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Capture logoKrishna Das will be there. Jai Uttal will be there. Deva & Miten too.  Even Shyamdas, the bhakti world’s most beloved Ambassador of Bhava, will be there, in all his bhavalicious glory.  Journey OM: Into the Heart of India, the cinematic masterpiece in the works from veteran filmmaker and original bhakti bhaiya John Bush, promises to be the bhakti movie of the year.

Right now, you can be a part of this film’s development by pre-ordering the DVD and soundtrack featuring Krishna Das, Jai Uttal, Deva Premal & Miten and more.  ACT FAST! The campaign ends at 1:19 a.m EST on Friday, April 24.

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There’s a certain mystique about India that can be hard to define.  For many in the bhakti world, the pull is strong, like that of a mother beckoning her children home.  There’s an almost inexplicable longing that cuts straight to the soul, not unlike what we imagine the Gopi cowherds felt for their sweet Govinda.

Journey OM aims to capture that elusive quality that makes India unlike any other place in the world.  But don’t mistake this upcoming film for some ordinary travelogue cataloging must-see pit stops on a well-trodden tourist path. Journey OM, according to filmmaker John Bush, takes you off the beaten track.  Way off.

Focused on ‘Places of Passage’

Bush focuses his camera on so-called tirthas, holy “places of passage” that are believed to be sacred sites where the veil between worlds is thin, where it is possible for even ordinary humans to cross over from worldly materialism to spiritual nirvana with relative ease.  (Tirtha is a Sanskrit word that translates to “ford,” or a shallow part of a body of water that can be easily crossed.)

Mother India is rife with tirthas — legendary places with thousands-years-old histories in Hindu scripture and mythology. For example, at the very Southern tip of India is the island of Rameswaren, said to be the place from which Hanuman and Rama’s army built the bridge to Lanka to rescue Sita from the evil king Ravana, as is written in the Hindu epic, “The Ramayana.”  In the holy land of Braj there is Govardhan Hill, the mountain that Krishna, as a young boy, lifted high to protect the people of Vrindavan from the torrential rains that the god Indra had let loose in his anger.  And the list goes on…

“These are power spots,” says Bush. “They’ve been identified over thousands of years as places of transcendence, where one can go from earthly consciousness to celestial consciousness.”  Journey OM will take the viewer on a magical mystery tour of a dozen or so of these sites, with the intent of conveying a feeling of the sacredness of these places.

Bush at RanakpurJain Temple in Rajasthan“Each place has its own story, its own flavor,” Bush told The Bhakti Beat. “The revelations along the way are really geared to have a transformative effect for the viewer, to impart that ‘inner-journey’ experience of a sacred pilgrimage.”

Bush, the inspiration and perspiration behind Journey OM, is the real deal. He didn’t jump on the mantra bandwagon yesterday; his bhakti roots are deep — more than 40 years deep to be exact.  He was with Ram Dass back in the days of “psychedelic evangelism” of 1960’s America.  Like Ram Dass, he traveled to the Far East in search of that same feeling of transcendence, of divine consciousness, sans LSD.  He met Shyamdas when Shyamji was just 19, and developed a deeper friendship with him in the weeks before he died. The night Shyamdas left his body, they had been in satsang together, and Bush was in the car that, mere minutes after it happened, came across the scene of the motorcycle accident that claimed Shyamdas’ life.  They had planned for weeks to shoot footage around Shyamdas’ home in Braj for Journey OM, which is dedicated to Shyamdas.

On the Bus with Maharaji

John Bush 1971Along with  Ram Dass, Krishna Das, Daniel Goleman and a host of others, John Bush was on “the bus” — the one that Krishna Das has told the story of countless times — that arrived at its destination at precisely the same moment that the elusive Maharaji, Neem Karoli Baba stepped into the street, leaving the bewildered Westerners on board scratching their heads with mouths agape.

That moment — the first time Bush met the Indian Saint — was a turning point for the long-haired hippy from America.  “My life changed dramatically at that point,” Bush says.  He had been on his way back home after a series of meditation retreats in a remote Burmese monastery.  Instead, he spent the next couple of years following Maharaji in a kind of ongoing pilgrimage.  It was when the young Bush first connected with the age-old tradition of spiritual pilgrimage, and became fascinated by it.  It was also the period where Bush connected with kirtan, taking his turn as one of the Western wallahs in Baba’s entourage.

