Watch these Wallahs…

One of the things we love about this “mantra revolution” is how many largely unsung local bands are out there doing their thing, bringing the bhav to their communities, just waiting for people to wake up to this thing called kirtan. The Unknown Bhakti Band. Of course, they’re not unknown to those in the know…but there must be thousands of them, right? Under-the-radar ensembles and Monday night quartets, each with their own unique expression of bhakti, quietly offering music and mantras for anyone who will come out and chant with them?

Chantlanta grew out of this kind of community in Atlanta and beyond.  Seven local and regional bands ended up on the “free” part of Chantlanta’s two-day line-up in the sanctuary of the Druid Hills Baptist Church, representing kirtan in a broad range of incarnations. From traditional Sufi chants to Hebrew Shabbath prayers, from Hindu scripture to contemporary Gospel, and from Paul Simon to the Beatles, Chantlanta embraced it all. 

We’re putting each one of these bands on our “Wallahs to Watch” list.  You might want to too.  Just sayin’.

This is Part 1 of 2, because…well, there were seven of them, and they each deserve attention.  And blogs aren’t supposed to be 1,600 words long. 

First up, Friday night’s line-up of Mantra Ma, Wynne Paris and Chaitanya.  Don’t miss Part 2, with Kirtan Bandits, Sunmoon Pie, Phil McWilliams and Blue Spirit Wheel. Video highlights from each artist, some still uploading…(hello, wifi?)

Mantra Ma

Mantra Ma

Mantra Ma, aka singing moms Jocelyn Rose and Shonali Banerjee from Atlanta, opened us up softly with a long, layered Ganesha chant, then graced us with Gayatri, the mother of all mantras. With Crystal Stafford on acoustic guitar and Rose on harmonium, the mood was meditative, soft and earthy, reverent and reassuring…

At one point Banerjee invited everyone to open their palms to the sky and repeat “I am open to receive all of life’s blessings.” Communal abundance prayer…we swear it sent a ripple of energy right down our collective spine.

Wynne Paris

Wynne Paris

Worldbeat troubadour Wynne Paris from Florida can hardly be considered unknown — more like a musician’s musician.  He’s played with, well just about everybody (quite a few of them made it onto Groovananda, his latest CD).  He had his own set on the main stage at Bhakti Fest last year.  (What? You missed that 4 a.m. set?) We were there, and it was worth staying up for the sarod serenade alone. 

He brought his sarod to Chantlanta, thankfully, playing a couple of songs on it before switching to harmonium, then guitar.  The set started traditionally with an invocation to Ganesh, then rollicked right into He Ma Durga with the crowd clapping along.  A detour to the 1960’s with a Beatles-inspired Krishna love medley was followed by a full-on gospel jam-dance in the contemporary “sacred steel” tradition popularized by the Lee Brothers and Florida’s House of God church.  This little roof-raiser had everyone jumping and hollering like…well, like we were at a Baptist church in the South…  Even Druid Hills Pastor Mimi Walker joined the joy parade on the altar-turned-stage.  Watch it here.

Everyone joined the jam, including the pastor!

In the end, Paris went back to his sarod to close the set with a hypnotic Om Namah Shivaya he learned from Bhagavan Das. Lori Michele Love and Dorianne Aillery sang back-up; Jeffrey Lidke and Rishi Waterman on percussion.

See www.wynneparis.com, and do check out Groovananda, a personal favorite driving CD.  But be careful…

Chaitanya

Silvia Riverwind & Koriander of Chaitanya, with Laurie Fisher on fiddle.

Chaitanya took the Friday night bhav to the next level with a high-energy set of traditional mantras swept along on a jam-band medley of rhythm and strings.  It was clear these Asheville, N.C. bhaktas weren’t going to let the night end without a shaktified dance jam.  Jai Jagadambe fit the bill nicely. Watch the video here. 

This band has been a perennial favorite at Chantlanta for four years running, so we’ve heard.  Now we know why.

Rishi Waterman of Chaitanya

Sylvia Riverwind shared lead vocals with Koriander, whose harmonium was the bloodline of the band (though she switched it up for an acoustic guitar occasionally).  Overlayed with some serious fiddling by Laurie Fisher, Rishi Waterman on percussion and Tom Aldrich on bass, it was hard NOT to move. 

Chaitanya’s debut album, Ark of Love, is available now on CD Baby; a CD release party is set for June 1 in Asheville.  www.chaitanyakirtan.com

Last-jam dance party with Chaitanya & the Chantlanta chanters

Don’t miss Part 2 for the rest of the Chantlanta line-up — Kirtan Bandits, Sunmoon Pie, Phil McWilliams and Blue Spirit Wheel. 

Yoga Texas Style (Dana Shamas)

What did we love about the Texas Yoga Conference?  The bhakti, baby!

No surprise there, but seriously: these folks “get” that yoga is more than asana.  TYC founder Jennifer Buergermeister told us the integration of practitioners from a wide array of yogic and healing arts was by design, a nod to the Eight Limbs of Yoga.  Bhakti was weaved seamlessly into the weekend, the way we dream about it being weaved into every yoga conference out there.

NOLA’s Sean Johnson and The Wild Lotus Band

For starters, there was Saturday’s Bhakti Bash with Sean Johnson And The Wild Lotus Band, the New Orleans-based trio who are pioneering the integration of kirtan and asana.  Johnson told of his own yogic journey, first to hatha yoga, then to bhakti, and finally to a fusion of the two.  When he first started teaching yoga 16 years ago, Johnson said, his “physical practice” and his devotional practice were very separate.  “Even to ‘Om’ in class was scary for me then,” he shared.  But after years of this separation, he said his yoga practice “felt a little dried up.”  For the last several years, he has been “experimenting with how to bring these two paths together.”

“We have to figure out ways to keep bringing juice to our practice,” Johnson said.  “Bringing bhakti to hatha has helped sustain me.”

Bhakti Bash with Sean Johnson and The Wild Lotus Band

Over the next two hours, he brought some juice to the convention center ballroom and proved that his “experimentation” is working.   With a rapt audience of a couple hundred yogis huddled close to the stage, he recounted classic tales from Hindu scriptures and mythology, of Radha and Krishna, of Shiva and Shakti, of Kali and Saraswati.  He told of Durga Ma’s cursed war with the demons, how each time she slayed one, a hundred more would appear from the drops of blood, until she was overwhelmed and could do nothing more but sit down to meditate; how it was only by going within that she found the strength to slay every last demon and return peace to the land.  Then we all joined our voices in praise of Ma, with Gwendolyn Colman’s rich vocals leading the response to Johnson’s call.  Jai Jai Ma, Saraswati Ma. 

An hour or so into the session, Johnson sent us back to our mats for a bhakti-infused yoga flow to the rhythms of Colman’s percussion and Alvin Young’s bass.  It was a side of Sean Johnson we hadn’t experienced before (the yoga teacher) — and one we highly recommend.  Very juicy.

