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Chantlanta by TheBhaktiBeat.com
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Chantlanta Church title shotThere are regional chant fests, and then there are Regional Chant Fests.  Chantlanta proved once again how to “do” a Regional Chant Fest in the best possible way that we’ve seen. Anywhere.  So far.

How’d they do it?  Well, perhaps not how you might have thought…

‘Unknown’ Bhakti Bands Take the Spotlight

For starters, there were no “big names” at all.  There was no Krishna Das headlining, in contrast to last year.  Nor were David Newman or Wah, or even the South’s favorite bhakta, Sean Johnson, on the bill, as they were two years ago.  In fact, if you didn’t live in the Southeast, you probably wouldn’t recognize any of the 7 bands who played this festival.  All home-grown, all from the region, all up-and-coming and deserving to be more widely known. The Unknown Bhakti Bands of the South, you might say.

Secondly, it wasn’t held in a typical chant fest location (if there is such a thing). It was held at a big ole Baptist church, one built early in the last century in a traditional style: big soaring sanctuary, tall stained-glass windows, wooden pews fanning out from the altar, balcony full of benches hovering overhead.  It must be said that little else about this congregation, the Druid Hills Baptist Church,  is traditional — the church was kicked out of the Southern Baptist Convention a few years ago for having a woman as a co-pastor.  There’s an experimental theatre in the basement.  Oh yeah, and kirtan.  They host kirtans regularly.  That’s kind of unconventional for a Baptist church in the South.

Then there’s the cost.  Nothing.  As in, zero, zip, zed.  FREE.  That’s right, one full day plus two half-days of mantra music and sound-healing magic for free.  We’re talking non-stop kirtan on a main stage, plus ongoing workshops and classes in two other rooms.  Plus a Friday night kirtan jam and drum circle.  Plus a Sunday afternoon mantra marathon and pot-luck.  All for free.  How often can you say that?

Did we mention the seva?  Chantlanta raised more than $7,000 for two locally based charities.  Seven thousand dollars.  That’s no small potatoes, and can make a real difference if channeled to the right charity — in this case two that will make that money go a long way to helping 1) impoverished girls in India (through The Learning Tea) and 2) rescued cows outside Atlanta (through the Sacred Cows Sanctuary).

A Leap of Faith

So, let’s review.  A group of local bhaktas in a city that’s not exactly known as a kirtan hot spot puts on a 3-day chant fest with no “headliner” — just a bunch of unknown local bhakti bands, charges NOTHING to get in, and walks away with seven thousand bucks for good local charities.  How’d they do that again?

Ian Boccio, Chantlanta, TheBhaktiBeat.com

Chantlanta founder Ian Boccio, at the center of the community kirtan jam.

 

Ian Boccio, who co-founded the first Chantlanta five years ago and continues to be the lead organizer (he also co-leads the mantra band Blue Spirit Wheel, with Stephanie Kohler), readily admits that they took a Hanuman-sized leap this year.  They let go of having a “big name” after having the big name to end all big names (Krishna Das) front and center last year.  The approach caused more than a little hand-wringing, Boccio said, but the Chantlanta organizing committee members were all in agreement.  Boccio is convinced the leap of faith paid off: the event raised more than twice the money for charity that last year’s event did.  He figures it’s because people didn’t have to shell out 35 bucks for KD, so they were more generous at the donation box.  Makes sense to us.

The other key to this event’s success was the Program Guide.  A simple, black and white booklet that Boccio had copied at Kinko’s.  It included not only a schedule of events and descriptions of the workshops and bands (complete with Sanskrit words for novices to follow along), but — and this is key — advertisements from a slew of local businesses interested in reaching a sharply targeted, conscious-living, yoga-oriented community.  The ads are primarily for local yoga studios, upcoming kirtan events, and healers like Jaguar Healing Arts and Louise Northcutt Hypnotherapy.  Between the ad sales in the program and table fees for vendors exhibiting in the Conscious Living Marketplace, Chantlanta could meet its expenses and devote all donations to its charity partners.