Later, back in the States, Bush roomed with Jai Uttal in Berkely for a period, and joined with Uttal, Krishna Das and Bhagavan Das in a bhakti band called “Amazing Grace.” They made a kirtan album, played at festivals and toured the Pacific Northwest, essentially launching the careers of three of the bhakti world’s best-known wallahs.  But unlike his bandmates, Bush — a new father at the time — decided the life of a professional musician was not for him.  He moved to Cambridge, Mass., and settled into a more traditional lifestyle, albeit one where kirtan and satsang continued to have a strong presence.

Fast-forward to the year 2000 or so.  Career finished, Bush returns to his “long-deferred dream” of sharing with the world, through film, the sacred cultures he fell in love with as a youth.  He filmed and produced an award-winning trilogy of pilgrimage films to Southeast Asia and Tibet, which were aired on PBS and around the world.  His documentary feature film, “Vajra Sky Over Tibet,” is endorsed by the Dalai Lama and has been screened as part of the official program of His Holiness in more than a dozen cities.

Bush describes Journey OM as “wall-to-wall bhakti.”  Not only does the soundtrack feature Krishna Das, Jai Uttal, and Deva Premal & Miten, but the entire film is steeped in the bhava of the devotional journey.

“Pilgrimage is part of the yoga of devotion,” he says. “My hope is that through the cultural immersiveness of this film, the viewer has their own transformative experience, their own inner journey.”

Journey Om cover shot

 

 

Contribute Now to JOURNEY OM’s kickstarter campaign.

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The Bhakti Beat needs your support!  We are non-commercial and not-for-profit,  a free service to the bhakti community that is completely self-funded save for the loving contributions of Bhakti Beaters like you.  Your support is critical — please share the Beat with your bhakti peeps, connect with us on social media (links below), and consider a one-time or recurring donation (DONATE HERE) to help us keep this bhav boat afloat.  Thank you from the bottom of our bhav brain, heart and soul. In loving service...

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On the altar at Bhakti Fest. Photo courtesy of Kailash Ananda.

For all the festiveness of Bhakti Fest, the nonstop bhav was tinged with an underlayer of shock and sadness as the news spread that one of bhakti’s own had died suddenly just two days prior to the gathering in the desert.  Geoffrey Gordon, master percussionist, producer, composer, wallah and Neem Karoli Baba flame-keeper, was gone.  Gordon was one of the original bhakti brothers from the Ram Dass era who helped sow the seeds of the Western kirtan movement, drumming alongside Krishna Das, Jai Uttal, Bhagavan Das, and many others.  

It was fitting, perhaps, that so many heard the news first at Bhakti Fest, because, as Girish told the fest’s emcee, Shiva Baum: “There is only a Bhakti Fest today because of the work that Geoffrey started with Jai Uttal all those many years ago when it wasn’t widely popular yet to sing kirtan.”

We first heard the news from the Bhakti Fest Main Stage, early on Day 1.  Ben Leinbach was about to launch into a song in his set with Prajna Vieirra, when he silenced his guitar abruptly, whispered “I just thought of something…”, then put his head down, hand at forehead, as if trying to collect himself.  His voice deep with emotion, he told us of Gordon’s death and dedicated the set to his friend and collaborator.  The morning crowd hushed and people exchanged perplexed glances, heads shaking in disbelief.

Photo Courtesy of Mike Crall

Leinbach’s was the first of many heart-rending tributes to a man who — while not exactly a household name in the broader world of kirtan — was deeply loved and respected by the brotherhood of bhaktas that forms the core of modern Western kirtan.  The wallahs knew him, without exception, and their love for him poured forth.  Sruti Ram fought back tears as he dedicated the Hanuman Chalisa to Gordon during SRI Kirtan’s set.  Sean Johnson recounted how Gordon, in their last conversation, had told him how pleased he was to see the next generation of artists moving kirtan forward.  Girish moved half the crowd to tears with a poignant tribute at the end of his set on Sunday.  Krishna Das called him “a good friend for a long time” in his Sunday afternoon workship (Gordon played tabla on KD’s debut CD, One Track Heart, and they have collaborated many times since).

Jai Uttal:  ‘A Great Buddy’

Gordon and Jai Uttal. Photo courtesy of Jai Uttal.