The Bhakti House Band

The Bhakti House Band proved why they are Texas’ favorite kirtaneers with bookend sets in the morning and evening on Saturday.  By the end of their final set, the little crowd gathered in the common area was rockin’ out to the rhythms of Kristin and Randall Brooks and their band of bhaktas, and didn’t want to see them stop.  Particularly when Randall, the self-described “kid from the ‘hood,” tried out a freshly devised conscious hip-hop riff on us — look for that one on the upcoming album from this Fort Worth-based group, a charity effort for their Peace Love Om project, which aims to raise cultural awareness and promote diversity among youth around the world and support suffering children, families, and communities in need through donations and seva.  Remember this bhakti couple — they are the go-to back-up band for Texas-touring artists and are fast making a name for themselves on the national kirtan scene.  Watch this space for videos and more on The Bhakti House Band…

Pratibha Kirtan

On Sunday, we got to experience the sweetness of new-to-us Aaron Lind and Pratibha Kirtan from New Orleans, with Ashley Beach rockin’ the acoustic bass and Jordan Arey on drums.  Lind, whose talents include some pretty impressive acro-yoga, said he was first inspired to lead kirtan thanks to fellow NOLA yogi Sean Johnson.  The bhakti trio is currently touring Texas and in the midst of recording their first CD.

Flight School with ex-punk/monk Raghunath Cappo took off in three sessions over the weekend, a testament to the popularity of Cappo’s practically legendary approach to mastering gravity-defying arm balances, for anyone who dares to fly.

Raghunath Cappo

What we liked was his down-to-earth, New Yorker style and his keeping-it-real vibe.  What we loved was his bhakti; he started each class with satsang and chanting, complete with a little lesson in what kirtan is (“meditation with your voice”) and does (“It’s about uncovering self-knowledge, or ‘atma jnana'”).

“The saints and yogis in India are not performing yoga to get six-pack abs and a nice ass.  They’re practicing it to become transcendent,” Cappo said.

TYC Founder Jennifer Buergermeister

Thank you Texas Yoga Conference founder Jennifer Buergermeister and all the teachers and bhaktas at TYC for bringing the bhav to yoga.   Wouldn’t it be great if EVERY yoga conference did so?

Kick it up Texas!

One month after Shyamdas’ passing, the bhakti community is still reeling from the gash torn in its heart by the loss of the great Sanskrit scholar who had become, in recent years especially, the Western bhakti world’s favorite uncle.  From the Kumbh Mela in Allahabad India, where a moment of silence in honor of Shyamdas was observed among the millions gathered for the world’s largest spiritual convergence, to the bhaktified walls of Bhakti Yoga Shala in the heart of SoCal’s fertile kirtan country, to a little healing space over a garage  in Montpelier, Vt., near where Shyamdas lived for many years, those who knew and loved Shyamdas have gathered to honor his life and celebrate his lila.

Ananda Ashram, the Yoga Society of New York, offered up its own tribute to its patron saint of satsang on Sunday, Feb. 17.  Ananda sits in the heart of New York’s “Bhajan Belt,” near Shyamdas’ home when he was in the U.S.  The little community tucked away in a sleepy NY hamlet was “the first place he came” when he returned to the States after his winter in India, said Hari Mulukutla, a long-time friend of Shyamdas who organized the tribute in concert with Ananda’s Jennifer Schmid.  (Ananda has more recently come to fame via the Grammy nomination of Krishna Das’ Live Ananda, which was recorded at the ashram in 2007.)

Hari Mulukutla: “This was his playground, and we are all his Gopis.”

“This was his playground, and we are all his Gopis,” Mulukutla said, referring to the famous lila of Krishna and his devoted dairy maidens who would follow the sound of his flute into the forests of Vrindavan, the divine playground of the Hindu scriptures.  Shyamdas chose the Vrindavan region as his home base in India in order to “touch the dust of the dust of the dust that touched the Beloved’s feet,” he once said.

An image of Shyamdas ecstatically singing was the focal point of a high altar at the gathering.  An offering of Krishna Devi, Ananda resident and “gypsy kirtan” wallah, it was lit by tealights and nestled with flowers and Indian textiles of the type Shyam-ji often wrapped about his neck or head.  It gave the impression throughout the evening that the teacher himself was there, watching over the musicians gathered on stage and singing right along with them.

Shyamdas’ sister, Susan S. Ryan

Susan S. Ryan, Shyamdas’ sister, was presented with a traditional flower garland to place over Shyam-ji’s picture, after which she spoke briefly about her brother and the outpouring of love for him from the bhakti community.  “I always knew he was special, but now I’ve learned that he really did have a million best friends,”  Ryan said, drawing laughs from the crowd.  “And I thought I was his best friend,” she chuckled.

She said growing up with Shyamdas for a brother was full of surprises, because he “was such a rascal.”  At the same time, she said, he was “such a devoted person, devoted to his translations and to his music, but also to his family.”  She called him “sometimes mindful, sometimes manic,” but always “clear-headed.”

“He was willing to risk everything to express what he knew to be true,” Shyamdas’ sister said.

The evening proceeded with stories, poetry from Shyamdas’ translations, and of course, kirtan — in a rapid progression of 9 separate bands/artists leading two chants each.  Vallabhdas, Shyamdas-ji’s dear friend and devoted student who has collaborated on many of his books, offered up a poignant ode to his teacher and mentor, singing what might be the anthem song of Shyamdas’ life:  Beloved.  The song, from Shyamdas’ first CD, Beloved Chants, combines Shyam’s original lyrics with a traditional composition written (in the Brajabhasa language) by the 16th century Ashta-Chaap poet-saint Govinda Swami. Vallabhdas described the bard as someone whose “life was full of deep realizations, and his words carry to us the essence of pure devotion.”   (Scroll to the bottom for Govinda Swami’s words, plus Shyamdas’ translation and original lyrics for Beloved.)

At the end of the song, Vallabhdas said: “I think Shyamdas found his beloved.  We all miss him of course…but we’ll just keep singing the Beloved’s names and following in his footsteps, and we’ll get there…”

SRI Kirtan with Naren Budhkar

Bhajan Belt favorites SRI Kirtan (Sruti Ram & Ishwari) took the stage next, singing two of their favorites from their many sails on the Bhajan Boats with Shyamdas.  Sruti Ram told a humorous story about long road trips with his bhakti brother (“driving to Vermont for coffee”) and seeking his friend’s counsel about a difficult interpersonal situation (Shyam’s advice: “Delete.”), then launched into a rousing Sri Ram Jai Ram.  Ishwari took over the lead to deliver her now-classic Jai-Jagatambe Ma Durga chant — punctuated with her earth-shaking take on Carole King’s “I Feel the Earth Move Under My Feet.”

To close it out, Hari Mulukutla sang Sharanam, a hymn of auspiciousness from the Upanashids (Hindu scriptures) that Shyamdas often sang when closing his programs.  The evening ended with a recording of one of Shyam-ji’s followers — a Western woman named Nicole — singing a Holi devotional song to Shyamdas for the first time.  It was a sweet, simple reminder of the many lives he touched during his presence in this world and how his influence continues still.

“Hundreds of years in the future, they will still be talking about Shyamdas,” Mulukutla said.  “And it will be very hard to describe him.”

Shyamdas, we imagine, would have chuckled.

The full roster of musicians included:

Krishna Devi

Krishna Devi, who started it off with Radhe (what better for a Shyamdas tribute?) and Krishna, warming up our response with her “gypsy kirtan.”

The Rev. Kim Lesley, who, joined by Jennifer Schmid and Renee on vocals, kept the Maha Mantra flowing.