Building a Kirtan Nation

But really, what we love more than anything about this festival is that its primary goal is simple:  expand the local kirtan community.  It gives local chantaholics a fest of their own to gather at; it gives local bhakti bands a much bigger audience for their practice than they would ever have at a one-band show, AND it gives kirtan newbies no excuse not to come check out the scene — it’s free!  The strategy is working — Chantlanta is attracting more people each year, more national kirtan bands are putting Atlanta and the Southeast on their tour schedules, and local bands are getting bigger crowds at their regular jams throughout the year.  What’s not to love?

The event officially started Friday night, with a community kirtan jam where everyone was in the band and anyone who wanted to lead a chant did — there had to be 200 people there!  The jam was followed by a full-on drum circle that had the natives dancing and grooving.  Saturday’s kirtan line-up included Mantra Ma, LoveShine, Cat Matlock & Japa (from Asheville, N.C.), Kirtan Bandits, and a three-band “headline” evening that featured Phil McWilliams, Blue Spirit Wheel and Rahasya, three of the best regional bhakti bands we’ve experienced anywhere.  Workshops went on throughout the day, everything from Sufi chanting to sacred harp singing to an hour-long gong bath that pretty much sent us straight to the moon after a day of chanting the names.  But wait, there’s more.  On Sunday, Ian Boccio closed out the festival with 1,008 (no, that’s not a typo, it’s 1,008, not 108) repetitions of the Hanuman Mula Mantra.  More on all that and each of these bands in a follow-up post with videos, so stay tuned to this space!

Chantlanta by TheBhaktiBeat.com

Do it Yourself

Can anyone adopt this formula for their own festival?

Well sure, why not? With caveats. Atlanta is a big city, 5 million or so strong. That’s a big population to draw upon. The Chantlanta organizing committee of 11 people, along with a cast of dozens more or so, were all unpaid volunteers offering their time as seva to the cause of building the local kirtan community. The Druid Hills Baptist Church offered their space — a labyrinthine layout with places for a main stage, two workshop rooms, a vendor’s hall and a kitchen where food was served — at a cut rate, because the event was a charity fundraiser. Dozens of local businesses also donated wares or services to a Silent Auction, which boosted the money raised for charity. Expenses were kept to a minimum, but important corners were NOT cut. For example, an expert sound guy (Matthew Hufschmidt) made sure the bands sounded just right and the lighting was favorable for video and photos. This is important stuff.

So, what do you think of the Chantlanta formula?  Could this work for a kirtan fest in your home town?  How might you change things up?  We’d love to hear about other regional fests: what works, what doesn’t, what’s needed…?  Please share your thoughts in the comments!

Please visit The Bhakti Beat’s facebook page for the full Chantlanta Photo Journals.
Stay tuned to The Bhakti Beat’s YouTube page for new videos posting from Chantlanta.
Read about last year’s Chantlanta and its ‘Unknown’ Bhakti Bands.
Follow The Bhakti Beat on twitter, facebook, Google+ and YouTube
 

Get the Bhav!

 

 

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The Southern Bhav rose again on Day 2 of Chantlanta on the altar-cum-stage of the Druid Hills Baptist Church in Atlanta, the backdrop for a line-up of regional bands that showed the depth and diversity of the “unknown” bhakti bands in the Southeast.  (We use the quotes on “unknown” because they’re only unknown to those not in the know, you know what we mean?)  And we want all y’all to be in the know, because these bhaktas really deserve to be known…you know?  

So here’s Part 2 of our series on Chantlanta’s “Unknown” Bhakti Bands.  Read Part 1 here.  (More Chantlanta coverage linked at the bottom.) 

Chris Korb, sitar for Kirtan Bandits at Chantlanta, by TheBhaktiBeat.com

Chris Korb on sitar, Kirtan Bandits

Kirtan Bandits

This was an unexpected treat. First up on Day 2 of Chantlanta, the Kirtan Bandits stole hearts with a mix of Sufi prayers and Sanskrit mantras set to trancey tabla-driven rhythms. The Bandits were new to us, but the Chantlanta crowd sure seemed to know this sextet of multi-instrumentalists from Rome, Ga.  Jeffrey Lidke, a go-to tablist for the region who gets the prize for most stage time at Chantlanta, led the troupe, with Jen Corry sharing lead vocals.  