In his headline set Thursday night, Jai Uttal told the crowd that Gordon was “a very very dear friend of mine and of the bhakti community here in the United States.” He said he had first met Gordon in 1969 or ’70, when they “were both young yogi kids looking to get high.”  (“And we did,” he added with a wink, to a ripple of chuckles.)  But then, normally joyful Jai got uncharacteristically serious.  And quiet….He quickly introduced the next song — an 18-minute joyride of a Hare Krishna chant interspersed with his now-signature “Help!  I Need Somebody” Beatles-inspired chorus.  Perfect.

In an email, Uttal said “Geoffrey and I played so much music together for so many years.  He was a key member of the Pagan Love Orchestra and he also played tablas and sang with me for literally thousands of kirtans.  He was deep into the devotional path and also a committed musician, always trying to learn and grow.  He was also a great buddy.”  

“I trust that by now Geoffrey is jamming in the heavenly Kirtan band, gazing into Maharajji’s shining face, and showering love and bliss upon his family and beloveds still here on Earth,” Uttal wrote in a facebook post Sept. 6, the day of his Bhakti Fest performance.

Shiva Baum: Gordon ‘A True Bhakta’

Shiva Baum recording Girish's tribute to Gordon at Bhakti Fest.

Shiva Baum, who as the former head of A&R/Triloka Records pioneered the mantra music movement in the West and views Gordon as a “beloved uncle…friend, mentor and co-conspirator,” told us in an email:  “Geoffrey was loved by all who knew him. He was extraordinarily passionate and always on the side of the artist. He was an advocate for the “little guy” — the musicians behind the scenes who the spotlight often missed but whose contributions were essential.  His heart was massive and he was able to pull you over to the right side of the road if you ever fell astray. He was someone who truly valued friendship and knew that the value of life was love. He was a true Bhakta.”

And, Baum added:  “Perhaps most importantly, he sang one of the most beautiful versions of the Hanuman Chalisa I have to this day ever heard.  You can only sing like that if you are truly a devotee. Geoffrey was and will always be.”

Influenced Early On by George & Ravi

Gordon’s love affair with the tabla apparently begain in 1971, when according to a biography on Gordon’s website, he went to see The Concert for Bangladesh at Madison Square Garden, the epic East-meets-West event organized by George Harrison and Ravi Shankar and featuring Bob Dylan, Eric Clapton and many others.  Ravi Shankar and tabla maestros Ustad Ali Akbar Khan and Ustad Allarakha — Gordon’s future teachers — performed as the opening act. 

“This concert had a profound effect on Geoffrey,” his bio says.  “He knew there and then that he wanted to study North Indian classical music and learn to play the tabla.”  

A year later, he met Ram Dass and became a devotee of Neem Karoli Baba.  His bio details a long and rich history as a student-turned-teacher and professional percussionist for recordings in many musical genres as well as plays, films, and dance theatre.  “He wasn’t ‘just a drummer,'” says long-time friend Mohan Baba.  “He was a full-on, professional world percussionist.”  To which Baba quickly adds: “Of course, his real love was his spiritual focus, and his drumming reflected that.”

Gordon’s passion for devotional music stayed with him to the end.  He reportedly received a standing ovation for a percussion solo at a concert in Sedona the Sunday night before his death.  He was on his way home to Santa Fe that Tuesday when he suffered a massive heart attack along the way,  Mohan Baba told The Bhakti Beat.   He said Gordon was evacuated by helicopter to the nearest hospital but resuscitation attempts en route failed to revive him.

‘Turn Off and Float Downstream’

My first kirtan with Gordon leading was at Bhakti Fest just last year.  It was a morning set, and the low desert sun was already blasting its intensity onto the musicians on stage and the small crowd of early risers.  I remember the set being quietly powerful somehow, in a way I can’t readily describe — it was as if it really didn’t matter to Gordon if anyone was there, because he was singing to something deeper…

When I searched my files for the photos I was sure I had taken that day, all I found was a single three-and-a-half-minute video:
 

The song, Tomorrow Never Knows, was written by John Lennon.  Jai Uttal covered it, with Geoffrey Gordon on percussion, on the 2001 Grammy-nominated CD Mondo Rama by Uttal and the Pagan Love Orchestra, where it was fused with a Shiva chant.  It seems to have been a favorite of Gordon’s in his fairly new incarnation as kirtan wallah; he sang it again at his last kirtan in Sedona the Sunday morning before he died, according to Sedona kirtaneer Natesh Ramsell, who met Gordon for the first time that weekend.

Here are the words, as Gordon sings them in the video:

Relax your mind, turn off and float down stream
It is not dying, it is not dying

Lay down all thoughts, surrender to the void,
It is shining, it is shining.