Arundhati read a poignant remembrance sharing “the ultimate lesson” Shyamdas taught her — “Take shelter of Krishna” — then sang a beautiful Arati followed by a Govinda/Hare Krishna medley.

Prema of the Woodstock sangha sang and played on her tanpura one of the hundreds (thousands?) of ancient love poems that were brought to light by Shyamdas: “Lift up the veil and meet your Beloved.”

Ned Leavitt aka Jambavan

Ned Leavitt aka Jambavan sang Sri Krishna Sharanam Mama — “Sri Krishna is my refuge” — a song much beloved by Shyamdas that he sang often.  Shyam-ji’s partner Ally Gopi was softly singing it in the car as they were raced to the hospital in India just before his physical death, she wrote in a poignant memoir for the spiritual journal Nama Rupa.

John McDowell

Naren Budhkar, who often played tabla for Shyamdas, read another of Shyam-Ji’s translated love poems to the Divine, then joined John McDowell for a drum call-and-response.  McDowell, who co-produced Shyamdas’ first CD and has played with him for many years, called Shyam a “musician’s musician” who “understood that rhythm was one of the ways to keep the bhav going.”

Supporting the music all evening were Sundar Das on flute and Avinash, Tommy Be and John McDowell on percussion.

Sri Krishna Sharanam Mama

Tommy Be, Avinash, Renee, Jennifer, and Rev Kim

More on Shyamdas:

“Genre unknown.”  Have you ever gotten this message when you download a kirtan CD into iTunes?  We get it a lot.

More often than not, the iTunes database pulls up a blank in the “Genre” category.  Sometimes it pulls up as World Music, sometimes Alternative, sometimes Folk (Shyamdas in particular), and sometimes — get this! — Country (GuruGanesha’s Kundalini Surjhee). Occasionally, the disc is downright  Unclassifiable (Marti Walker’s rEVOLution).  And yes, sometimes it even registers as New Age, which usually elicits a sarcastic snicker from this downloader.

New Age?  Hasn’t that almost become a kind of throwback-to-the-70’s joke?  Something that is spoken of with “air quotes,” maybe with a roll of the eyes thrown in?  Is kirtan New Age?  Does it want to be?

Well, according to the Grammys, it is.  That’s the category for which Krishna Das is in the running for Best Album, marking an historic moment in bhakti history (watch the livestream Sunday, Feb. 10 from 1–3:30 p.m. PT at GRAMMY.com and CBS.com.).  No, he’s not the first kirtan artist to get a Grammy nomination — Jai Uttal earned that honor back in 2002 with his barrier-breaking, genre-bending Mondo Rama.  But this is Krishna Das.  The Yoga Rock Star.  The King of Kirtan.  The Chantmaster.  And Live Ananda, the recording nominated for this year’s Best New Age Album, is pure and traditional unadulterated call-and-response chanting.  In the live.  No apologies for the harmonium.

Will the tux be in plaid?

Still, we have a hard time imagining Krishna Das describing himself as a “New Age artist.”  We could be way off base here, but we’re not seeing it.  You?

Either way, that’s where we are folks.  We don’t know about you, but we’re putting our bets on Krishna Das actually winning this thing.  Why else would he be performing live at the Grammys pre-broadcast livestream? (New Age nominees are never featured on the Grammys live television broadcast, which is reserved for the big “Mainstream” categories.)  We’ll eat crow if we’re wrong.  Whilst brooding.  Heavily.  And chanting along with the Cosmic Kirtan Posse at Ananda Ashram to soothe our pain.

But let’s just say it happens:  Krishna Das wins the Grammy for Best New Age Album.  That would put him in the same Winner’s Circle as Paul Winter (6 times), Enya (4-time winner), Yanni, Pat Metheny, and David Darling, among others you’ve probably never heard of.  Notably, Peter Gabriel won the award for Best New Age Performance in 1990.  KD’s competition for the award this year?  L.A.-based pianist Omar Akram; Michael Brant DiMaria, an integrative psychotherapist who creates music for relaxation and meditation; Celtic artist Loreena McKennitt; renowned cellist David Darling; pianist/composer/producer Peter Kater, and Steven Halpern, whose 1975 release, Spectrum Suite, often gets credit for beginning the whole “New Age Music” movement.

There are a couple interesting kirtan connections among these other nominees.  David Darling collaborated with Canadian kirtan artist Brenda McMorrow on her 2010 album Love Abounds. Peter Kater just last year released Heart of the Universe with Sikh-tradition chantress Snatam Kaur, and his 2012 nomination, Light Body, features vocalist and executive producer Trish Bowden.  We’re clueless, we confess, about the others on the list, but a quick review of their offerings puts them pretty far away on the musical spectrum from call-and-response chanting ala Live Ananda.

Incidentally, in the World Music category, both Ravi Shankar (for The Living Room Sessions, Pt. 1) and his daughter, Anoushka Shankar (for Traveller) are nominated for Best Album.  Which makes us wonder why Krishna Das isn’t in the World Music category.  Live Ananda even comes up on iTunes as World Music.

Indefinable?

New Age music has always been difficult to define, seeming more like a catch-all for downtempo “relaxation music” than anything else.  Early pioneers include the aforementioned Steven Halpern and English composer Brian Eno, who is credited as a principal innovator of so-called ambient music.  New Age  first earned its own Grammy category in 1987 — about the same time New Age bins started showing up in major record stores and big record labels starting paying attention to the genre.

The dawning of the New Age Grammy category was not met with glee by all.  Music critic Steven Rea, writing in the Philadelphia Inquirer in 1987, said: “It’s a category of music to which few artists want to be assigned – the winner of the Grammy is likely to accept his award with a bag over his head – and which even fewer can define.”  The same year, Musician magazine predicted that “all new-age artists will claim to be ‘not really new-age.’ ”

My how things have changed.  Or not.

Parsing the Name Game

All of this talk brings up a related issue that is astir throughout the kirtan world: what to call kirtan.  “Kirtan,” some have argued, is just too hard for Westerners to wrap their tongues around, let alone their minds.  A few artists are steadfastly moving toward the use of “mantra music” to define what they do; among them are Gaura Vani, a Krishna devotee who typically practices traditional call-and-response Sanskrit chanting (unless he’s in his role as one-fourth of The Hanumen, in which case all categorization goes right out the window), and GuruGanesha Singh, best known as the long-time touring partner and manager to Snatam Kaur, who infuses sacred Gurmukhi-language chants with funked-up rhythms and soaring electric-guitar riffs. 

The new Krishna Das channel on Sirius XM radio eschews both these monikers in favor of “Yoga Radio” — a decision that came from Sirius, KD told us in an interview.  Nowhere in the description of the channel will you find the word kirtan, but you will find “Chanting, sacred and spiritual music” in the channel’s subhead.

Kirtan. Mantra music.  Yoga music.  Chant.  Sacred music. Spiritual music.  World music. Alternative, Folk, Country…turns out there are almost as many names out there for this “music genre” as there are artists presenting it.  Which begs the even bigger question: is it a “music genre” at all?   

Or is the Mantra Revolution simply “Unclassifiable”?

What do you call it?

from KrishnaDas.com

This is classic Shyamdas, in all his spontaneous wit and wackiness.  The always-unpredictable closing session of Omega Ecstatic Chant had just gotten underway, with Shyamdas at the helm.  It was time to call in the troops — to get all the musicians on stage for the finale  and send the 1,000 or so chanters off with a final Radhe Shyam.