Jeffrey Lidke, Kirtan Bandits, at Chantlanta, by TheBhaktiBeat.com

Jeffrey Lidke

Even against the vocal finesse and seasoned musicality of Lidke (tabla and harmonium) and Corry (flute and keyboarding) — both of whom are professors at Rome’s Berry College — young bassist Chris Korb shone on the 25-stringed sitar in a Maha Devi chant punctuated by scat-like call-and-response vocal exchanges between Lidke and Corry (watch it here). With John Graham and Jesse Burnette on guitar, and Hari Siddhadas on clarinet and cymbals.

Kirtan Bandits just released five songs recorded at Chantlanta 2013; check ’em out here.

 Sunmoon Pie

Sunmoon Pie at Chantlanta day 2, by TheBhaktiBeat.com

Bonnie Puckett & Michael Levine, Sunmoon Pie

Soon-to-be-newlyweds Michael Levine and Bonnie Puckett, aka Sunmoon Pie, have been bringing Hebrew chants into the Chantlanta mix since the the first fest in 2010. (At one point Levine cheekily pointed out the irony of singing Jewish prayers at a kirtan festival in a Baptist Church.) 

Victor Johnson for Sunmoon Pie at Chantlanta, by TheBhaktiBeat.com

Victor Johnson

He on guitar and she on the keys, they led us through a stirring sequence of chants based loosely on the prayers recited in a traditional Jewish Shabbath celebration. Each was layered over the band’s own original melodies…or in the case of the last prayer, borrowed melodies: Paul Simon’s “Sounds of Silence” provided the musical score. (Video coming soon.) Larry Blewitt laid the drum beat, and Victor Johnson wailed on the electric fiddle.

Sunmoon Pie has a 5-track digital EP out, recorded at Chantlanta 2012. Personal favorite: Modim Anachnu.

Phil McWilliams

Phil McWilliams at Chantlanta, by TheBhaktiBeat.com

Phil McWilliams

Phil McWilliams brought us back to India on the wings of a bluesy/folksy singer/songwriter and the guitar that never left his lap. We’re already on record as loving everything we’ve heard from McWilliams and his Journey of Sound, so you might know where this is going. And we can’t seem to stop ourselves from using the warm-blanket metaphor to describe the feeeel of this music. But we’ll try, for your sake, dear reader.

The vibe was soft, deep and warm (oops) — but not in a way that made you want to lie down and go to sleep. You wanted to capture every word, every chord, and wrap yourself up in the rhythms (sorry!). There’s an authenticity to McWilliams’ music, a yearning in the voice that borders on melancholy yet feels soothing, not sad. And just when you thought you might drift away on a prayer of a melody, McWilliams & Co. kicked it up a notch, punctuating the set with a sublime, slow-build Mahamantra whose ecstatic peak seemed to shake the rafters in the soaring Druid Hills sanctuary. It was all holy.

Phil McWilliams Band at Chantlanta, by TheBhaktiBeat.com

Journey of Sound

The Journey of Sound featured Amanda Feinstein on vocals; Susan Stephan and Nakini Groom sang back-up.  With Rob Kuhlman on bass, Michael Levine on electric guitar, Larry Blewitt on drum kit and Brihaspati Ishaya on percussion.  Phil McWilliams’ first solo album is Signs of Peace, and yes, we’re in love with it. (Personal favorite song: “Holy Now”) Okay I give up: it’s like goose-down for the soul. Snuggle in.

See www.philmcwilliamsmusic.com for music and events (he’s opening for Dave Stringer and Donna DeLory for their SE mini-tour), and www.bhaktimessenger.com for Universal Prayer, the CD by McWilliams’ previous band project (with Ian Boccio), Bhakti Messenger Kirtan.