That you may know the meaning of within
It is being, it is being

Om Namah Shivayah, Shivayah Namaho…

Or play the game “Existence” to the end
Of the beginning, of the beginning, of the beginning, of the beginning.

Photo Courtesy of Mohan Baba

Memorial Services Honor Gordon’s Life

A memorial service for Geoffrey Gordon was held Tuesday, Sept. 25 at Open Secret Bookstore in San Rafael, Calif., where Jai Uttal, Ben Leinbach, and dozens of other artists offered their musical tributes.  And on Sunday, Sept. 30, friends will gather at the Neem Karoli Baba Ashram in Taos, N.M., to chant and celebrate his life.  The Ashram’s page includes a link for contributions to assist in the funeral and memorial expenses and other financial needs of Gordon’s long-time wife, Sandra.

Also see: www.geoffreygordon.com

To contribute: http://www.nkbashram.org/community-geoffrey-fund

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Additional Coverage from The Bhakti Beat’s Big Bhavalicious Adventure to Omega Chant, Bhakti Fest West and Sat Nam Fest East:
 
Bringing Home The Bhav: Bhakti-Fried Bliss-Chaser Faces ‘The Laundry’ of Life (Video)
Wallah to Watch: Jai-Jagdeesh, Songstress & Classical Dance Artist, Dazzles at Sat Nam Fest (Videos)
With Deva’s Miten, Krishna Das Does Dylan & Shyamdas Does the Blues (Videos)
‘It Is Not Dying:’ Geoffrey Gordon (1952-2012) Remembered in Bhakti Fest Tributes and Haunting Video
Photo Journals from all 3 festivals on our facebook page.
Check our YouTube channel for the latest video uploads.
 
Stay tuned to this site for more coverage coming soon! Subscribe here.
 
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Get the Bhav: ChantLanta (March 9-10, Atlanta)

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This is the first of a new series, “Get the Bhav,” which covers kirtan festivals and retreats.  Please contact bpatoine@aol.com with information about upcoming events.

ChantLanta. Where the Bhav Is

Move over “HotLanta.”  After this weekend, the Big Peach, the City of Peace and of Trees may well have a brand new nickname: ChantLanta.

Now in its third year and bigger than ever, ChantLanta marries three big artists — WAH!, DAVID NEWMAN & MIRA, and SEAN JOHNSON & THE WILD LOTUS BAND — with EIGHT regional bhakti bands for two rockin’ days of call-and-response chanting plus yoga, sound and movement workshops throughout the day Saturday.

The music starts Friday night with three great local bands, BHAKTI MESSENGER, RAHASYA, and DHVANI, all for free.  These three alone would be enough to get us to ChantLanta, even if they may be new names to many.  BHAKTI MESSENGER, formed in 2009 by IAN BOCCIO, PHIL McWILLIAMS, BRIHASPATI and AMANDA FEINSTEIN, are Wallahs to Watch: they have opened for WAH! and SHYAMDAS, have played with other “big names” in kirtan, and have been invited to play at Bhakti Fest in September.  Check out their music and new CD, “Now,” and hear for yourself why they are on the rise.

RAHASYA, based in Athens, Ga., is another band to remember — and hear.  Comprised of SURDAS and VAJRA YOGINI plus keyboardist GERSHON, the group weaves Sanskrit mantras and Hebrew chants infused with southern gospel improv and heart-opening poeticism.  They have been touring throughout the Southeast in celebration of their second CD, “Covered in Song,” which released just last month.

All day Saturday 3/10, bhakti love flows from five more local bands:  FLYING MYSTICS, WOVEN TONGUES, KIRTAN BANDITS, SUNMOON PIE, and CHAITANYA KIRTAN.  In addition to nonstop chanting, workshops throughout the day cover topics such as Sufi meditation, Five Rhythms Dance, mantra chanting, and breathwork.  By the time Saturday night rolls around for the “big acts,” the energy at the Druid Hills Baptist Church, where ChantLanta unfolds, is likely be higher than…Sunday service at a Southern Baptist church??  The Saturday night line-up is the only part of the weekend that costs anything, and at $50 for three top performers, we think it’s a bargain.  UPDATE:  ChantLanta has graciously extended the discount ticket price of $35 to ALL until the day of the event, thanks to our article! 

