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Jim Beckwith, Bhakti Fest, by TheBhaktiBeat.com
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Jim Beckwith at Bhakti Fest Midwest by TheBhaktiBeat.comProject: Full-length Studio-Recorded CD
Fundraising Goal: $12,000
Deadline: April 30, 2014 @ 11:59 p.m. PT
Contribute  Here NOW!
 
Ed. Note: This is part of our ongoing series on Crowdfunding Kirtan, in which fans and friends contribute money for new recording projects in exchange for “perks” ranging from free downloads to private concerts.  The trend has grown as record labels have cut back and artists have to fund projects themselves.

 The Artist

Is it us, or is Jim Beckwith showing up everywhere these days?  He is one of those guys who seems to always be on stage at festivals like Bhakti Fest, surrounded by a pile of instruments from shakers to sitar and diligently backing up the lead wallah in whatever way is needed.  A “sound colorist,” Beckwith calls himself — someone who can pick up whatever instrument is necessary to add just the right shade of acoustic toning to support the flow of the music at that moment.  Sounds right to us.

That said, Beckwith is a vocalist first and foremost.  In an interview with The Bhakti Beat from his car, dodging tumbleweeds enroute from his home in Ojai, Calif. to play at a retreat with Saul David Raye in Denver, he said, without hesitation:  “I am a singer,” when asked which, among the many he proffers, is his instrument of choice.  Singing, he said, “is the passion at my core. I only started playing any instrument to support the singing.”

The passion shows.  Beckwith has a vocal range that would make an opera singer do a double-take.  (In fact, Placido Domingo, Jr., the opera singer and son of the famed tenor and conductor, apparently did just that, telling Beckwith he had a voice like “a refined Sting.”)  He can soar to lilting heights or ground you like a bass line.  He is completely self-taught; his formal vocal training consists of a single voice class in college.  “I always had some fear around taking formal vocal lessons,” he told The Bhakti Beat. “I guess I was afraid someone would try to tell me how to sing.”

Jim Beckwith Saul David Raye, on TheBhaktiBeat.com

Orchestrating a Mood

All of those instruments — sitar included — have came in handy as he has moved into more fulfilling musical roles.  Around 2005, a chance encounter delivering a sound system to Jai Uttal ended up with a weekend-long gig playing percussion for the bhakti master, whose regular tablist, Daniel Paul, was otherwise engaged. “I was instantly in love,” Beckwith says. “I wanted to follow him everywhere — but he had Daniel Paul!” Instead, Beckwith stayed in Florida and started picking up gigs with the iconic Bhagavan Das, who gave Beckwith his spiritual name of Hanuman Das.

Over the last 10 years or so, Beckwith has earned a reputation  for supporting the flow of energy in yoga classes, choosing from his toolkit of music-making devices to create the right mood and enhance the dance of asana.  He was doing “live-music yoga” before everybody was doing live-music yoga; at the time he was pioneering the practice in the Eastern U.S., yoga-with-a-band was virtually unheard of outside of the trend-setting L.A. yoga scene.  He’s carved out quite a little niche for himself in the genre (can you call it a genre?), traveling to yoga conferences nationwide, and has become a regular fixture at close friend and yogi superstar Saul David Raye’s retreats and workshops.

Jim Beckwith at Bhakti Fest by TheBhaktiBeat.com

The Project: First Chant CD ‘Hybrid’

Recently, Beckwith has stepped into the center of the kirtan stage to take the lead call himself.  His debut set at Bhakti Fest — a milestone that has become somewhat of a marker of a kirtan wallah’s coming-of-age — was  last fall on the Joshua Tree festival’s Hanuman stage.  In the heat of the blazing afternoon sun in the high desert, he and nine or so close musician friends stepped up and created a buzz among the crowd of hard-core yogi-chanters who turned out for the set.  Saul David Raye introduced Beckwith warmly and stepped in to accompany his friend on the harmonium for the final song.

This will be Beckwith’s seventh CD and the first one focused on chant.  But don’t expect it to be traditional call-and-response kirtan.  Rather, it will be what he calls a “hybrid,” a reflection of his evolving style, which mixes English lyrics culled from his songwriting roots with traditional mantras — hopefully in way that makes sense, he said with a chuckle.