These grand all-wallah finales have become somewhat legendary at Ecstatic Chant, as they now have at Bhakti Fest and other kirtan festivals.  Where else do you get to see Krishna Das, Jai Uttal, Deva Premal, Snatam Kaur, Gaura Vani, Radhanath Swami, C.C. White, Sruti Ram and Ishwari, along with a host of world-class supporting musicians like Steve Gorn, Richard Davis and Daniel Paul, all on stage together, sharing mics and cajoling one another on with good-natured giddiness? 

It’s like the Mantra Dream Team, gathering jubilantly for one last blast of bhav — and invariably rousing the crowd to a full-on, dancing, swaying, shake-the-roof-rafters climax.

For over a decade at Omega Chant, Shyamdas has been the undisputed captain of the team, taking his place at the helm and steering his playmates in lila right up and over a tidal wave of bhav.  Every year, he would surprise with some completely unexpected twist on an old classic, effortlessly — and hysterically, at times — weaving his beloved Radhe into anything and everything.  You never knew what Shyamdas was going to come up with next.  (And neither, surely, did the musicians around him — witness the expression on Vishvambhar Sheth’s face when Shyam-ji broke out in a Radhe-fied version of “Working My Way Back to You Babe” at Omega 2011.)  Priceless!

Last fall, Shyamdas had something else up the sleeve of his old-style kurta.  As the session was getting underway and the musicians tuning up, Shyamdas leaned toward Richard Davis and whispered a question unheard by most, Davis recalled recently.  Davis, who has played guitar for Shyamdas for many years in all manner of venues, must have had a pretty good idea what was coming next when Shyam-Ji asked if he knew ‘Yesterday.’

The rest of us, I’d venture to guess, were more than a little perplexed when, moments later, the familiar and famous melody of the Beatles’ 1965 love ballad was rising from Shyam’s harmonium.  But this was no average ‘Yesterday’ cover.  Uh-uh.  This was Shyamdas in his element, his lila of unscripted, whole-hearted devotion on full display as he smiled knowingly and transformed the Fab Four’s words into a sweet improvised-on-the-spot lullaby to Radhe.

Looking out at all of us — who clearly weren’t ready to see this chant lovefest end — he deadpanned in perfect melody: “Why you have to go, I don’t know, Hari wouldn’t say. I said Radhe Shyam, now I long for Sri Radhe.”  The line brought ripples of laughter throughout the packed Main Hall, and the crowd gathered more tightly around the stage to see the master innovator in action, swarming like honeybees to collect the nectar of the lotus.  

That was yesterday. 

Today, the same line resonates differently.  It carries a bittersweet tenderness — a wholly different longing — as the kirtan and Krishna communities try to come to grips with the reality of the bhakti world without Captain Shyam steering the ship. 

*sigh*

“Why’d you have to go, Shyamdas-Ji? Hari didn’t say. Please say Radhe Shyam, one more time, say Radhe Shyam…”

Swept Up in A ‘Tidal Wave of Bhav’ with Shyamdas: Epic 45-Minute MahaMantra (VIDEO) 

Remembering Shyamdas Photo Journal on Facebook

Shyamdas Remembered Video Playlist of Kirtans and Teachings on YouTube

“We’re going to end on this,” Shyamdas said, as he launched us into the final powerful crest of an epic Hare Krishna chant that undulated like the waves of an ocean for 45 ecstatic minutes (two-part video below). 

It started as a slow, deep prayer before gradually rising to the inevitable full-on whirling cresendo, then ebbing again to a sweet low longing, barely a whisper, before rising up again… Over and over he led us through the peaks and valleys of the changing melodies and rhythms, inviting us all into the intimate dance with the Divine.  Soon there was no distinction between call and response, “performers” and “audience.”  All merged as one voice, one ocean of sound and devotion flowing with the joyful tears of a thousand streams.

It was, for this writer, one of those peak experiences in kirtan — the kind that just make you go, “Wow.” No exclamation point. Just “Wow.”

When it ended, after that long sweet silence where you get to do nothing other than breathe in all that bhav, he looked out at all of us and simply said: “That’s it.”  Silence broken, the crowd thundered.  Shyamdas’ kirtans always stand out, but this one was beyond outstanding, and the chanters let him know it. 

When the hoots and hollers died down, Shyamdas said this: “It’s amazing to float in the bhav — I don’t know whether I was imagining that, and it doesn’t really matter…But man, to be in such a tidal wave of bhav with everyone is …” He paused for just a moment.  “…is the way I would like to spend the rest of my life.”

“To be in such a tidal wave of bhav with everyone is the way I would like to spend the rest of my life.”

Hear Hear.

After the set, I caught up with Shyam-Ji just off-stage.  I wanted to thank him, to ask him how he did that, what magic did it take to create that experience. Maybe I needed some kind of confirmation that we had all just experienced something truly extraordinary, I don’t know.  I had a hundred questions for him! But when I opened my mouth, all I could muster was, “Wow.”  No exclamation point.  Just, “Wow.”  (And, I imagine, a glazed-eye, stoned-on-the-bhav expression — hey, we’d been chanting day and night for 3 days at this point.)

Despite my bhakti-fried brain-deadness, Shyamdas answered my unspoken question.  I didn’t write down what he said, but it was something along the lines of: “I was just taking it where it needed to go.”  He was reading the room, taking the pulse of the space, feeling the vibe and intuitively guiding us deeper and more completely into that Place That Cannot Be Described, to blissfully drown in a churning sea of ecstatic devotion.

This is Shyamdas as we will remember him, steering the ship on a “tidal wave of bhav” deep into the ocean of devotion, sweeping us all along with him on his boat full of bhakti.

Thank you Shyamdas-Ji. 

A note about the videos: Did I mention this was a 45-minute-long Maha Mantra?  And that I recorded EVERY moment of it?  Now, I know this is the Age of Twitter and 30-second news bites…so I thought about editing this down, cutting and slashing it to a manageable, YouTube-friendly size.  But then something slapped me upside the head (Shyam?) and said, Are you crazy?  This is a work of devotional art.  How dare you mess with it?  So I present it to you as I experienced it, in all its uncut, unedited glory.  In two parts, because the Age of YouTube has a 30-minute attention span (not long enough for kirtan).  Please put aside 45 minutes to watch — really WATCH — because you don’t want to miss a single moment of Shyam-Ji’s in-the-bhav expressionism.  Clear your space because you will want to dance during parts.  Have some tissues because you may cry.  But watch it all.  You will not be sorry. 

Here’s Part 1:

 And Part 2:

 

 Also see:

“Remembering Shyamdas” The Bhakti Beat’s Photo Journal on facebook

Shyamdas Video Playlist on YouTube

www.shyamdas.com

It’s been the subject of scholarly study, doomsday prophesizing and New Age philosophizing alike for…well, pretty much forever.  It’s inspired countless books,  millions of articles, a major motion picture, and more than a few good cartoons.  Whatever your beliefs are about 12.21.12 — the end of the world, the beginning of a new world, or none of the above — one thing is clear:  the occasion is being marked worldwide with consciousness-raising events focused on prayer, meditation, and yes, kirtan.  Along with more than a few end-of-the-world-as-we-know-it blow-out bashes.  