Blue Spirit Wheel

Blue Spirit Wheel at Chantlanta, by TheBhaktiBeat.com

Stephanie Kohler & Ian Boccio, Blue Spirit Wheel

More than any other, this was the band we wanted to experience live at Chantlanta. By the time Blue Spirit Wheel came on to close out the afternoon, the crowd was primed. Ian Boccio (vocals and bass) and Stephanie Kohler (vocals and harmonium) are kind of the hometown heroes, and have each been instrumental in making Chantlanta happen. The Atlanta kirtan community was out in force — and they were pumped. The forestage was packed, dancers weaved at the edge of the altar, children played limbo under saris…

My notes on the scene read: “Rockin’ it! Joyful chaos. Dancing at edges. Kids everywhere.”

Stephanie Kohler, Blue Spirit Wheel, Chantlanta day2 by TheBhaktiBeat.com

Stephanie Kohler

Chaos in the church be damned, this pair of mantra mavens took us deep, orchestrating a trance-inducing mash-up of overlayered mantras drawn from their debut CD, adi.  They “wanted to do something different” for their hometown followers, Kohler told us afterward, so she devised this long thread interweaving the individual chants they’ve been leading for the last year or so.  The mantra mash-up.  Judging from the response they got, we’d say the homeys liked it.  The post-chant silence was eventually broken by a single “Wow,” giving us all the permission we needed to applaud.  Loudly.  And that was just the first chant.

They finished out the set like they started, mixing mantras.  This time, Kohler sang a lilting old Christian hymnal she learned from her grandmother.  It was layered in between and over a low, deep chorus of “So Hum” led by Boccio’s gravelly baritone.  Her hymn over his Hum.  (Couldn’t resist.)  Without the pun, it was enchanting. (Watch it here.)
 
Jeffrey Lidke for Blue Spirit Wheel at Chantlanta, by TheBhaktiBeat.com

Jeffrey Lidke, tapped again

Grounded by Jeffrey Lidke and Brihaspati Ishaya on percussion and Lindsey Mann on back-up vocals, Blue Spirit Wheel proved why they’ve become one of metro Atlanta’s favorite mantra bands.  But you don’t have to be in Atlanta to experience their bhav live; the duo starts a six-week most-of-the-US tour May 30, including Bhakti Fest Midwest in Madison, Wisc. July 5-7. If they’re coming anywhere near you, check ’em out.  And don’t miss the magical mantra trip that is adi.

www.bluespiritwheel.com
www.bhaktimessenger.com (Boccio’s previous project, with Phil McWilliams.)

Whew! And that was all just a warm-up to Krishna Das…

Krishna Das at Chantlanta by TheBhaktiBeat.com
Krishna Das packed them in…
Also see:
Pt 1: Chantlanta’s ‘Unknown’ Bhakti Bands Show Depth & Diversity of Southern Bhav (Video)
Fresh from The Grammys, Krishna Das Shines At Chantlanta, With Band of One (Video)
Southern Bhav Rising: Chantlanta Demonstrates How To Do a Regional Chant Fest (Video)
Photo Journal of Chantlanta, on The Bhakti Beat’s facebook page
Photo Journal: Krishna Das at Chantlanta, on The Bhakti Beat’s facebook page
Chantlanta Playlist on The Bhakti Beat’s YouTube Channel (building daily!)
 
www.chantlanta.org
www.swahaproductions.com (co-organizer of Chantlanta; produces kirtan events in the South)
 
 
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Jeffrey Lidke, tabla, at Chantlanta by TheBhaktiBeat.comWatch these Wallahs…

One of the things we love about this “mantra revolution” is how many largely unsung local bands are out there doing their thing, bringing the bhav to their communities, just waiting for people to wake up to this thing called kirtan. The Unknown Bhakti Band. Of course, they’re not unknown to those in the know…but there must be thousands of them, right? Under-the-radar ensembles and Monday night quartets, each with their own unique expression of bhakti, quietly offering music and mantras for anyone who will come out and chant with them?

