You Can Count On Me, the much-anticipated sequel to David Newman’s Stay Strong charitable project for Global Green USA, was released this week with a new single available on iTunes and Amazon and a nice long video of the joy-filled jam session that created it.  Newman spoke with The Bhakti Beat about the project’s Aha! moment, kirtan activism, and how his own practice has evolved in the 20 years since he founded Yoga on Main in Philadelphia (hint: fatherhood has factored!).
Have you seen this video yet?  It’s a bhaktified joyride with a boatload of the wallah world’s favorite musicians singing their hearts out and generally having a blast recording the charity single, You Can Count On Me, in one of the music industry’s most famous recording studios. 

The epic jam session began as a twinkle in David Newman’s eye when he was driving to Los Angeles after Bhakti Fest last September.  “I just got a very strong feeling about doing it,” he said.  “I thought: wow, what if I brought a bunch of my colleagues into this really special, historic studio and we recorded this together, and filmed it all?”

The pieces came together at the speed of an L.A. minute.  iPhones were humming all over Southern California — Newman said everyone was invited by text!– and the response flowed in.  Shiva Baum signed on to co-produce the single with Newman and long-time axeman/collaborator Philippo Franchini. Amy Dewhurst came aboard to produce the video.  The very next day — and lots of thumb-tapping later — anyone in the bhakti world who was in L.A. at the time gathered at the legendary Village Recorder studio to give it up for Global Green USA.

“Everything was put together in a 24-hour period,” Newman said. “The final decision to do it was made Tuesday morning after Bhakti Fest and the recording session happened on Wednesday night.”

Talk about instant karma…

Just look at the list of musicians who showed up to collaborate in the band, choir and dance party.   “I guess you could call them the L.A. Bhakti All-Stars,” Newman said, adding that many artists who were invited had already left the area. 

 

You Can Count On Me , written by Newman and Donna De Lory, is a feel-good anthem chant in the songwriter-meets-wallah style Newman is known and loved for.  The medley fuses Newman’s original lyrics evoking an “I’ve got your back” loyalty and kinship with a rollicking Shyam Bolo refrain that you can’t help but sing and dance along with (see the video for evidence of that).  The single — available digitally only as a single short track or a two-track set with the longer Shyam Bolo jam — features the vocal nectar of De Lory, C.C. White, and Shyamdas, in addition to all three of the Newmans.  Yes, even toddler Tulsi got her chance at the mike (she’s officially listed in the credits for “giggles”).  Cuteness overload alert! 

Pulled To Do Something Different

With this song and the original Stay Strong single, which broke the top 5 in the iTunes world-music chart, Newman said he had felt pulled to do something different.  “You could say these two songs didn’t feel like they belonged to me.”   At Bhakti Fest he sang a somewhat mellower version of Count On Me, and it was during the course of the festival that “it started becoming clear that the song would be a wonderful vehicle as a follow-up to Stay Strong,” he said. 

All proceeds from the song go directly to Global Green’s Green School program, supporting the organization’s effort to build green schools in needy communities and help foster appreciation for sustainability in the next generation, the future stewards of the planet.   With Tulsi as a constant reminder, Newman says these are the topics he thinks about a lot these days.  Read the interview below.

Q&A With David Newman

THE BHAKTI BEAT: You Can Count On Me is a benefit for Global Green, as was the first Stay Strong.  Why this cause?

DAVID NEWMAN: As we’ve seen with Hurricane Sandy, there are lot of issues going on in our environment, and sustainability for our future and for our children’s futures is an important issue.  The idea of green schools is critical to building a sustainable future .

Now that I have a child, I think a lot about what this world is going to be like for her.  The children are really the shepherds of a future sustainable life on this planet Earth, so environmental issues are very dear to me.

Initially, I did Stay Strong with Global Green partially because I really loved what they were doing, and partially because the chief operating officer, Richard Wegman, is a bhakti yogi/Reiki kind of person – he is someone who really sees the relationship between living with an open heart and activism. I have a real strong connection with Richard, so there’s a synergy there between us.

TBB: What inspired you to create this sequel to Stay Strong?