The CD, and his emerging role of songwriter-meets-wallah, is all part of the evolution of Jim Beckwith. “When I first started getting into kirtan, I wasn’t sure what my path would be,” he said.  “I felt a little uncomfortable about how to be myself in it.  Could I do my lyrical content in the context of kirtan?”

He said watching people such as David Newman and Girish combine their singer/songwriting sensibilities with the mantras gave him confidence to pursue the direction his intuition was pointing him in.  “For so many years, I was just kind of dabbling in music without really knowing where I was going with it,” he told The Bhakti Beat. “Now I feel like I’m really stepping into my path.  That is such a relief.  It’s been a process of surrender and getting clear on what my ‘thing’ is.”

Jim Beckwith, Bhakti Fest, by TheBhaktiBeat.comThe yet-to-be-named hybrid album is already in progress.  Beckwith has selected the songs and has begun to lay down instrumentals on each track.  Backing him up will be familiar names in the kirtan world, including Jennifer Sparks on vocals and, on one song at least, harp; David Watts on bass; Matthew Hufschmidt on drums, and others to be determined — most likely including Brenda McMorrow and Benjy Wertheimer, Beckwith said.  A summer 2014 release is anticipated.

Help make that happen by donating to this campaign now!

Contribute to Jim Beckwith’s Indiegogo Campaign
Listen to Jim Beckwith’s Music

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Previous articles in this series:
Brenda McMorrow
Sean Johnson & The Wild Lotus Band
David Newman aka Durga Das
Sheela Bringi
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Photo from www.shebrings.com

The Project: Debut CD
The Goal: $17,500
The Deadline: November 16, Midnight Pacific Time
Raised as of 11/16: $12,401
The Campaign Continues Until Fully Funded — Donate Here Now!

The Artist

Sheela Bringi has all the makings of a mantra-music star being born. She grew up in a musical household rooted in the West but steeped in the sounds and traditions of the East.  Her Indian-born parents, devotees of Sai Baba and Amma, hosted weekly satsangs and Sunday gatherings where she and the other girls learned bhajans from her mother while her father taught the boys mridanga drumming.  Summers were spent visiting relatives in South India, joyfully joining “singing parties that would encompass everything from Beatles singalongs and Bollywood hits to full-fledged Carnatic ragas.” 

A star being born? (Photo by Masood Ali Khan)

As she grew up, Bringi’s informal lessons turned to formal training  with luminaries of Indian Classical music, including her bansuri teacher, the renowned Pandit G.S. Sachdev, and her mentors and teachers during her master’s degree in world music at the California Institute of the Arts, Ustaad Aashish Khan and Swapan Chaudhuri.  In the years since graduating she has made a name for herself performing and recording in the West Coast world-music scene and beyond.  Solo or in collaboration, her musicianship is flawless on the bansuri flute, harp, harmonium and vocals.   She has played with legendary tablist Karsh Kale and with acclaimed sitarist and Ravi Shankar disciplePaul Livingstone.  In the mantra-music scene, she has opened for Grammy-nominated kirtan pioneer Jai Uttal and played with Wah!, Gaura Vani and Dave Stringer.  The past year saw her teaming up with hang drum sensation Masood Ali Khan for bi-coastal tours that included a coveted spot on the line-up for Omega Institute’s Spring Ecstatic Chant weekend.

The Project

With producer Clinton Patterson (Photo by Masood Ali Khan)

The seeds for Bringi’s debut album were planted in those weekly satsangs of her youth.  She told The Bhakti Beat that about a third of the CD will be based on the bhajans her mother taught her as a child, resurrected in the studio with a cast of musicians led by producer/songwriter/trumpeteer Clinton Patterson, Bringi’s long-time collaborator on PremaSoul.  The rest of the record will feature mantras “rearranged in new ways” and Bringi’s own original compositions with harp, bansuri and harmonium.  Featured musicians include Carnatic singer Aditya Prakash, Masood Ali Khan on percussion, drummer Gene Coye (Carlos & Salvador Santana, Larry Carlton), bassist Ben Shepherd (David Archuleta), and tabla player Javad Butah.  She’s particularly excited to bring in Jake Charkey, a Mumbai-based artist who plays an “unusual and rare” style of cello in the Hindustani tradition. 

