spectrum Suite, often gets credit for beginning the whole “New Age Music” movement.

There are a couple interesting kirtan connections among these other nominees.  David Darling collaborated with Canadian kirtan artist Brenda McMorrow on her 2010 album Love Abounds. Peter Kater just last year released Heart of the Universe with Sikh-tradition chantress Snatam Kaur, and his 2012 nomination, Light Body, features vocalist and executive producer Trish Bowden.  We’re clueless, we confess, about the others on the list, but a quick review of their offerings puts them pretty far away on the musical spectrum from call-and-response chanting ala Live Ananda.

Incidentally, in the World Music category, both Ravi Shankar (for The Living Room Sessions, Pt. 1) and his daughter, Anoushka Shankar (for Traveller) are nominated for Best Album.  Which makes us wonder why Krishna Das isn’t in the World Music category.  Live Ananda even comes up on iTunes as World Music.

Indefinable?

New Age music has always been difficult to define, seeming more like a catch-all for downtempo “relaxation music” than anything else.  Early pioneers include the aforementioned Steven Halpern and English composer Brian Eno, who is credited as a principal innovator of so-called ambient music.  New Age  first earned its own Grammy category in 1987 — about the same time New Age bins started showing up in major record stores and big record labels starting paying attention to the genre.

The dawning of the New Age Grammy category was not met with glee by all.  Music critic Steven Rea, writing in the Philadelphia Inquirer in 1987, said: “It’s a category of music to which few artists want to be assigned – the winner of the Grammy is likely to accept his award with a bag over his head – and which even fewer can define.”  The same year, Musician magazine predicted that “all new-age artists will claim to be ‘not really new-age.’ ”

My how things have changed.  Or not.

Parsing the Name Game

All of this talk brings up a related issue that is astir throughout the kirtan world: what to call kirtan.  “Kirtan,” some have argued, is just too hard for Westerners to wrap their tongues around, let alone their minds.  A few artists are steadfastly moving toward the use of “mantra music” to define what they do; among them are Gaura Vani, a Krishna devotee who typically practices traditional call-and-response Sanskrit chanting (unless he’s in his role as one-fourth of The Hanumen, in which case all categorization goes right out the window), and GuruGanesha Singh, best known as the long-time touring partner and manager to Snatam Kaur, who infuses sacred Gurmukhi-language chants with funked-up rhythms and soaring electric-guitar riffs. 

The new Krishna Das channel on Sirius XM radio eschews both these monikers in favor of “Yoga Radio” — a decision that came from Sirius, KD told us in an interview.  Nowhere in the description of the channel will you find the word kirtan, but you will find “Chanting, sacred and spiritual music” in the channel’s subhead.

Kirtan. Mantra music.  Yoga music.  Chant.  Sacred music. Spiritual music.  World music. Alternative, Folk, Country…turns out there are almost as many names out there for this “music genre” as there are artists presenting it.  Which begs the even bigger question: is it a “music genre” at all?   

Or is the Mantra Revolution simply “Unclassifiable”?

What do you call it?

Also see:
Krishna Das’ Live Ananda Earns Grammy Nomination; Kirtan Grammy Would Be A First
www.krishnadas.com
Live Ananda via Krishna Das
Live Ananda on iTunes

from KrishnaDas.com

 

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“We’re going to end on this,” Shyamdas said, as he launched us into the final powerful crest of an epic Hare Krishna chant that undulated like the waves of an ocean for 45 ecstatic minutes (two-part video below). 

It started as a slow, deep prayer before gradually rising to the inevitable full-on whirling cresendo, then ebbing again to a sweet low longing, barely a whisper, before rising up again… Over and over he led us through the peaks and valleys of the changing melodies and rhythms, inviting us all into the intimate dance with the Divine.  Soon there was no distinction between call and response, “performers” and “audience.”  All merged as one voice, one ocean of sound and devotion flowing with the joyful tears of a thousand streams.

It was, for this writer, one of those peak experiences in kirtan — the kind that just make you go, “Wow.” No exclamation point. Just “Wow.”

When it ended, after that long sweet silence where you get to do nothing other than breathe in all that bhav, he looked out at all of us and simply said: “That’s it.”  Silence broken, the crowd thundered.  Shyamdas’ kirtans always stand out, but this one was beyond outstanding, and the chanters let him know it. 

When the hoots and hollers died down, Shyamdas said this: “It’s amazing to float in the bhav — I don’t know whether I was imagining that, and it doesn’t really matter…But man, to be in such a tidal wave of bhav with everyone is …” He paused for just a moment.  “…is the way I would like to spend the rest of my life.”