DN: I would say 50 percent or more of what I do on the Stay Strong project in terms of my impetus or inspiration is just simply to put something out there that inspires people, opens hearts and brings a smile to those faces who see it. That’s my main inspiration. 

Secondarily, with both this new song and the first Stay Strong release, there was something unusual about the writing process that motivated me to do something different. I guess you could say, for whatever reason, these two songs didn’t feel like they belonged to me. When I wrote the song You Can Count on Me, I just felt that I wanted to do something special with the song. Then when I was at Bhakti Fest, it started becoming clear that it would be a wonderful vehicle as a follow-up to Stay Strong.  That’s how it came about.

The inspiration to do the video at this legendary recording studio called Village Recorders in Los Angeles really came to me while I was driving back from Bhakti Fest to L.A., where I was going to be for a week. I just got a very strong feeling about doing it, I thought wow, what if I brought a bunch of my colleagues into this really special, historic recording studio and we recorded this together and filmed it?

What was so graceful about the project was that everybody involved, including the producer, musicians, singers, film-makers, it was all put together in a 24-hour period. The final decision to do it was made Tuesday morning after Bhakti Fest and the recording session happened on Wednesday night. And, talk about the technology of 2012 — every single person invited was invited via text message. 

TBB: Wow. What does that say about this community coming together?

DN: The outpouring of energy was amazing. The evening in the studio was just absolutely charged, really a creatively high experience. To some degree I was limited by the people who were still in L.A. [after Bhakti Fest]; there were others I contacted who had already left the area.  So in a lot of ways this is kind of a Los Angeles project — the L.A. Bhakti All-Stars, I guess you could say.

TBB: Does that mean there will be an East Coast version to balance it out?

DN: I never know.  This all came alive in such a short period of time.  The Stay Strong project to me is a mystery: I didn’t expect it to happen the first time and didn’t expect to do a second release, so who knows what could come from it moving forward.

TBB: We’re seeing a lot of “kirtan activism” these days, from Hurricane Sandy relief to sex trafficking in India.  What role can or should kirtan play in activism?

DN: I think the practice and the sharing of bhakti kirtan is its own form of activism (chuckles), because it activates people’s hearts and that inspires them to follow their bliss and passions and to participate in life in a conscious and joyful way.

For all of us road warriors out there doing door-to-door kirtan, that is activism. It’s playing an active role in the upliftment of the planet.  I think all of us who practice bhakti are connected to serving humanity. I can’t really speak about what the role is in getting involved in more traditional activist settings, but to me, [bhakti yoga] is a means to help in a broader way. That’s always been a big part of what I do, and one of the reasons my presentation of kirtan has a little more of a Western flair is to bring it to more people.

In terms of supporting charities and nonprofit organizations, I can’t speak for other people but it definitely plays a role for me. My last CD, Stars, gave a portion of every CD sold to Peter Gabriel’s Witness.org, a humanitarian organization that distributes cameras and iPhones to people around the world to document human rights violations. The video we made, Love Belongs to Everyone, was dedicated to the work that Witness does.

TBB: You’ve just celebrated the 20^th anniversary of the yoga studio you founded in Philadelphia, Yoga on Main. How has your practice evolved in the past two decades?

DN: I think the way in which my practice has evolved is that it has expanded, in a very profound way.  When I was younger I had very strong ideas about what was “spiritual” and what was a “spiritual experience,” so in a way I was confined to identify with that through certain kinds of practices – which were very supportive of my spiritual expansion.

Now 20 years later, there isn’t anything that isn’t spiritual to me. It matters less and less what particular activity I find myself engaged in, whether it’s talking with you or having a cup of tea or practicing yoga or taking a walk.  Whatever it is, to me, it’s all part of the same oneness. It’s really been quite liberating, like letting go of a burden of seeing it in some places and not in other places. To see everything as spiritual, as divine — for me that’s been a big shift.  

To me this is what we’re working for as bhaktis.  As my guru Neem Karoli Baba said: “See the divine in everything and in everyone.”  