This is not an album that can be easily labeled; expect a genre-bending fusion of world music with ancient Indian melodies and mantras interlaced with with harp, bansuri, voice, strings, hang drum, tabla, and more, Bringi said.  One thing is sure: it will not be your traditional call-and-response kirtan album.  “With this album,” Bringi says in her campaign video (below), “I hope to express the songs of my two traditions with one voice, to honor my heritage, break down boundaries and uplift hearts.”  Recording has already begun and the target release date for the disc is February 1.

Bringi On Crowd-Funding

Saying Thank You

The process of reaching out to friends and fans to help fund her debut CD has itself been somewhat of a spiritual practice for Bringi, who describes herself as “socially shy” and “not the type to be putting myself out there.” 

“Asking for help is a little bit challenging for me, so this campaign for me personally has been partly about pushing past fears,” she said in an interview.  “It’s been a way to push myself to open up, to receive support and to share more widely what I’m trying to do with my music.”

What’s Next?

With Masoon Ali Khan (Photo courtesy of Sheela Bringi)

As soon as the new CD hits the digital airwaves, Bringi will be embarking on a worldwide tour in concert with Masood Ali Khan, which will take the pair to India, Japan and Europe before heading back to New York in June for a repeat of their successful East Coast tour last fall.

Shorter term, Bringi and Ali Khan are performing at a charity gala in Beverly Hills, Calif., Nov. 14 that is raising money to benefit orphans and “vulnerable children” around the world (details here).  On November 15, Bringi plays for superstar yogi Shiva Rea in Rea’s popular Prana Flow Chakra Vinyasa class at Exhale Venice.

Video Message from Sheela Bringi

Sheela Bringi’s Debut Album from Sheela Bringi on Vimeo.

Links & Deets

Sheela Bringi’s Website
Sheela Bringi’s Indigogo Campaign  (CLOSED; Contribute Here Now)
Sheela Bringi on Fanbridge
Sheela Bringi’s Band Page on Facebook
PremaSoul on Facebook
 
Also see previous articles in this series:
Sean Johnson & The Wild Lotus Band
David Newman aka Durga Das
 
Subscribe to The Bhakti Beat
The Bhakti Beat on facebook
The Bhakti Beat on twitter
The Bhakti Beat on YouTube
The Bhakti Beat on Google+
 
PLEASE SHARE WITH YOUR PEEPS! 

 

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David Newman (Durga Das)

Project:  Full-length Studio-Recorded CD
Fundraising Goal: $25,000
Deadline:  Tuesday, Nov. 6, 2012.
Raised as of 10/30: $15,257
 
Ed. Note: This is part of our ongoing series (more article links at bottom) on crowd-funding, the new buzzword in the music business, in which fans and friends contribute money for new recording projects in exchange for “perks” ranging from free downloads to private concerts.  

The Artist

In David Newman, aka Durga Das, kirtan meets singer/songwriter.  The marriage has been a prolific one, with Newman well on his way to album Nos. 8 (a remix due in early 2013) and 9 (the album currently being funded).  In the 11 years since his first self-produced CD, Soul Freedom, Newman’s visibility and popularity on the kirtan scene has risen steadily, each new release further showcasing his songwriting chops and talent for seamlessly mixing traditional Sanskrit mantras with original English lyrics evoking hope, unity, and devotion.

Kickin' it up at Bhakti Fest 2012

Today, Newman is one of kirtan’s most sought-after touring artists — he tours relentlessly worldwide — and, with wife Mira on percussion and back-up vocals, has become a favorite at chant festivals large and small.  He was a yogi before he was a bhakta, having opened his Yoga on Main studio in Philadelphia 20 years ago, long before yoga was the craze it is today.  He’s also an activist and master collaborator with a knack for circling the kirtan troops in support of environmental causes, as he has with Stay Strong, the popular single and video that raised funds for cleaning up the Gulf oil spill, and the soon-to-be-released Stay Strong 2: You Can Count on Me, which supports construction of “green” schools in needy communities (more on that below).