It’s no wonder: 12.21.12 is not only the much-ballyhooed date on which the Mayan calendar supposedly ends (but not really); it is also the winter solstice — the longest night of the year and the turning point for the “return of light” by way of gradually lengthening days.  Some theorists suggest the date coincides with Earth’s crossing a central nexxus in the Milky Way galaxy, signifying the end (or beginning) of an epoch in the orbit of our sun around the galaxy’s spiraling vortex.

There are as many theories out there about what 12.21.12 means as you care to dig for (30.5 million Google results in .24 seconds).  One recurring theme is the idea of a kind of global metanoia, a spiritual transformation or rise in consciousness like the world hasn’t seen in say, 5,125 years (the length of this last period in the Mayan timekeeping system).  Within the “conscious community,” 12.21.12 has become, it would seem, a lightning rod for stepping up the call for global unity and action to recognize our interconnectedness and avert ecological disaster on our home planet, a fate that seems to be racing toward us with accelerating speed. 

With that in mind, we set out to find out what was happening in the bhakti community.  We didn’t have to look far…

Worldwide Events

Golden Age Global Kirtan

Quite simply, kirtan will be everywhere on 12.21.12.  From every corner of the globe, chanters will be beating their drums and raising their voices in mantra throughout the day, all day, all night.   Championed by NoCal bhakta K.d. Devi Dasi and the non-profit Kuli Mela Association, whose mission is to promote and preserve bhakti yoga philosophy, Golden Age Global Kirtan links chanters and Krishna communities worldwide for a common gathering celebrating “a shared experience of Loving Service, Bhakti Yoga.” 

It has been a volunteer, person-to-person effort, Devi Dasi said, using social networking for spiritual activism. “On a deeper level we are activating a network of real people, real hearts to be connected, not on-line this time, but in our hearts, body, mind and spirit…in COMMUNITY!” she said.  As of Wednesday, some 25 countries had signed on to participate in Global Kirtan — with groups of ‘2 or 200’ people — and the list was growing fast as the news went viral in the bhakti world.   

“This is not simply each of us in our own corner praying,” Devi Dasi said. “This is a grass-roots call out to one another, as brothers and sisters, activating our communities with unified intentions, beyond borders, countries, or organization.”   For more info and to add your kirtan to the list, visit the Kulimela Assocation’s page on facebook.

UNIFY Global Moment of Peace

This worldwide effort links events around the globe in an umbrella event being called simply, UNIFY.  Highlights are a globally synchronized “Solstice Moment of Peace” at 11:11 GMT (6:11 a.m. EST) and a “Global Unification Moment” at 20:00 GMT (3 p.m. EDT), where people will gather the world over for a silent prayer, meditation or ceremony with the intention of uniting for world peace.  From a Unify.org press release:

The hope behind the ‘Unify’ idea is that joining in with these events will demonstrate that people have more desire to participate in something positive, than to dwell on the doom and gloom of apocalyptic predictions. Unify.org is serving as a hub for these events, including helping organize meditation flash mobs in city centers to live-streaming ceremonies at Mexican archaeological sites with hundreds of thousands in attendance to coordinating an interfaith moment in Jerusalem between major world religions.

Unify.org will live-stream footage of key events on the day including festivals, ceremonies and events from Jerusalem, The Pyramids at Giza, Stonehenge and Glastonbury, Chichen Itza, Palenque, Teotihuacan, San Francisco, Los Angeles, Austin, Texas, Lake Titicaca, Cape Town, Byron Bay, Australia and even Antarctica.  For details on the movement and individual events, see www.unify.org.

Global Convergence at Great Pyramids of Giza, Egypt

Global Convergence is a 3-day adventure retreat to Giza, Egypt (and a continuing Nile River cruise afterward) that culminates with a dawn-breaking ceremony at the Great Pyramid on 12.21.12, which will be live-streamed via www.unify.org.  Details of the ceremony are sketchy on the Global Convergence website, but as far as we can tell, it will feature “a selection of the top electronic music producers and DJ’s from the west coast’s music scene” as well as world-music pioneers Arjun Baba and Fallah Fi Allah, who never fail to rock the stage at Bhakti Fest with their high-voltage brand of Sufi Qawwali music.  Presented by L.A. electronic-music producers The Do Lab; for more details, see www.globalconvergence2012.com.

Best Bhakti Bets

(If we had a teleporter and could go anywhere, we’d beam in on these first — right after Arjun Baba’s set at the Great Pyramid, that is.)

Kirtaniyas at New Braj:  At the top of the list is the first-ever New Braj 24-Hour Kirtan at the community of Krishna devotees in New Braj Village in central California, near Sequoia National Park.  Spearheaded by The Kirtaniyas, the internationally beloved foursome of “Krishna kids” Vijay Krsna, Sarasvati, Rasika Dasi and Nitai Prem, this kirtan immersion will span 12 hours each day Friday and Saturday.  Rumor has it there may be a live-stream of the chanting (the next best thing to beaming there); stay tuned to The Bhakti Beat’s facebook page for up-to-the-minute updates.  Starts at 10 a.m., New Braj Village, CA.  Details here.

SRI Kirtan & World Peace in the Catskills: It will be mantras and meditation in the mountains at this weekend retreat featuring Sruti Ram and Ishwari, the Woodstock, NY duo behind SRI Kirtan, who will lead ecstatic chant as part of Friday evening’s program.  Go for the night or the whole weekend by joining the World Peace Meditation Retreat at the Ashokan Center in Olivebridge, N.Y.  Learn more.

Larisa Stow & Shakti Tribe in Phoenix: Can you say transformance? Any show with this band will transform you; Larisa Stow is passion personified, love without limits, delivering a wake-up call to anyone who will listen. Can you hear it? The Tribe takes their mantra rock to Phoenix this weekend, kicking it off with a celebration of ceremony and community with drum, flute, song and dance that they are headlining Friday night. On Saturday, Stow will lead a Mantra Playshop session, all part of the 12.21.12 festivities of the non-profit Fusion Foundation. Find out more.

Bhakti Blessings Coast-to-Coast

IN THE WEST

Venice, CA:  Rebirth of the Light Winter Solstice Movement Meditation with Shiva Rea, Dave Stringer, Global Sonic DJ Fabian Alsultany , Donna De Lory, Spring Groove, Yehoshua Brill and more. 2-10 p.m., Exhale Center for Sacred Movement, Venice, CA.  More info.

Los Angeles, CA:  Celebrating the New Age, an evening of “live yoga, live music, live food and live people” featuring multi-instrumentalist Sheela Bringi and Clinton Patterson (producer of Bringi’s debut CD in-the-works), with Leonice Shinneman, playing blues/raga/kirtan.  6:30 p.m. at Peace Yoga Gallery, Los Angeles.  Details.

Richmond, CA:  Blessings for the New Millennium,a multicultural evening of mantra, music and sacred ceremony, featuring Daniel Paul and Gina Salá, who are just finishing up their West Coast storm tour to launch their collaborative CD, Tabla Mantra. Includes Sound Healing with  Jan Cercone, Taiko drumming with Eden Aoba Taiko, and of course, tabla mantra with Paul & Salá.  Find out more.