He also said: “The best form to worship god is in every form.” This is the bhakti vision, the divine is in all beings and in everything. So 20 years later, I feel that there’s a much deeper awareness of spirituality in exactly what the moment presents. There is less of a compulsion to make it look different.

TBB: How has fatherhood contributed to that evolution?

DN: In a huge way!  My daughter Tulsi is just full of love and full of awe. She’s so present and so joyful.  Being with her, you just see the transparency of spirit, because she’s so close; she’s living in that. Being serious, being heavy, or being preoccupied just doesn’t work in her presence.

I always say: who needs a guru when you have a child like Tulsi?

 

www.davidnewmanmusic.com

www.staystrongproject.com

You Can Count On Me/Shyam Bolo is available on:
iTunes at: http://tinyurl.com/StayStrong2iTunes
Amazon at: http://tinyurl.com/StayStrong2Amazon

 

 

David Newman (Durga Das)

Project:  Full-length Studio-Recorded CD

Fundraising Goal: $25,000

Deadline:  Tuesday, Nov. 6, 2012.

Raised as of 10/30: $15,257

 

Ed. Note: This is part of our ongoing series (more article links at bottom) on crowd-funding, the new buzzword in the music business, in which fans and friends contribute money for new recording projects in exchange for “perks” ranging from free downloads to private concerts.  

The Artist

In David Newman, aka Durga Das, kirtan meets singer/songwriter.  The marriage has been a prolific one, with Newman well on his way to album Nos. 8 (a remix due in early 2013) and 9 (the album currently being funded).  In the 11 years since his first self-produced CD, Soul Freedom, Newman’s visibility and popularity on the kirtan scene has risen steadily, each new release further showcasing his songwriting chops and talent for seamlessly mixing traditional Sanskrit mantras with original English lyrics evoking hope, unity, and devotion.

Today, Newman is one of kirtan’s most sought-after touring artists — he tours relentlessly worldwide — and, with wife Mira on percussion and back-up vocals, has become a favorite at chant festivals large and small.  He was a yogi before he was a bhakta, having opened his Yoga on Main studio in Philadelphia 20 years ago, long before yoga was the craze it is today.  He’s also an activist and master collaborator with a knack for circling the kirtan troops in support of environmental causes, as he has with Stay Strong, the popular single and video that raised funds for cleaning up the Gulf oil spill, and the soon-to-be-released Stay Strong 2: You Can Count on Me, which supports construction of “green” schools in needy communities (more on that below).

The Project

Newman has turned to IndieGogo, the popular crowd-funding website, to raise cash for the production of a new studio CD tentatively slated for late 2013 release.  The CD will include two or three original English songs, Newman told The Bhakti Beat, as well as “lots of chanting” in the more traditional vein.  In a departure from his last release, Stars, in which he and producer Bill Moriarty crafted the tracks and brought in musicians one at a time to add layers, the new CD will be recorded with a group of musicians playing together live in the studio. 

The band will include Brenda McMorrow and Emy Berti (vocals), Philippo Franchini (guitar), David Watts (bass), Corey Sokoloff (percussion) and Eli Salzman (keys), in addition to Mira on percussion and vocals.  Moriarty will produce.  A recording studio has been booked for early January to lay down the tracks.  Newman said most of the material for the as yet-untitled record is already written — and there are a couple pieces in particular that he is very enthusiastic to record — but he’s also leaving room for improvisation in the studio.  And with that group of musicians, improv is likely to spell magic…

Here’s Newman singing a solo version of the title track from Stars at Bhakti Fest in September:

Newman: Crowd-Funding is the ‘New Paradigm’

Long before he was a yogi or a bhakta, and even before he went to law school (yeah, he did that too), Newman worked for a stint in the L.A. music business — back when the music business was a very different animal. Today, he said, record labels no longer make enough money on physical CD sales to justify forking over a chunk of money in advance for an artist to make a new record. “This leaves the burden on the artist to foot that bill,” he told The Bhakti Beat.  In the beginning, he said he “definitely had a resistence to reaching out to my community to support me in this process,” but he has embraced it as a “new paradigm in the relationship between the artist and the listener.”