Chantlanta grew out of this kind of community in Atlanta and beyond.  Seven local and regional bands ended up on the “free” part of Chantlanta’s two-day line-up in the sanctuary of the Druid Hills Baptist Church, representing kirtan in a broad range of incarnations. From traditional Sufi chants to Hebrew Shabbath prayers, from Hindu scripture to contemporary Gospel, and from Paul Simon to the Beatles, Chantlanta embraced it all. 

We’re putting each one of these bands on our “Wallahs to Watch” list.  You might want to too.  Just sayin’.

This is Part 1 of 2, because…well, there were seven of them, and they each deserve attention.  And blogs aren’t supposed to be 1,600 words long. 

First up, Friday night’s line-up of Mantra Ma, Wynne Paris and Chaitanya.  Don’t miss Part 2, with Kirtan Bandits, Sunmoon Pie, Phil McWilliams and Blue Spirit Wheel. Video highlights from each artist, some still uploading…(hello, wifi?)

Mantra Ma at Chantlanta by TheBhaktiBeat.com

Mantra Ma

Mantra Ma

Mantra Ma, aka singing moms Jocelyn Rose and Shonali Banerjee from Atlanta, opened us up softly with a long, layered Ganesha chant, then graced us with Gayatri, the mother of all mantras. With Crystal Stafford on acoustic guitar and Rose on harmonium, the mood was meditative, soft and earthy, reverent and reassuring…

Chantlanta Day 1 by TheBhaktiBeat.comAt one point Banerjee invited everyone to open their palms to the sky and repeat “I am open to receive all of life’s blessings.” Communal abundance prayer…we swear it sent a ripple of energy right down our collective spine.

Chaitanya at Chantlanta Day 1 by TheBhaktiBeat.com

They closed with Asato Ma Sadgamaya in a slow build (watch it here).  This is a Sanskrit prayer from the Upanishads (Hindu scriptures) which translates to: “Lead me from the unreal to the real/Lead from the darkness to the light/Lead me from death to immortality/Let there be peace peace and peacefulness.”  It was the perfect punctuation mark to a powerful set of mantras, delivered with vocal finesse and a mother’s grace. (And we loved how Banerjee’s two young children raced to the stage at the end to give their mom a group hug.)
 

Wynne Paris

Wynne Paris at Chantlanta, by TheBhaktiBeat.com

Wynne Paris

Worldbeat troubadour Wynne Paris from Florida can hardly be considered unknown — more like a musician’s musician.  He’s played with, well just about everybody (quite a few of them made it onto Groovananda, his latest CD).  He had his own set on the main stage at Bhakti Fest last year.  (What? You missed that 4 a.m. set?) We were there, and it was worth staying up for the sarod serenade alone. 

He brought his sarod to Chantlanta, thankfully, playing a couple of songs on it before switching to harmonium, then guitar.  The set started traditionally with an invocation to Ganesh, then rollicked right into He Ma Durga with the crowd clapping along.  A detour to the 1960’s with a Beatles-inspired Krishna love medley was followed by a full-on gospel jam-dance in the contemporary “sacred steel” tradition popularized by the Lee Brothers and Florida’s House of God church.  This little roof-raiser had everyone jumping and hollering like…well, like we were at a Baptist church in the South…  Even Druid Hills Pastor Mimi Walker joined the joy parade on the altar-turned-stage.  Watch it here.

Wynne Paris gospel jam at Chantlanta by TheBhaktiBeat.com

Everyone joined the jam, including the pastor!

In the end, Paris went back to his sarod to close the set with a hypnotic Om Namah Shivaya he learned from Bhagavan Das. Lori Michele Love and Dorianne Aillery sang back-up; Jeffrey Lidke and Rishi Waterman on percussion.

See www.wynneparis.com, and do check out Groovananda, a personal favorite driving CD.  But be careful…

Chaitanya

Chaitanya at Chantlanta by TheBhaktiBeat.com

Silvia Riverwind & Koriander of Chaitanya, with Laurie Fisher on fiddle.