The Project

Newman has turned to IndieGogo, the popular crowd-funding website, to raise cash for the production of a new studio CD tentatively slated for late 2013 release.  The CD will include two or three original English songs, Newman told The Bhakti Beat, as well as “lots of chanting” in the more traditional vein.  In a departure from his last release, Stars, in which he and producer Bill Moriarty crafted the tracks and brought in musicians one at a time to add layers, the new CD will be recorded with a group of musicians playing together live in the studio. 

Axemen: with David Watts and Philippo Franchini

The band will include Brenda McMorrow and Emy Berti (vocals), Philippo Franchini (guitar), David Watts (bass), Corey Sokoloff (percussion) and Eli Salzman (keys), in addition to Mira on percussion and vocals.  Moriarty will produce.  A recording studio has been booked for early January to lay down the tracks.  Newman said most of the material for the as yet-untitled record is already written — and there are a couple pieces in particular that he is very enthusiastic to record — but he’s also leaving room for improvisation in the studio.  And with that group of musicians, improv is likely to spell magic…

Here’s Newman singing a solo version of the title track from Stars at Bhakti Fest in September:

Newman: Crowd-Funding is the ‘New Paradigm’

Long before he was a yogi or a bhakta, and even before he went to law school (yeah, he did that too), Newman worked for a stint in the L.A. music business — back when the music business was a very different animal. Today, he said, record labels no longer make enough money on physical CD sales to justify forking over a chunk of money in advance for an artist to make a new record. “This leaves the burden on the artist to foot that bill,” he told The Bhakti Beat.  In the beginning, he said he “definitely had a resistence to reaching out to my community to support me in this process,” but he has embraced it as a “new paradigm in the relationship between the artist and the listener.”

“This is a way for artists to say to the community: ‘If this music is important in your life, here is a way you can support its continued existence,'” Newman said.  “Ultimately, the music really belongs to the person who is listening to it and who is touched by it, so it’s like everybody is pooling in to bring forward this offering in all of our lives.”  Accepting the contributions from fans, he said, “has been kind of like a yoga for me, to just receive it and say thank you.”

More News

Remix Bliss: Newman just announced that Stars is being remixed by veteran composer and music mixologist Krishna Venkatesh and will be released in early 2013 as ReBliss: Stars Revisited.  Remixed releases are a growing trend in mantra music — Donna De Lory and Girish have offered remixes recently, and Srikalogy has a “Kirtan Sessions” series featuring funked-up remixes of mantras, to name just three — but this will be a first for Newman, who sees it as a “different vehicle for people to experience my music.” It will have a “trippy, groovy” feel, he said, that he hopes will appeal to a younger audience.

Banner for Stay Strong 2: You Can Count on Me/Shyam Bolo (credit: Jenni Young)

Stay Strong 2: You Can Count on Me:  The sequel to the Stay Strong charitable project that Newman initiated in 2011 is imminent, with a single called “You Can Count on Me/Shyam Bolo” and video to be released in mid-November.  Newman gave The Bhakti Beat a sneak peek at the joyride of a jam session where the song and video was recorded (at L.A.’s legendary Village Recorder studio) with an all-star cast of mostly SoCal bhaktas — and believe us, you won’t want to miss this.  The song was written by Newman and Donna De Lory and features the vocal nectar of De Lory, C.C. White, and Shyamdas, in addition to all three of the Newmans — yes, even toddler Tulsi got her chance at the mike.  (See this video from Bhakti Fest West for a mellower version of the song.)  All proceeds from the digital-only single go to Global Green’s Green School programUPDATERead our article on the Stay Strong release.

A short sweet performance of “Like Rain,” (from To Be Home CD) at Shakti Fest in May:

Links and Deets

To contribute:  http://www.indiegogo.com/davidnewmanCD?c=home
Newman’s website:  www.davidnewmanmusic.com
Stay Strong website:  www.staystrongproject.com

 

Stay tuned for more in this continuing series, Crowd-Funding Kirtan.  Please contact bpatoine@aol.com if you have a suggestion for an artist to feature.

 

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Reason to smile...