“This is a way for artists to say to the community: ‘If this music is important in your life, here is a way you can support its continued existence,'” Newman said.  “Ultimately, the music really belongs to the person who is listening to it and who is touched by it, so it’s like everybody is pooling in to bring forward this offering in all of our lives.”  Accepting the contributions from fans, he said, “has been kind of like a yoga for me, to just receive it and say thank you.”

More News

Remix Bliss: Newman just announced that Stars is being remixed by veteran composer and music mixologist Krishna Venkatesh and will be released in early 2013 as ReBliss: Stars Revisited.  Remixed releases are a growing trend in mantra music — Donna De Lory and Girish have offered remixes recently, and Srikalogy has a “Kirtan Sessions” series featuring funked-up remixes of mantras, to name just three — but this will be a first for Newman, who sees it as a “different vehicle for people to experience my music.” It will have a “trippy, groovy” feel, he said, that he hopes will appeal to a younger audience.

Stay Strong 2: You Can Count on Me:  The sequel to the Stay Strong charitable project that Newman initiated in 2011 is imminent, with a single called “You Can Count on Me/Shyam Bolo” and video to be released in mid-November.  Newman gave The Bhakti Beat a sneak peek at the joyride of a jam session where the song and video was recorded (at L.A.’s legendary Village Recorder studio) with an all-star cast of mostly SoCal bhaktas — and believe us, you won’t want to miss this.  The song was written by Newman and Donna De Lory and features the vocal nectar of De Lory, C.C. White, and Shyamdas, in addition to all three of the Newmans — yes, even toddler Tulsi got her chance at the mike.  (See this video from Bhakti Fest West for a mellower version of the song.)  All proceeds from the digital-only single go to Global Green’s Green School program.  UPDATE:  Read our article on the Stay Strong release.

A short sweet performance of “Like Rain,” (from To Be Home CD) at Shakti Fest in May:

Links and Deets

To contribute:  http://www.indiegogo.com/davidnewmanCD?c=home

Newman’s website:  www.davidnewmanmusic.com

Stay Strong website:  www.staystrongproject.com

 

Stay tuned for more in this continuing series, Crowd-Funding Kirtan.  Please contact bpatoine@aol.com if you have a suggestion for an artist to feature.

 

We often get asked: “What are the can’t-miss chant events of the year?”  It’s a loaded question, for sure, since everyone has their own idea about what is “can’t-miss.”  Including us.  So we’re sharing our picks for “The Big 5” chant events that are worth getting to, no matter where you’re coming from.  Here’s part 1; stay tuned to this space for the rest (subscribe here).  And tell us what your top picks are!

Omega’s Ecstatic Chant is the original.  Now moving into its second decade as the annual destination for hard-core chantaholics, its roots can be traced back to Ram Dass’s annual retreats at the Rhinebeck, N.Y. campus in the ’80’s. 

What’s So Special About Omega? 

 Omega is different from everything else on The Big 5 list because it is chant and only chant.  It’s also the only one that is not a “festival” per se — more like a “retreat.”  Or, in Omega parlance,  a weekend workshop (The Yoga of Voice).  The program is chanting.  That’s it.  No simultaneous yoga classes across campus.  No lectures or experiential workshops to compete for your time.  Just chant, chant and chant some more. 

On the second day, there is an extraordinary all-night session that, if you are game, is pretty much guaranteed to take you so deep into the bhav that you just might, as Swami Satchidananda said, “forget everything.”  Participants fairly camp out in the Main Hall, variously dancing furiously or quietly meditating, dozing or chatting in between sets… and before you know it, dawn is rising, right in tune with the lilting flute-play of Manose and Steve Gorn.

But what makes Omega stand out for us are those completely unpredictable moments that are pure gold for the soul — like Radhanath Swami wailing on the harmonica with Deva Premal and Miten.  Or Donna De Lory joining C.C. White to sing Lokah Samastah Sukhino Bhavantu.  Or this little gem from Shyamdas, who never fails to liven things up with his stories and shenanigans:
 

‘The Super Bowl of Chant’

Jai Uttal once famously called Omega Chant “the Super Bowl of chant fests,” maybe because only a handful of artists make it to the line-up and the competition to be on the schedule is intense.  (Each artist typically plays at least two full sets over the course of the weekend, and many play a third time at the Labor Day bonus session.)  Rechtschaffen, who makes the line-up decisions, says he is inundated with artists’ CDs and promo tapes and is always on the look-out for bands with a “unique” sound, but knows that bringing in someone “new” means someone else gets bumped, even if they’ve been on the Omega line-up for years. 