“To be in such a tidal wave of bhav with everyone is the way I would like to spend the rest of my life.”

Hear Hear.

After the set, I caught up with Shyam-Ji just off-stage.  I wanted to thank him, to ask him how he did that, what magic did it take to create that experience. Maybe I needed some kind of confirmation that we had all just experienced something truly extraordinary, I don’t know.  I had a hundred questions for him! But when I opened my mouth, all I could muster was, “Wow.”  No exclamation point.  Just, “Wow.”  (And, I imagine, a glazed-eye, stoned-on-the-bhav expression — hey, we’d been chanting day and night for 3 days at this point.)

Despite my bhakti-fried brain-deadness, Shyamdas answered my unspoken question.  I didn’t write down what he said, but it was something along the lines of: “I was just taking it where it needed to go.”  He was reading the room, taking the pulse of the space, feeling the vibe and intuitively guiding us deeper and more completely into that Place That Cannot Be Described, to blissfully drown in a churning sea of ecstatic devotion.

This is Shyamdas as we will remember him, steering the ship on a “tidal wave of bhav” deep into the ocean of devotion, sweeping us all along with him on his boat full of bhakti.

Thank you Shyamdas-Ji. 

A note about the videos: Did I mention this was a 45-minute-long Maha Mantra?  And that I recorded EVERY moment of it?  Now, I know this is the Age of Twitter and 30-second news bites…so I thought about editing this down, cutting and slashing it to a manageable, YouTube-friendly size.  But then something slapped me upside the head (Shyam?) and said, Are you crazy?  This is a work of devotional art.  How dare you mess with it?  So I present it to you as I experienced it, in all its uncut, unedited glory.  In two parts, because the Age of YouTube has a 30-minute attention span (not long enough for kirtan).  Please put aside 45 minutes to watch — really WATCH — because you don’t want to miss a single moment of Shyam-Ji’s in-the-bhav expressionism.  Clear your space because you will want to dance during parts.  Have some tissues because you may cry.  But watch it all.  You will not be sorry. 

Here’s Part 1:

 And Part 2:

 

 Also see:

“Remembering Shyamdas” The Bhakti Beat’s Photo Journal on facebook

Shyamdas Video Playlist on YouTube

www.shyamdas.com

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It’s been the subject of scholarly study, doomsday prophesizing and New Age philosophizing alike for…well, pretty much forever.  It’s inspired countless books,  millions of articles, a major motion picture, and more than a few good cartoons.  Whatever your beliefs are about 12.21.12 — the end of the world, the beginning of a new world, or none of the above — one thing is clear:  the occasion is being marked worldwide with consciousness-raising events focused on prayer, meditation, and yes, kirtan.  Along with more than a few end-of-the-world-as-we-know-it blow-out bashes.  

It’s no wonder: 12.21.12 is not only the much-ballyhooed date on which the Mayan calendar supposedly ends (but not really); it is also the winter solstice — the longest night of the year and the turning point for the “return of light” by way of gradually lengthening days.  Some theorists suggest the date coincides with Earth’s crossing a central nexxus in the Milky Way galaxy, signifying the end (or beginning) of an epoch in the orbit of our sun around the galaxy’s spiraling vortex.

There are as many theories out there about what 12.21.12 means as you care to dig for (30.5 million Google results in .24 seconds).  One recurring theme is the idea of a kind of global metanoia, a spiritual transformation or rise in consciousness like the world hasn’t seen in say, 5,125 years (the length of this last period in the Mayan timekeeping system).  Within the “conscious community,” 12.21.12 has become, it would seem, a lightning rod for stepping up the call for global unity and action to recognize our interconnectedness and avert ecological disaster on our home planet, a fate that seems to be racing toward us with accelerating speed. 

With that in mind, we set out to find out what was happening in the bhakti community.  We didn’t have to look far…

Worldwide Events

Golden Age Global Kirtan

Quite simply, kirtan will be everywhere on 12.21.12.  From every corner of the globe, chanters will be beating their drums and raising their voices in mantra throughout the day, all day, all night.   Championed by NoCal bhakta K.d. Devi Dasi and the non-profit Kuli Mela Association, whose mission is to promote and preserve bhakti yoga philosophy, Golden Age Global Kirtan links chanters and Krishna communities worldwide for a common gathering celebrating “a shared experience of Loving Service, Bhakti Yoga.” 