Ed. Note:  Crowd-funding is the new buzzword in music production — and it’s taking off in the kirtan world right in step with other musical genres.  In this new model, artists are bypassing the traditional route of funding new releases — contracting with a record label — in favor of reaching out directly to their fan base to finance the high cost of professionally recording and producing a CD.  In return for their contributions, fans receive “perks” that range from an advance download of the CD (for, say, $10 or $15) all the way up to a private concert and Executive Producer credit (for $5,000-$10,000, typically).

In this occasional series, we’ll take a look at some of the crowd-funding efforts underway now in the mantra music world.

 

Sean Johnson & The Wild Lotus Band

Project:  Full-length CD
Fundraising Goal:  $30,000
Deadline:  October 29, 2012
Raised as of October 27: $28,745 (so close!)
Update: The band reached its goal one day ahead of the deadline!  You can still support the effort; all additional funds will go toward sharing the album with a wider worldwide audience and supporting an extensive CD release tour.

The Band

We have yet to meet anyone who has experienced the N’awlins-flavored bhav of this trio of musicians and hasn’t come away an instant fan.  For three people, they produce BIG sound.   Favorites at festivals everywhere — they were the first kirtan band ever invited to play at the New Orleans Jazz Festival — they are sought-after touring artists and hometown heroes in NOLA. 

Snake charmer Gwendolyn Colman

Bhakti yogi Sean Johnson leads with the harmonium and soulful vocals laced with dreamy poetry and original lyrical riffs deftly tucked into traditional chants.  Innovative percussionist and singer Gwendolyn Colman is one of bhakti’s most colorful characters, typically sporting a flourescent plume atop her fiery red braids and with a green rubber snake dangling from her mike stand (we know there’s a story behind that snake…).  And then there is tall, quiet axeman Alvin Young, a New Orleans institution who has graced the stage with jazz greats Wynton and Branford Marsalis and many others.  He plays with intensity, head down, resolutely plucking his bass and laying the foundation for rhythmic alchemy.

The Project

Alvin Young. Intense.

The goal is a full-length studio CD on a par, quality-wise, with the band’s last CD, Devaloka (a joy–get it if you haven’t).  Expected release date is fall/winter 2013.  The new CD’s title is as yet undetermined; Johnson told The Bhakti Beat: “We find that the name usually reveals itself once we’re in the studio, inside the process of creating the music.”  But, he added: “The theme is clear:  Unity — celebrating the connection between global cultures and spiritual traditions through music.”

If you’ve seen SJ&WLB live in the last year or so, you’ve likely gotten a good taste for the cross-cultural feast the new record promises.  The band’s fundraising page says it will include a number of songs from their current tours, including the anthem-like Unity (Lokah Samastah Sukhino Bhavantu), which was released as a music video this summer; the gospel classic I’ll Fly Away; the Sufi chant La ilaha illa Allah; The Way Of Love (Jai Kali Ma); I Will Rise Again; Hare Krishna; Ramachandra, and more.   All except for I’ll Fly Away (see video at bottom) are original compositions, and the lyrics include mantras from different spiritual traditions and the poetry of Rumi.

Here’s a live take of Unity that we caught at Shakti Fest this spring…

 

Message from Sean Johnson

“This year, after much thought and discussion, Alvin and Gwendolyn and I decided to make a leap of faith and to move away from the traditional music label model on our next album.  The biggest question in making this decision was how to fund a high-quality, full-length professional studio recording on par with our last release Devaloka and get it out there in the world without the support of a record label? We had heard encouraging stories from many bands from around the world who were having great success with a new model called crowd-funding, in which they invited friends and fans to make contributions toward the high production costs of their projects in exchange for gifts and perks, including downloads of the album once it’s completed. With an open mind, we launched a campaign on the popular crowd-funding website Indiegogo.com in July.  Can you help us rally to meet our goal?”
 
Here is the song that Johnson & The Wild Lotus Band typically close their sets with, and which inevitably gets a lot of people teary-eyed.  (It’s making me cry right now….read the comment on its YouTube page and you’ll see why.)
 

The Links and Deets

 
Stay tuned for more featured artists in this new series, Crowd-Funding Kirtan.  And please support your favorite artists by contributing and sharing the news.
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