San Rafael, CA:  Cosmic Dance Party with MC Yoga & special guests.  Described as an “Intergalactic Planetary Dance Party In Northern California to celebrate the end of the Mayan Calendar, the Winter Solstice, and anything else that makes you feel like dancing.”  That about covers it…and dance you will want to:  with Robin Livingston on deck and Amanda Devi on visuals, this threesome pumps out high-voltage, bass-heavy tracks from MC’s latest CD, Pilgrimage, that you can’t help but move to.  Get the scoop.

Vancouver, BC: Mantra, kirtan and labyrinth meditation featuring the World Peace Flame, organized by Sandra Leigh and Give Peace a Chant Kirtan Community. 7 p.m., Labyrinth at St. Paul’s Anglican Church, Vancouver, BC. Details here.

Seattle, WA: Dharma Sound is presenting kirtan at 7 p.m., Samudra Yoga, Bremerton, WA.

IN THE EAST

Rosemont, PA:  Stay Strong 2 Release Party and Winter Solstice kirtan celebration with David Newman, Mira and The Beloved.  This is the official release party for Stay Strong 2: You Can Count On Me.  The evening is a benefit for The Bridge Foundation and Global Green USA.  8 p.m., The New Leaf Club, Rosemont, PA.  Details here. 

Boston, MA:  Tom Lena is hosting a special Solstice edition of his regularly scheduled Kitchari Kirtan, featuring Beantown chantress Irene Solea. The evening will open with Shakti Rowan leading the KK Posse in a Solstice Ritual to welcome the new earth. 7 p.m., Cambridge, MA.  Details here.

Bedford, NY:  Satya Franche & MA Kirtan will add their “vibration to the celestial vortex” for holiday chanting and potluck gathering, beginning 7 p.m. at Transcendence at Sun Raven, Bedford, NY.  More info.

West Hartford, CT:  Celebrate the Winter Solstice with friends and family in a gathering that includes the ancient Homa Hotra fire ceremony to “let go of that which we no longer need and manifest all that we envision for ourselves in the future.”  And of course, there will be chanting and dancing.  8:30 p.m.; West Hartford Yoga.  Details here.

Bennington, VT:  DEVI presents an evening of Solstice kirtan with special guest, Bill ‘Jambavan’ Pfleging.  DEVI’s just-released CD, “The Path of Love,” will be available for purchase.  6 p.m., Karma Cat Yoga, Bennington, VT.  More info.

 IN THE MIDWEST

Minneapolis, MN:  The Midwest gets a head start on 12.21.12 with a celebration of mantra by Heartland bhaktas Sitari and Kalyana with Pavan Kumar (aka Susan Shehata, Colleen Buckman and Keith Helke), who are releasing their first self-titled CD on 12.20.  The evening includes a guided “clearing” meditation and a celebration of the return of the sun, and also features the music of Blue Soul Caravan and special guest Jill James. Long-time champions of midwestern bhav, this Minneapolis-based band (which also includes Will Kemperman) made its debut at Bhakti Fest Midwest this summer.  Details here.

Green Bay, WI:  Erika King and Be Alford team up for live music and yin yoga for a Winter Solstice Celebration at the Studio for Well-Being in Neenah, WI.  More info.

Chicago, IL:  The Bodhi Spiritual Center is hosting Birth of the Golden Age Celebration, a two-hour program including a Q & A led by Mariana Gigea on the Awakened State, a Crystal Bowl Meditation, dancing, and hands-on blessings for awakening in the tradition of  Amma Bhagavan, founder of the Oneness University. Find out more.

Your turn: tell us where you’ll be chanting on this long-anticipated day.  Will you be celebrating, praying, hiding your head in the sand…?

Okay, Christmas isn’t exactly a Hindu or Vaishnava holy day– we get that — but apparently it is a national holiday in Mother India, and celebrated exuberantly.  Here in the West, well, Christmas is hard to escape, no matter your religious leanings (or lack thereof).  We’re willing to bet that there are a few people out there who’ve got some kirtan junkies on their gift list, or who might (gasp!) be one themselves and need to drop some hints.  We asked around, and the Wish-List items poured in. 

So here it is, The Bhakti Beat’s Official 2012 Holiday Gift Guide for Chantheads, Kirtan Junkies & Mantra Revolutionaries. 

These are not just any gifts, mind you.  These are gifts that, in one way or another, embody the spirit of devotion and service that is bhakti, from handmade malas by an up-and-coming Midwestern wallah to the gift of sight for a blind child through an international non-profit foundation.  Conscious gifting that supports the bhakti community.  Way better than Walmart.

What would you add to the list?

1. The Best of the Fests

If you go to just one big kirtan event all year, Bhakti Fest had better be the one.  Nowhere else — outside of India of course — will you get this much mantra music from this many masterful musicians all in one sweet spot.  Choose from Shakti Fest in May, Bhakti Fest Midwest in July, or the One and Only Original four-day extravaganza in September.  Until Jan. 1, you can get the Holiday Deal:  Bhakti Fest West tickets for $200 (they will eventually go up to a full price of $400 each).  Or, buy two tickets for $350.  Similar deals are available for Shakti Fest.  As a bonus, if you buy a ticket by Dec. 17, you’ll be automatically entered to win a free ticket to Bhakti Fest and a free download of the live CD, Be in the Bhav, recorded at Bhakti Fest 2011.  What could be more bhavalicious than that?

 2. Mantra Malas Made with Bhakti Love

Photo Courtesy of BijouxPascale

So, maybe your kirtan buddy already has mala beads wrapped around his or her wrist.  But does she have a hand-knotted gemstone mala from BijouxPascale?  Individually crafted devotional beads infused with bhakti love by Midwest up-and-coming wallah Pascale LaPoint (of the band Kirtan Path), the malas are available in two dozen different gemstones.  Each is one of a kind.  We love this green magnasite one that stars a circular disc as the 109th “guru bead,” but there are lots more to choose from, plus necklace sets and earrings.  And you know these malas are not just a fashion accessory, right?  Japa — repeating a mantra 108 times, using the beads to count — is an ancient and very powerful meditation mode. 

3. Demystify the Harmonium

Got a wallah wannabe on your list?  Queens, N.Y.-based bhakti firefighter Keith Villanueva (aka Hanumanji) has created a harmonium-learning program that’s all the buzz among budding bhaktas and long-time chant-leaders alike.  At the core is Demystifying the Harmonium Workbook A-Z, a comprehensive guidebook with step-by-step instructions on how to play melodies and create chord progressions in every key.  With the purchase of the book comes membership in an exclusive group on facebook where you can access tutorial videos for more than a dozen chants and interact with others who are learning or perfecting their techniques.  Kind of like a support group for chantaholics.  Get it all for $45.

4. Bhakti Art from Jennifer Mazzucco 

Artwork by Jennifer Mazzucco

How about some inspiring spiritual art infused with the energy and images of India?  Devotional artist Jennifer Mazzucco — whose artwork adorns SriKalogy covers and the upcoming debut CD from Nina Rao — has just released her third self-published book of original artwork and observations on life.  Opening Up in Sweet Surrender, described as a daily journal of a recent year in Mazzucco’s bhakti-infused life, has 265 pages of her signature artistic musings and devotional doodles, fused with words, colors and images to “connect with the divinity within,” she writes.  It’s kind of like Be Here Now-meets-Sark/Juicy Life, stylistically and energetically.  Softcover: $58.95/hardcover: $77.95 (less $10 for the holidays). 