It has been a volunteer, person-to-person effort, Devi Dasi said, using social networking for spiritual activism. “On a deeper level we are activating a network of real people, real hearts to be connected, not on-line this time, but in our hearts, body, mind and spirit…in COMMUNITY!” she said.  As of Wednesday, some 25 countries had signed on to participate in Global Kirtan — with groups of ‘2 or 200’ people — and the list was growing fast as the news went viral in the bhakti world.   

“This is not simply each of us in our own corner praying,” Devi Dasi said. “This is a grass-roots call out to one another, as brothers and sisters, activating our communities with unified intentions, beyond borders, countries, or organization.”   For more info and to add your kirtan to the list, visit the Kulimela Assocation’s page on facebook.

UNIFY Global Moment of Peace

This worldwide effort links events around the globe in an umbrella event being called simply, UNIFY.  Highlights are a globally synchronized “Solstice Moment of Peace” at 11:11 GMT (6:11 a.m. EST) and a “Global Unification Moment” at 20:00 GMT (3 p.m. EDT), where people will gather the world over for a silent prayer, meditation or ceremony with the intention of uniting for world peace.  From a Unify.org press release:

The hope behind the ‘Unify’ idea is that joining in with these events will demonstrate that people have more desire to participate in something positive, than to dwell on the doom and gloom of apocalyptic predictions. Unify.org is serving as a hub for these events, including helping organize meditation flash mobs in city centers to live-streaming ceremonies at Mexican archaeological sites with hundreds of thousands in attendance to coordinating an interfaith moment in Jerusalem between major world religions.

Unify.org will live-stream footage of key events on the day including festivals, ceremonies and events from Jerusalem, The Pyramids at Giza, Stonehenge and Glastonbury, Chichen Itza, Palenque, Teotihuacan, San Francisco, Los Angeles, Austin, Texas, Lake Titicaca, Cape Town, Byron Bay, Australia and even Antarctica.  For details on the movement and individual events, see www.unify.org.

Global Convergence at Great Pyramids of Giza, Egypt

Global Convergence is a 3-day adventure retreat to Giza, Egypt (and a continuing Nile River cruise afterward) that culminates with a dawn-breaking ceremony at the Great Pyramid on 12.21.12, which will be live-streamed via www.unify.org.  Details of the ceremony are sketchy on the Global Convergence website, but as far as we can tell, it will feature “a selection of the top electronic music producers and DJ’s from the west coast’s music scene” as well as world-music pioneers Arjun Baba and Fallah Fi Allah, who never fail to rock the stage at Bhakti Fest with their high-voltage brand of Sufi Qawwali music.  Presented by L.A. electronic-music producers The Do Lab; for more details, see www.globalconvergence2012.com.

Best Bhakti Bets

(If we had a teleporter and could go anywhere, we’d beam in on these first — right after Arjun Baba’s set at the Great Pyramid, that is.)

Kirtaniyas at New BrajAt the top of the list is the first-ever New Braj 24-Hour Kirtan at the community of Krishna devotees in New Braj Village in central California, near Sequoia National Park.  Spearheaded by The Kirtaniyas, the internationally beloved foursome of “Krishna kids” Vijay Krsna, Sarasvati, Rasika Dasi and Nitai Prem, this kirtan immersion will span 12 hours each day Friday and Saturday.  Rumor has it there may be a live-stream of the chanting (the next best thing to beaming there); stay tuned to The Bhakti Beat’s facebook page for up-to-the-minute updates.  Starts at 10 a.m., New Braj Village, CA.  Details here.

SRI Kirtan & World Peace in the Catskills: It will be mantras and meditation in the mountains at this weekend retreat featuring Sruti Ram and Ishwari, the Woodstock, NY duo behind SRI Kirtan, who will lead ecstatic chant as part of Friday evening’s program.  Go for the night or the whole weekend by joining the World Peace Meditation Retreat at the Ashokan Center in Olivebridge, N.Y.  Learn more.

Larisa Stow & Shakti Tribe in Phoenix: Can you say transformance? Any show with this band will transform you; Larisa Stow is passion personified, love without limits, delivering a wake-up call to anyone who will listen. Can you hear it? The Tribe takes their mantra rock to Phoenix this weekend, kicking it off with a celebration of ceremony and community with drum, flute, song and dance that they are headlining Friday night. On Saturday, Stow will lead a Mantra Playshop session, all part of the 12.21.12 festivities of the non-profit Fusion Foundation. Find out more.

Bhakti Blessings Coast-to-Coast

IN THE WEST

Venice, CA:  Rebirth of the Light Winter Solstice Movement Meditation with Shiva Rea, Dave Stringer, Global Sonic DJ Fabian Alsultany , Donna De Lory, Spring Groove, Yehoshua Brill and more. 2-10 p.m., Exhale Center for Sacred Movement, Venice, CA.  More info.