Putting HotLanta on the Chant Map

Birthing credit for ChantLanta goes to BHAKTI MESSENGER, whose co-founder Ian Boccio said in an email that the band “threw together” the first fest in March 2010 “as a way to increase awareness of kirtan and bhakti practices” and build a kirtan community in greater Atlanta and beyond.  The strategy seems to be working:  Ian says attendance at BHAKTI MESSENGER’s kirtans has “exploded,” new bands (including DHVANI) have formed, other bands (like RAHASYA) now play regularly in Atlanta, and the city is becoming a destination for touring national artists.  “2012 looks to be a banner year for us, with WADE IMRE MORISSETTE, BHAGAVAN DAS, SHYAMDAS, and GIRISH all visiting our city in the first several months,” Ian said.

Omega Institute’s Ecstatic Chant weekends inspired him, Ian says.  “That was the first time I got the idea of what it would be like to do kirtan for days on end.”  He also found inspiration in the “Chant, Chai and Charity” events organized in Philadelphia by Steve Groff (Mira Newman’s father), and has used that as a model.  Last year’s ChantLanta festival raised $6,000 for charity, even without charging attendees a penny!  (The money came through sponsorships.)  This year, the organizers are hoping for 1,000 attendees, and proceeds benefit two local charities: 50 Cents Period and AiJalon.

Ian Boccio (Photo from ChantLanta)

These bhaktas have big plans for ChantLanta, hoping to make it “the largest and most visible kirtan event in the South.”  (They are not without competition: Sarasota, Fla.’s Rock the Bhakti weekend in January brought in SHANTALA and WAH! to join local groups PALMS TOGETHER and others, and in Houston, the Texas Yoga Conference last month hosted SEAN JOHNSON & THE WILD LOTUS BAND, DAVID NEWMAN & MIRA, SUZANNE STERLING, THE DESERT DWELLERS and Texas favorites THE BHAKTI HOUSE BAND.)

Somehow we think the South is big enough to handle all these festivals and more.  As Ian says: “We believe that if more people are chanting, there will be more peace and harmony in the world!”  Hear Hear.

ChantLanta Website Home Page

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Where’s the Bhav This Weekend? Jan. 20-22

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Bhakti Benefits Bonobos, Saturday in Santa Monica

KD’s in TX; Jai’s back from the beach in Brazil while David Newman hits the beach in Bermuda, and endangered bonobos in Africa will benefit from a bhakti bash in Santa Monica.

Best of the Weekend Bhav

First, the bonobos.  Southern Cali bhaktas will be going ape over the line-up at this benefit concert Saturday night in Santa Monica, the dreamchild of Wynne Paris, an East Coast kirtaniya who’s played with just about everybody and has recently released his own CD, Groovananda (a jazz-rock-gospel-kirtan fusion that is definitely worth the download).  On the ticket are JT Thomas (organist for the Bruce Hornsby Band), Meena Makhijani, Cooper Madison Ladnier, Krishna’s Kirtan (Jason & Pia Rotman), Shivani and friends from Las Vegas, and Govindas, co-owner of the Bhakti Yoga Shala where it’s all happening.  The event raises money for the D.C.-based Bonobo Conservation Initiative, which works to protect this rare primate species, said to be the closest evolutionary relative to homo sapiens (that’s us).  Jai Bonobo!

Krishna Das and Arjun Bruggeman setting up for live chanting on radio station KUT, Austin, TX. (Photo by Archit Dave for Krishna Das)

 

Krishna Das is deep in the heart of Texas with a sold-out show Friday night and a Saturday workshop (still open), both at the Central Presbyterian Church in Austin.  The chant master made a live appearance on an Austin radio station Friday morning, answering questions his Guru, his musical journey from rock and roll to kirtan, and how his latest CD, Heart as Wide as the World, “aimed for more of a rock-and-roll sound.”  He even sang a few chants — including the “fastest Sita Ram in three decades of chanting,” KD joked.

Jai Uttal has been basking in Brazil for the past few weeks, but he’s baaaaack!  No wonder his show Sunday night in Los Altos (South San Francisco Bay area) is sold out; California Jai junkies have been chomping at the bit.  Sunday’s show features long-time back-up singer Prajna Vieira and Ramesh Kannan on tablas/percussion.

Meanwhile, David Newman aka Durga Das is off to the beach — in Bermuda.  But with a Saturday workshop, Saturday night kirtan, and Sunday afternoon family kirtan (all at the Spirithouse in Devonshire), he, Mira and baby Tulsi will be bathing in bhakti along with that Caribbean-blue sea.