C.C. White was at fall Chant for the first time last year, and Dave Stringer returned after a few years’ absence.  Snatam Kaur and Wah!, both long-time Omega regulars, were noticeably absent last fall, as was David Newman (Wah! played at Omega’s smaller Spring Chant in May; Newman and Kaur both led workshop at the retreat center this summer).  Rechtschaffen openly lamented the absence of each of these favorites at fall Chant.   

The 2012 Line-Up 

Krishna Das, Shyamdas, Jai Uttal (with Daniel Paul) are constants on the Omega schedule.  They have been leading the Omega Chant pack since the early days and it’s hard to imagine Chant Weekend without all of them.  They can usually be counted on to be stage center during the famous closing session, when all the wallahs and musicians join together on stage for a final free-for-all.   Typically, you can find Shyamdas directing the action, Jai Uttal playfully rebelling, and Krishna Das playfully grumpy at having to be in the spotlight at such an “early” hour (it’s only 11:30 a.m. or so, after all). 

The ever-popular Deva Premal and Miten and Sikh songstress Snatam Kaur round out the top-bill headliners at this year’s Chant.

Vishal Vaid, who has trained in traditional ghazal (an ancient form of poetry in song that translates to “conversation with the divine”), astounds audiences every year (watch this for example) and seems to have a pretty solid position on the Omega roster.  The Mayapuris, the Florida-based band of “Krishna Kids” who have leaped — literally — into the international kirtan scene are back for a third year, and if previous years’ pattern holds true, will join just about everyone else’s bands as well.  

C.C. White is back for her second year, having solidified her return with two crowd-rousing sets last fall showcasing songs from her debut solo CD, This IS Soul Kirtan, which was “pre-released” at Omega.  Gaura Vani and bansuri flute virtuosos Manose and Steve Gorn complete the bill of musicians.  Radhanath Swami, who caused all sorts of excitement last fall when he joined Deva Premal and Miten on stage for an impromptu (and seriously wailin’) harmonica solo, will also be on hand.  We hope he brings his harmonica.

The Deets

When:  Aug. 31-Sept. 3, with a special 10-Hour Labor Day session on Sept. 3.  (If you still haven’t had enough, Krishna Das keeps the bhav flowing with a separate workshop on Tuesday, Sept. 4.)

 

Where:  Omega Institute is located in Rhinebeck, NY, smack in the middle of the “Bhajan Belt,” the upstate New York region known for a confluence of kirtan.  It’s about 90 miles north of NYC and roughly the same distance from Albany.  There’s an Amtrak station nearby and a commuter train to NYC.

How Much:   This is the only bug in the ointment.  Tuition alone for Ecstatic Chant is $395.  The Labor Day session is $125, or $75 if you’re doing the weekend retreat also.  Accomodations are additional, and on-site cabins or dorms tend to be, shall we say, “rustic” (but pleasant enough).  See http://eomega.org/workshops/ecstatic-chant for details.

What Else? Rhinebeck is a quaint and boho-chic Hudson Valley town with lots of restaurants, shopping and an indie movie house.  But you may never want to leave the Omega campus, a rolling oasis with a small lake where you can kayak, hiking paths, great vegetarian meals, a wellness spa with all manner of body-work and subtle-energy treatments available, a soothing sanctuary at the top of the hill, and the charged energy of 30 years as a destination for spiritual masters and seekers of all stripes. 

So, what do you say?  Will you be going to Ecstatic Chant this year?  Why or why not?

 

 

The desert sun has set on another Bhakti Fest. The last wallahs have wailed their Maha Mantras, the superstar yogis have left the tent, and the long journey home is complete. Time to review and reflect.