Los Angeles, CA:  Celebrating the New Age, an evening of “live yoga, live music, live food and live people” featuring multi-instrumentalist Sheela Bringi and Clinton Patterson (producer of Bringi’s debut CD in-the-works), with Leonice Shinneman, playing blues/raga/kirtan.  6:30 p.m. at Peace Yoga Gallery, Los Angeles.  Details.

Richmond, CA:  Blessings for the New Millennium,a multicultural evening of mantra, music and sacred ceremony, featuring Daniel Paul and Gina Salá, who are just finishing up their West Coast storm tour to launch their collaborative CD, Tabla Mantra. Includes Sound Healing with  Jan Cercone, Taiko drumming with Eden Aoba Taiko, and of course, tabla mantra with Paul & Salá.  Find out more.

San Rafael, CA:  Cosmic Dance Party with MC Yoga & special guests.  Described as an “Intergalactic Planetary Dance Party In Northern California to celebrate the end of the Mayan Calendar, the Winter Solstice, and anything else that makes you feel like dancing.”  That about covers it…and dance you will want to:  with Robin Livingston on deck and Amanda Devi on visuals, this threesome pumps out high-voltage, bass-heavy tracks from MC’s latest CD, Pilgrimage, that you can’t help but move to.  Get the scoop.

Vancouver, BC: Mantra, kirtan and labyrinth meditation featuring the World Peace Flame, organized by Sandra Leigh and Give Peace a Chant Kirtan Community. 7 p.m., Labyrinth at St. Paul’s Anglican Church, Vancouver, BC. Details here.

Seattle, WA: Dharma Sound is presenting kirtan at 7 p.m., Samudra Yoga, Bremerton, WA.

IN THE EAST

Rosemont, PA:  Stay Strong 2 Release Party and Winter Solstice kirtan celebration with David Newman, Mira and The Beloved.  This is the official release party for Stay Strong 2: You Can Count On Me.  The evening is a benefit for The Bridge Foundation and Global Green USA.  8 p.m., The New Leaf Club, Rosemont, PA.  Details here

Boston, MATom Lena is hosting a special Solstice edition of his regularly scheduled Kitchari Kirtan, featuring Beantown chantress Irene Solea. The evening will open with Shakti Rowan leading the KK Posse in a Solstice Ritual to welcome the new earth. 7 p.m., Cambridge, MA.  Details here.

Bedford, NY:  Satya Franche & MA Kirtan will add their “vibration to the celestial vortex” for holiday chanting and potluck gathering, beginning 7 p.m. at Transcendence at Sun Raven, Bedford, NY.  More info.

West Hartford, CT:  Celebrate the Winter Solstice with friends and family in a gathering that includes the ancient Homa Hotra fire ceremony to “let go of that which we no longer need and manifest all that we envision for ourselves in the future.”  And of course, there will be chanting and dancing.  8:30 p.m.; West Hartford Yoga.  Details here.

Bennington, VT:  DEVI presents an evening of Solstice kirtan with special guest, Bill ‘Jambavan’ Pfleging.  DEVI’s just-released CD, “The Path of Love,” will be available for purchase.  6 p.m., Karma Cat Yoga, Bennington, VT.  More info.

 IN THE MIDWEST

Minneapolis, MN:  The Midwest gets a head start on 12.21.12 with a celebration of mantra by Heartland bhaktas Sitari and Kalyana with Pavan Kumar (aka Susan Shehata, Colleen Buckman and Keith Helke), who are releasing their first self-titled CD on 12.20.  The evening includes a guided “clearing” meditation and a celebration of the return of the sun, and also features the music of Blue Soul Caravan and special guest Jill James. Long-time champions of midwestern bhav, this Minneapolis-based band (which also includes Will Kemperman) made its debut at Bhakti Fest Midwest this summer.  Details here.

Green Bay, WI:  Erika King and Be Alford team up for live music and yin yoga for a Winter Solstice Celebration at the Studio for Well-Being in Neenah, WI.  More info.

Chicago, IL:  The Bodhi Spiritual Center is hosting Birth of the Golden Age Celebration, a two-hour program including a Q & A led by Mariana Gigea on the Awakened State, a Crystal Bowl Meditation, dancing, and hands-on blessings for awakening in the tradition of  Amma Bhagavan, founder of the Oneness University. Find out more.

Your turn: tell us where you’ll be chanting on this long-anticipated day.  Will you be celebrating, praying, hiding your head in the sand…?

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