California Dreaming

Our personal favorite mantra-rock mover and shaker, Larisa Stow, is leading a mantra workshop Friday at the Sangha Center in Huntington Beach, a rare opportunity to get up close and personal with this edgy and adorable kirtan rocker with a heart of gold.  And save the dates for Larisa and Shakti Tribe in Santa Barbara Jan. 28 and Ventura on the 29th.

Big Apple Bhav

Cut to the East Coast.  The Bhakti Center (25 First Ave.) is holding its monthly 6-hour kirtan marathon on Saturday, 4 p.m. to 10 p.m.  The schedule has just posted, and includes some of the best and brightest of New York’s chanters for a full-on Krishna love party.  Across the East River in bhaktified Brooklyn, Jeremy & Lily Frendel, the husband-and-wife team behind the Brooklyn Yoga School, will be leading the bhav on Friday night as part of the studio’s weekly kirtan series.  (Next week, Devadas holds the space.)  Here’s a taste of the Frendels’ bhakti:

And if you like the Chalisa, you’ll want to head over to Dharma East (297 3rd Ave. at 23rd St.) Friday night for 11 rounds of the 40-verse prayer to Hanuman, part of a series every third Friday. The grace starts flowing at 8:45 p.m.  Dharma East also hosts occasional kirtans on the first Friday of the month.

New England: Singing Bowls; Tapping Hammers

In Northampton, Mass., Dave Russell will be pairing up with a chorus of….singing bowls! for a two-part evening of sound-healing (kirtan then crystal bowls) to benefit the Food Bank of Western Massachusetts.  Dave will be joined in his set by Holly Hartmann (vocals), Charlie Braun (guitar & vocals) and Charlie Shew (percussion); Joa Agnello-Traista and Julian Traista will sing and “play” the crystal bowls.  The Food Bank supplies emergency food in four counties around Springfield; every donated dollar brings in $13 of food for the hungry.

Is it me, or is Maine becoming a little hotbed of bhakti love?  Still not many “big names” making the trek to the land of moose and mist, but community kirtan is alive and well.  Example #1:  Portland, a sweet little seacoast city where the bhav always seems to be flowing.  Stirring it up on Sunday are local wallahs Parks McKinney, David Yearwood and Todd Glacy — aka Kirtonium — at Dragonfly studio on St. John Street.  (Which just so happens to be around the corner from my new favorite Victorian B&B for under 50 bucks a night, the Inn at St. John.)

Straight up into moose country, in Lovell, Me., local charities benefit from the bhav at Full Heart Community Kirtan on Saturday at the Blue Pearl Yoga Studio, which, its website says is “above the Lovell Hardware Store”).  Love that!  Can’t you just envision the hammers and nails on the shelves below tapping and pounding in sync with the rhythm?

DC & South:  Nada Yoga Master; Wah Rocks On

Bhagavan Das, looking ethereal in his Nada Yoga Workshop in Portland, Me.

Bhagavan Das is in Baltimore (okay, Towson) Saturday for kirtan at Lifeline Power Yoga, the start of a southeastern tour that takes the Nada Yoga master to the Carolinas, Georgia and Florida in the coming weeks.  Full schedule here.  If you get a chance to do a workshop with him, take it.  I did one recently at the Bhava Yoga School in the aforementioned hotbed of bhakti, Portland, and it was sublime.  BD’s partner, Kali, lives up to her name.  That’s all I’m going to say.

Down in Georgia, Bhakti Messenger, the Atlanta-area kirtaniyas who are putting together Chantlanta, a sacred music fest slated for March 9-11, are warming up the bhav over the next several weeks, including a workshop and kirtan Saturday.  Remember this band; they’ve just been invited to Bhakti Fest and are doing great things to spread the bhav in the Southeast; check out their music here.

And last, but never, ever least, Wah! continues to make her way through the Sunshine State with a concert in Naples Friday before heading to Miami Beach Saturday for an acoustic show (presented by Synergy Yoga), then on to West Palm Beach for a Sound Workshop Sunday afternoon.  After that, back to Cali for Wah!, who just announced a forthcoming CD that’s been two and a half years in the making. Stay tuned for more details.

And there’s more…oh so much more. Where will you be getting your chant on this weekend?

Want your event listed here? email bpatoine@aol.com or post to The Bhakti Beat facebook page.  Or, Tweet us!

 

 

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