Mazzucco’s creations are also available as art prints and greeting cards at the websites below — a huge selection of sacred images on FineArtAmerica.com and a multihued collection of Ganesha block prints on etsy.com. 

Buy “Opening Up in Sweet Surrender” on blurb.com (Use code GIVE10 to get $10 off the book for holiday giving.)

5. Beeswax Candles from Dharma Boutique

Photo by Jonathan Sherrill

Do your friends and loved ones a favor this year and fill their stockings with beeswax candles and tea lights — or any non-paraffin based candle.  Those cheap tea lights you can get at Walmart for $3 a hundred?  Not the best thing to light up your altar or sacred space.  There’s a growing appreciation that such candles, which are typically made from the dregs of petroleum processing, emit toxic chemicals like toluene and benzene.  Right now, pure beeswax candles handmade by a small group of women in Rajasthani, India, are 20 percent off at Dharma Boutique, the import business owned and operated by bhakti bassist Adam Bauer.  And while you’re stocking up on tea lights, check out his inspiring collection of devotional objets d’art, textiles, singing bowls, jewelry, and vintage items collected on his travels to India and beyond.  Dharma Boutique supports fair trade and sources its products from family enterprises, small crafts-people and local artisans wherever possible.

6. Make Music Happen

Hey here’s a radical thought: buy music from the musicians who make it.  Because, let’s face it, most of these artists who are enriching our lives aren’t getting rich off their efforts.  It’s a dirty secret outside of the music industry that artists themselves get mere fractions of pennies for each “play” on sites like Spotify.  Physical CD sales are way down, and digital-download sites like iTunes and Amazon each take another cut of the profits along with music publishers.  At the same time, record labels are less likely to finance a studio recording up front, leaving the onus of CD production to artists.  Crowd-funding services like IndieGogo and Kickstarter are practically viral these days.  How can we, as consumers of this very unique niche “product,” best support the artists we love? 

Fantuzzi at Bhakti Fest 2011

There’s no simple answer, but one approach is a spin on “Buy Local.”  Go to the artist’s own website and follow their links for purchase.  Some have mechanisms for purchasing music directly from their sites, or they will direct you to the link that is most amenable to their continued survival as artists.  Take every opportunity to buy CDs directly from artists on tour.  Or, go to your favorite conscious-living store to buy them; most stores will order the CDs if they don’t have them in stock, and you’ll be demonstrating to the store owner that there is a demand for this music.  Support artists’ fund-raising drives, like the recent ones of Sean Johnson & The Wild Lotus Band and David Newman, by pre-buying CDs and other perks to help finance the recording, mixing and making of new releases.  Make your gifts of music also gifts to music. 

7. Give Good Karma

How about giving the gift of sight to a blind person this holiday season?  Or economic opportunities for impoverished women and children?  Start a new tradition that will make a real difference in the lives of people in need by giving “Gifts of Service” from the non-profit Seva Foundation.  Seva was co-founded by Google CEO Larry Brilliant in 1978 in collaboration with Ram Dass, Wavy Gravy and others, and is a leading innovator in eye-care services and other programs that create sustainable solutions to poverty and disease in vulnerable populations around the globe.  With Seva’s Gifts of Service, you can honor a loved one by directly helping to reduce suffering in the world.  A $50 gift, for example, covers the cost of cataract surgery for one person; $100 supports the well-being of Native American women by providing health education, building community support and fostering leadership development.  You can also buy Seva merchandise like T-shirts, caps, or this sweet calendar of children around the world, and the foundation will use your donation where it is most needed.

8. Win-Win Gifting

Photo courtesy of Girish Music

Love the idea of giving presents that serve a greater purpose, but still want something tangible to put under the tree for your sweetie?  We have the perfect solution:  a gorgeous Lakshmi bracelet, handmade by Long Island, N.Y., bhakta Nadine Wolff.  Every penny of the proceeds go to Wolff’s fundraising drive for Off the Mat Into the World’s Global Seva Challenge India, which supports grassroots initiatives to help rescue and rehabilitate women and children victimized by the sex-trafficking trade.  Your lucky gift recipient will be invoking the blessings of Lakshmi — the goddess of wealth, prosperity (both material and spiritual), and beauty — and you will know that you contributed to putting an end to the poverty and abuse of women and children in India.  Act fast — before Dec. 15 — to get the special price of $45, available through a collaboration with Girish Music.  ($60 after Dec. 15.)

9. Spread the Bhav

Larisa Stow: Reaching Out

How about making a donation in your loved one’s name to a local, grass-roots group or artist who is doing charity work in your community? There are lots of small and mid-sized charity organizations working hard to bring the healing power of mantra music to populations in need — from children to people with mental illnesses to prisoners.  Larisa Stow & Shakti Tribe have pioneered this model in the prisons of California through their Shakti Tribe Peace Outreach.  Benjy and Heather Wertheimer have taken their Shantala sacred music into prisons in Oregon.  The Call and Response Foundation, a non-profit based in Vermont, has spearheaded chant programs at children’s and psychiatric hospitals with Dave Stringer, the Mayapuris, and Gaura Vani.  It’s another way that kirtan is being taken “out of the yoga studio,” as Gaura Vani has said.  Be part of the movement; give a gift that gives again and again.

Okay, your turn:  what’s on your own Bhakti Wish List?  Tell us about your favorite bhakti-inspired artist or merchant.  Which chant CD is on your must-have list? 

Hare Christmas to All One!

Namaste Santa. (Photo by Prakash Singh/Agency France-Press/Getty Images)

You Can Count On Me, the much-anticipated sequel to David Newman’s Stay Strong charitable project for Global Green USA, was released this week with a new single available on iTunes and Amazon and a nice long video of the joy-filled jam session that created it.  Newman spoke with The Bhakti Beat about the project’s Aha! moment, kirtan activism, and how his own practice has evolved in the 20 years since he founded Yoga on Main in Philadelphia (hint: fatherhood has factored!).
Have you seen this video yet?  It’s a bhaktified joyride with a boatload of the wallah world’s favorite musicians singing their hearts out and generally having a blast recording the charity single, You Can Count On Me, in one of the music industry’s most famous recording studios. 

The epic jam session began as a twinkle in David Newman’s eye when he was driving to Los Angeles after Bhakti Fest last September.  “I just got a very strong feeling about doing it,” he said.  “I thought: wow, what if I brought a bunch of my colleagues into this really special, historic studio and we recorded this together, and filmed it all?”

Photo courtesy Stay Strong Project

The pieces came together at the speed of an L.A. minute.  iPhones were humming all over Southern California — Newman said everyone was invited by text!– and the response flowed in.  Shiva Baum signed on to co-produce the single with Newman and long-time axeman/collaborator Philippo Franchini. Amy Dewhurst came aboard to produce the video.  The very next day — and lots of thumb-tapping later — anyone in the bhakti world who was in L.A. at the time gathered at the legendary Village Recorder studio to give it up for Global Green USA.

Photo courtesy of Stay Strong Project

“Everything was put together in a 24-hour period,” Newman said. “The final decision to do it was made Tuesday morning after Bhakti Fest and the recording session happened on Wednesday night.”