“What was the highlight for you?” is a question that always comes up in these periods. And I’m always baffled. How does one choose favorite moments from a bhakti-feast that spanned four full days and nights? Fifty-nine kirtan performances, by my count — nearly 100 hours of music on two stages, not even counting all the great live music in the yoga sessions and workshops (and there was some serious going on in those sessions). From new artists you’ve probably never heard of, to the kings of kirtan that you know and love, to collaborations that you only get at places like Bhakti Fest, what WASN’T a great moment would be an easier question.

Magic in the Air
There was magic all around this 3,626-mile trip to Bhakti Fest (via Boston, Atlanta and San Diego). On the way out, my partner Jim and I stayed at a Motel 6 outside San Diego to sleep a few hours before driving the three last hours to Joshua Tree. As we’re packing up, Jim, on a whim, randomly opens the Gideon’s Bible in the room and lands square on Psalm 98: “O sing unto the Lord a new song, for he hath done marvellous things.” hmmmm.

Fast forward to the trip home two days after Bhakti Fest ended, a bleary-eyed drive from Boston after 12 hours of airports, coach seats and schlepping too many heavy bags. Around 3 a.m. we stopped at a rest area in New Hampshire, which was deserted save for a trucker or two napping in their cabs. I headed for the ladies’ room, squinting from the approaching flourescence. No one was in sight, but music was blasting from a speaker somewhere. Is that…? Yup. The Maha Mantra, ala George Harrison in “My Sweet Lord.” All I could do was smile.

Here are some other moments that stand out from our journey to Joshua Tree, offered with complete bias and in no particular order…

Show Stealer: Deepak Ramapriyan and the Breath of Life Tribe made their first appearance on the Bhakti Fest main stage, and did not disappoint. They delivered an enchanting mix of ancient mantra, modern pop and innovative musicianship and topped it off with “the bhakti dance” to get the whole crowd moving in unison. Original, inventive, captivating!

Crowd-Pleaser: Celebrating the release of her first CD, CC White worked the crowd into the kind of frenzy that only the Diva of Soul Kirtan can.

Mover & Shaker: Larisa Stow & Shakti Tribe proved they could shake things up last year and moved us again with their hard-edged, soft-hearted mantra rock with a message. Larisa’s tete a tete with audience at the end, with her sitting on the stage and everyone crowded around her like students eager to hear their teacher’s words, was priceless.

Rock Star: Donna De Lory’s set on Saturday night — her birthday — was electrifying. Literally. Her fiery rock-mantra music was punctuated by a spectacular light show from an encroaching thunderstorm (a really BIG one).

Surprise Treat: Krishna Das breaking into Amazing Grace mid-Maha Mantra during his workshop Sunday afternoon.

Master Collaborator: Dave Stringer loves a good jam kirtan, so he brought everybody he could think of up for his last couple songs. Marti Walker, Brenda McMorrow, Ishwari and Sruti Ram, Meenakshi…who else? He also guest-starred in sets by Joey Lugassy, McMorrow and Meenakshi.

Late-Night Wake-Up: Fantuzzi, who came on around 4 a.m. Friday morning (Night 1), rocked the worlds of the few die-hards who resisted the lull of sleep (or who were, like me, lurched out of it by Fantuzzi’s high-energy reggae/rock/kirtan love).

Ready for Main Stage: Brenda McMorrow, Canada’s shining starlet of kirtan. Have you seen her rockin’ that acoustic guitar to the Maha Mantra?

Stage Staples: Deepak Ramapriyan may have broken the record for most on-stage appearances in bands other than his own (28 performances, according to his facebook status). But so many other musicians are called upon again and again: Mark Gorman, Yehoshua Brill, John de Kadt, Dave Allen, Vish from the Mayapuris…who else?

Sweetest Synchronicity: Arriving at the registration tent within minutes of Larisa Stow and Benj Clark of Shakti Tribe and getting the sweeeeeeetest hugs.

And the winner is… I could go on, but what I really want to know is, What were the highlights for you? If you were at Bhakti Fest, what was your favorite moment? If you weren’t there, share your best moment in the bhav anywhere. Please tell us in comments below!