Chaitanya took the Friday night bhav to the next level with a high-energy set of traditional mantras swept along on a jam-band medley of rhythm and strings.  It was clear these Asheville, N.C. bhaktas weren’t going to let the night end without a shaktified dance jam.  Jai Jagadambe fit the bill nicely. Watch the video here

This band has been a perennial favorite at Chantlanta for four years running, so we’ve heard.  Now we know why.

Rishi Waterman of Chaitanya, at Chantlanta Day 1 by TheBhaktiBeat.com

Rishi Waterman of Chaitanya

Sylvia Riverwind shared lead vocals with Koriander, whose harmonium was the bloodline of the band (though she switched it up for an acoustic guitar occasionally).  Overlayed with some serious fiddling by Laurie Fisher, Rishi Waterman on percussion and Tom Aldrich on bass, it was hard NOT to move. 

Chaitanya’s debut album, Ark of Love, is available now on CD Baby; a CD release party is set for June 1 in Asheville.  www.chaitanyakirtan.com

Chaitanya at Chantlanta Day 1 by TheBhaktiBeat.com

Last-jam dance party with Chaitanya & the Chantlanta chanters

Don’t miss Part 2 for the rest of the Chantlanta line-up — Kirtan Bandits, Sunmoon Pie, Phil McWilliams and Blue Spirit Wheel

See also:
Part 2: Chantlanta’s ‘Unknown’ Bhakti Bands Reveal Depth & Diversity of Southern Bhav (Videos)
Fresh from The Grammys, Krishna Das Shines at Chantlanta, With Band of One
Southern Bhav Rising: Chantlanta Demonstrates How To Do a Regional Chant Fest
Chantlanta Photo Journal (on The Bhakti Beat facebook page)
Krishna Das at Chantlanta Photo Journal (on The Bhakti Beat facebook page)
Chantlanta Playlist on The Bhakti Beat YouTube Channel (new videos being added)
 
www.chantlanta.org
www.swahaproductions.com (produces kirtan events in the South)
www.krishnadas.com
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Chantlanta at Druid Hills Baptist Church, by TheBhaktiBeat.com

Ahhh Chantlanta. How we love thee.  Let us count the ways…

  1. Your goal is to spread the bhav.
  2. You put on a two-day festival with seven great regional bands, all for FREE.
  3. You topped it off with KRISHNA DAS on the schedule, concert + workshop.  Nice.
  4. You raised more than $3,000 to send an impoverished young woman in India to college.
  5. You brought the community together and opened up kirtan to people who would otherwise be clueless.
  6. You did it all in a Baptist Church that practically donated its space.
  7. You came up with a killer name to boot.

Thank you.

We finally got to Chantlanta this year, its fourth year running.  It was worth the trip.  In fact, we’d say it’s officially a “destination kirtan” — can we use that term?  As in, not just for the locals.  Maybe you won’t fly in from California — yet — but if you’re East Coast or Midwest, hey, Atlanta’s a hub airport…

Kirtan Bandits at Chantlanta by TheBhaktiBeat.com

Kirtan Bandits, “unknowns” from Rome, Ga., stole hearts.

This year, Krishna Das was the headliner at Chantlanta, and he showed up fully. (Read that story here.) That said, it was Chantlanta’s line-up of regional bands that really got us excited.  That, and the Chantlanta organizers’ formula for eking out success from a notoriously unprofitable venture like a regional chant fest.  Did we mention that there were 12 hours of great kirtan from seven regional bands, all for free?  Topped off by Krishna Das, in concert and workshop?  And that Chantlanta still managed to raise over 3 grand for a small charity in India (The Learning Tea)?

Chantlanta proved that you can have your bhav and serve too.