Talk about instant karma…

Just look at the list of musicians who showed up to collaborate in the band, choir and dance party.   “I guess you could call them the L.A. Bhakti All-Stars,” Newman said, adding that many artists who were invited had already left the area. 

You Can Count On Me , written by Newman and Donna De Lory, is a feel-good anthem chant in the songwriter-meets-wallah style Newman is known and loved for.  The medley fuses Newman’s original lyrics evoking an “I’ve got your back” loyalty and kinship with a rollicking Shyam Bolo refrain that you can’t help but sing and dance along with (see the video for evidence of that).  The single — available digitally only as a single short track or a two-track set with the longer Shyam Bolo jam — features the vocal nectar of De Lory, C.C. White, and Shyamdas, in addition to all three of the Newmans.  Yes, even toddler Tulsi got her chance at the mike (she’s officially listed in the credits for “giggles”).  Cuteness overload alert! 

Pulled To Do Something Different

With this song and the original Stay Strong single, which broke the top 5 in the iTunes world-music chart, Newman said he had felt pulled to do something different.  “You could say these two songs didn’t feel like they belonged to me.”   At Bhakti Fest he sang a somewhat mellower version of Count On Me, and it was during the course of the festival that “it started becoming clear that the song would be a wonderful vehicle as a follow-up to Stay Strong,” he said. 

Mira & Tulsi Newman (Photo courtesy of Stay Strong Project)

All proceeds from the song go directly to Global Green’s Green School program, supporting the organization’s effort to build green schools in needy communities and help foster appreciation for sustainability in the next generation, the future stewards of the planet.   With Tulsi as a constant reminder, Newman says these are the topics he thinks about a lot these days.  Read the interview below.

Q&A With David Newman

THE BHAKTI BEAT: You Can Count On Me is a benefit for Global Green, as was the first Stay Strong.  Why this cause?

DAVID NEWMAN: As we’ve seen with Hurricane Sandy, there are lot of issues going on in our environment, and sustainability for our future and for our children’s futures is an important issue.  The idea of green schools is critical to building a sustainable future .

Now that I have a child, I think a lot about what this world is going to be like for her.  The children are really the shepherds of a future sustainable life on this planet Earth, so environmental issues are very dear to me.

Initially, I did Stay Strong with Global Green partially because I really loved what they were doing, and partially because the chief operating officer, Richard Wegman, is a bhakti yogi/Reiki kind of person – he is someone who really sees the relationship between living with an open heart and activism. I have a real strong connection with Richard, so there’s a synergy there between us.

TBB: What inspired you to create this sequel to Stay Strong?

DN: I would say 50 percent or more of what I do on the Stay Strong project in terms of my impetus or inspiration is just simply to put something out there that inspires people, opens hearts and brings a smile to those faces who see it. That’s my main inspiration. 

Secondarily, with both this new song and the first Stay Strong release, there was something unusual about the writing process that motivated me to do something different. I guess you could say, for whatever reason, these two songs didn’t feel like they belonged to me. When I wrote the song You Can Count on Me, I just felt that I wanted to do something special with the song. Then when I was at Bhakti Fest, it started becoming clear that it would be a wonderful vehicle as a follow-up to Stay Strong.  That’s how it came about.

Photo courtesy of Stay Strong Project

The inspiration to do the video at this legendary recording studio called Village Recorders in Los Angeles really came to me while I was driving back from Bhakti Fest to L.A., where I was going to be for a week. I just got a very strong feeling about doing it, I thought wow, what if I brought a bunch of my colleagues into this really special, historic recording studio and we recorded this together and filmed it?

What was so graceful about the project was that everybody involved, including the producer, musicians, singers, film-makers, it was all put together in a 24-hour period. The final decision to do it was made Tuesday morning after Bhakti Fest and the recording session happened on Wednesday night. And, talk about the technology of 2012 — every single person invited was invited via text message. 

TBB: Wow. What does that say about this community coming together?

DN: The outpouring of energy was amazing. The evening in the studio was just absolutely charged, really a creatively high experience. To some degree I was limited by the people who were still in L.A. [after Bhakti Fest]; there were others I contacted who had already left the area.  So in a lot of ways this is kind of a Los Angeles project — the L.A. Bhakti All-Stars, I guess you could say.

TBB: Does that mean there will be an East Coast version to balance it out?

DN: I never know.  This all came alive in such a short period of time.  The Stay Strong project to me is a mystery: I didn’t expect it to happen the first time and didn’t expect to do a second release, so who knows what could come from it moving forward.

TBB: We’re seeing a lot of “kirtan activism” these days, from Hurricane Sandy relief to sex trafficking in India.  What role can or should kirtan play in activism?

DN: I think the practice and the sharing of bhakti kirtan is its own form of activism (chuckles), because it activates people’s hearts and that inspires them to follow their bliss and passions and to participate in life in a conscious and joyful way.

For all of us road warriors out there doing door-to-door kirtan, that is activism. It’s playing an active role in the upliftment of the planet.  I think all of us who practice bhakti are connected to serving humanity. I can’t really speak about what the role is in getting involved in more traditional activist settings, but to me, [bhakti yoga] is a means to help in a broader way. That’s always been a big part of what I do, and one of the reasons my presentation of kirtan has a little more of a Western flair is to bring it to more people.

In terms of supporting charities and nonprofit organizations, I can’t speak for other people but it definitely plays a role for me. My last CD, Stars, gave a portion of every CD sold to Peter Gabriel’s Witness.org, a humanitarian organization that distributes cameras and iPhones to people around the world to document human rights violations. The video we made, Love Belongs to Everyone, was dedicated to the work that Witness does.

TBB: You’ve just celebrated the 20^th anniversary of the yoga studio you founded in Philadelphia, Yoga on Main. How has your practice evolved in the past two decades?

DN: I think the way in which my practice has evolved is that it has expanded, in a very profound way.  When I was younger I had very strong ideas about what was “spiritual” and what was a “spiritual experience,” so in a way I was confined to identify with that through certain kinds of practices – which were very supportive of my spiritual expansion.

Now 20 years later, there isn’t anything that isn’t spiritual to me. It matters less and less what particular activity I find myself engaged in, whether it’s talking with you or having a cup of tea or practicing yoga or taking a walk.  Whatever it is, to me, it’s all part of the same oneness. It’s really been quite liberating, like letting go of a burden of seeing it in some places and not in other places. To see everything as spiritual, as divine — for me that’s been a big shift.  

Photo by Balramdass, from ImageEvents.com

To me this is what we’re working for as bhaktis.  As my guru Neem Karoli Baba said: “See the divine in everything and in everyone.”  

He also said: “The best form to worship god is in every form.” This is the bhakti vision, the divine is in all beings and in everything. So 20 years later, I feel that there’s a much deeper awareness of spirituality in exactly what the moment presents. There is less of a compulsion to make it look different.

TBB: How has fatherhood contributed to that evolution?

DN: In a huge way!  My daughter Tulsi is just full of love and full of awe. She’s so present and so joyful.  Being with her, you just see the transparency of spirit, because she’s so close; she’s living in that. Being serious, being heavy, or being preoccupied just doesn’t work in her presence.

I always say: who needs a guru when you have a child like Tulsi?

Banner artwork by Jenni Young

See also:

You Can Count On Me/Shyam Bolo is available on:
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Amazon at: http://tinyurl.com/StayStrong2Amazon