Chantlanta at Druid Hills Baptist Church, by TheBhaktiBeat.com

Stan Holt (L) and Ian Boccio, Chantlanta co-organizers

Not that it came easy.  Chantlanta founder Ian Boccio, who started the fest in 2010 to “raise the profile of kirtan in Atlanta,” freely admits that he and the all-volunteer team that pull this thing together are learning as they go.  The first two years were all local bands, all offering their music to the community for free.  About 250 people showed up the first time — more than they dreamed — and the numbers have grown consistently. Last year, Chantlanta brought in three “national” kirtan artists — David Newman, Wah!, and Sean Johnson and The Wild Lotus Band — to sweeten the pot and boost attendance.  This year, Boccio aimed even higher, successfully bringing Krishna Das back to Atlanta for the first time in at least four years.

The results, Boccio said, “exceeded my expectations in every way.”  We don’t think he was just blowing smoke.

The catch 22 of any chant festival, large or small, is that the “big names” that bring in more people also increase the expenses, making it more challenging to break even, never mind have some left over for charity, or (gasp!) a little profit for the folks who are making these things happen.  The key for Chantlanta, Boccio said, has been to line up sponsors — local yoga studios, merchants, artists, and natural-living businesses — who buy space in the festival program and in the “merch hall” at the festival.  This year, sponsorships effectively covered the overhead for the event.

Chantlanta volunteers, byt TheBhaktiBeat.com

Volunteer Team

Volunteers do the bulk of the work, people like yogi-musician Stephanie Kohler (co-leader, with Boccio, of Blue Spirit Wheel) and yoga teacher Karen Dorfman — both of whom have taken lead organizational roles since the first Chantlanta.  And like Stan Holt of Swaha Productions, a co-sponsor of the weekend fest and host of the post-fest workshop with Krishna Das.

This formula enables organizers to offer the bulk of the festival at no charge (this year, everything but the KD events were free), and donate any at-the-door donations to the chosen charity.  It builds the community and turns new people on to chanting by not giving anyone an excuse NOT to come — it’s free!  The “Big Headliner” draws the crowd (Krishna Das packed the place), and everyone else — all those “unknown” local bands who are putting out great kirtan regularly for those in the know — tags along on the coattails of the Rock Star, playing for bigger crowds than they might normally get and opening up new audiences to their devotional art.  What’s not to love?

Chaitanya at Chantlanta by TheBhaktiBeat.com

Chaitanya, from Asheville, NC, whips up the bhav.

More than anything else, Chantlanta proved just how many great local bhakti bands are out there doing their thing and spreading the bhav in their own little (or not-so-little) communities, just kinda’ waiting for people to wake up to this thing called kirtan.

Stay tuned to this site for more about Chantlanta’s “unknown” bands.

Chantlanta by TheBhaktiBeat.comNo doubt there’s a Chantlanta waiting to happen in every nook of the nation, drawing together all the locals, maybe bringing in a big name or two, and growing the bhakti community in their little — or not-so-little — corner of the world.  It’s already happening, of course, in Denver, in Houston, in Minneapolis and Montreal, in Oregon and Ojai…hell, even in Vermont.  We can only hope it continues.

Bravo, Chantlanta, for showing how it’s done.

 See also:
Fresh from The Grammys, Krishna Das Shines at Chantlanta, With Band of One
Chantlanta’s ‘Unknown’ Bhakti Bands Reveal Depth & Diversity of Southern Bhav
Chantlanta Photo Journal (on The Bhakti Beat facebook page)
Krishna Das at Chantlanta Photo Journal (on The Bhakti Beat facebook page)
Chantlanta Playlist on The Bhakti Beat YouTube Channel (new videos being added)
 
www.chantlanta.org
www.swahaproductions.com (produces kirtan events in the South)
www.krishnadas.com  

 

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Get the Bhav: ChantLanta (March 9-10, Atlanta)

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This is the first of a new series, “Get the Bhav,” which covers kirtan festivals and retreats.  Please contact bpatoine@aol.com with information about upcoming events.

ChantLanta. Where the Bhav Is

Move over “HotLanta.”  After this weekend, the Big Peach, the City of Peace and of Trees may well have a brand new nickname: ChantLanta.

Now in its third year and bigger than ever, ChantLanta marries three big artists — WAH!, DAVID NEWMAN & MIRA, and SEAN JOHNSON & THE WILD LOTUS BAND — with EIGHT regional bhakti bands for two rockin’ days of call-and-response chanting plus yoga, sound and movement workshops throughout the day Saturday.

The music starts Friday night with three great local bands, BHAKTI MESSENGER, RAHASYA, and DHVANI, all for free.  These three alone would be enough to get us to ChantLanta, even if they may be new names to many.  BHAKTI MESSENGER, formed in 2009 by IAN BOCCIO, PHIL McWILLIAMS, BRIHASPATI and AMANDA FEINSTEIN, are Wallahs to Watch: they have opened for WAH! and SHYAMDAS, have played with other “big names” in kirtan, and have been invited to play at Bhakti Fest in September.  Check out their music and new CD, “Now,” and hear for yourself why they are on the rise.

RAHASYA, based in Athens, Ga., is another band to remember — and hear.  Comprised of SURDAS and VAJRA YOGINI plus keyboardist GERSHON, the group weaves Sanskrit mantras and Hebrew chants infused with southern gospel improv and heart-opening poeticism.  They have been touring throughout the Southeast in celebration of their second CD, “Covered in Song,” which released just last month.

All day Saturday 3/10, bhakti love flows from five more local bands:  FLYING MYSTICS, WOVEN TONGUES, KIRTAN BANDITS, SUNMOON PIE, and CHAITANYA KIRTAN.  In addition to nonstop chanting, workshops throughout the day cover topics such as Sufi meditation, Five Rhythms Dance, mantra chanting, and breathwork.  By the time Saturday night rolls around for the “big acts,” the energy at the Druid Hills Baptist Church, where ChantLanta unfolds, is likely be higher than…Sunday service at a Southern Baptist church??  The Saturday night line-up is the only part of the weekend that costs anything, and at $50 for three top performers, we think it’s a bargain.  UPDATE:  ChantLanta has graciously extended the discount ticket price of $35 to ALL until the day of the event, thanks to our article! 

Putting HotLanta on the Chant Map

Birthing credit for ChantLanta goes to BHAKTI MESSENGER, whose co-founder Ian Boccio said in an email that the band “threw together” the first fest in March 2010 “as a way to increase awareness of kirtan and bhakti practices” and build a kirtan community in greater Atlanta and beyond.  The strategy seems to be working:  Ian says attendance at BHAKTI MESSENGER’s kirtans has “exploded,” new bands (including DHVANI) have formed, other bands (like RAHASYA) now play regularly in Atlanta, and the city is becoming a destination for touring national artists.  “2012 looks to be a banner year for us, with WADE IMRE MORISSETTE, BHAGAVAN DAS, SHYAMDAS, and GIRISH all visiting our city in the first several months,” Ian said.

Omega Institute’s Ecstatic Chant weekends inspired him, Ian says.  “That was the first time I got the idea of what it would be like to do kirtan for days on end.”  He also found inspiration in the “Chant, Chai and Charity” events organized in Philadelphia by Steve Groff (Mira Newman’s father), and has used that as a model.  Last year’s ChantLanta festival raised $6,000 for charity, even without charging attendees a penny!  (The money came through sponsorships.)  This year, the organizers are hoping for 1,000 attendees, and proceeds benefit two local charities: 50 Cents Period and AiJalon.

Ian Boccio (Photo from ChantLanta)

These bhaktas have big plans for ChantLanta, hoping to make it “the largest and most visible kirtan event in the South.”  (They are not without competition: Sarasota, Fla.’s Rock the Bhakti weekend in January brought in SHANTALA and WAH! to join local groups PALMS TOGETHER and others, and in Houston, the Texas Yoga Conference last month hosted SEAN JOHNSON & THE WILD LOTUS BAND, DAVID NEWMAN & MIRA, SUZANNE STERLING, THE DESERT DWELLERS and Texas favorites THE BHAKTI HOUSE BAND.)

Somehow we think the South is big enough to handle all these festivals and more.  As Ian says: “We believe that if more people are chanting, there will be more peace and harmony in the world!”  Hear Hear.

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