There’s a lot of talk these days about a “mantra revolution,” and enough action in the chant world to back up the premise.

Witness: chant festivals that attract thousands, “rock-star” wallahs, new music expanding in every direction, community kirtan rising…even mainstream media coverage of mantra music (gasp!).  Yet it’s an undeniable truth that the bulk of the action is coastal: California and the northeastern seaboard are leading the charge, with some kirtan hotspots scattered in the midwest and mountain states. 

When mantra mania hits Vermont, a state known more for maple trees and mountains than mantra music, you’ve got to believe there’s something to this movement.

Boundaries dissolving

Enter VerMantra, which for the second year now — thanks to the nonprofit Call and Response Foundation — has brought 12 hours of nonstop multi-flavored kirtan to a state that is just barely on the kirtan map.  No, there were not thousands of people in attendance, and no rock stars or divas on the bill.   Instead, there was a solid line-up of 10  great bhakti bands, each one having signed on for peanuts, driven the extra mile to be there, and bringing with them an attitude of genuine service and devotion to the spirit of the gathering. 

The ingredients for Mulligan Stew, VerMantra style

You had luminaries like Gaura Vani and SRI Kirtan. You had up-and-comers like Devadas and Kirtan Soul Revival.  You had mantra warriors Keli Lalita and Adam Bauer and regional favorites Dave Russell and Tom Lena.  And you had a taste of the local talent in Yogi Patrick & the Funky Shanti, and the incomparable kirtan jam collective, the Kailash Jungle Band. 

‘Where this Movement is Going’

The “stage” was the center of the room, and everyone circled ’round the musicians like bees to nectar.  Collaboration and community were key:  everyone — musicians and ticket-holders alike — was in everyone’s band.  It was, by design, the kind of environment where the boundaries between performer and audience evaporate.  Where callers and responders meld together in a circular flow of rhythm and song, united as one voice calling out in joyful abandon.   The kind of environment where magic happens.

Gaura Vani: Delivering Nectar

“This is grassroots community kirtan at its best,” Gaura Vani said during his set at VerMantra, adding,  “and that is really where this movement is going.”

Brooklyn-based wallah Devadas used the analogy of a “Mulligan stew” to describe the gathering — the idea that each band, each musician, brings something unique to add to the bhakti soup.  “We come from all these places — different paths, different teachers — and we each bring our own ingredients, our own styles and perspectives.  In the end we have something like Mulligan stew that feeds us,” he said.  

Devadas, a devotee of Mata Amritanandamayi (Amma) who has sung at her darshans in the Northeast U.S., warmed up the stew-pot early in the day with the recitation of the 1,000 Names of the Divine Mother.   He stuck around to stir the pot throughout the day, playing mridanga or hand cymbals or just singing.  Twelve hours later, he was back at stage center to serve up the feast and close out the fest.  “To play clean-up,” the other musicians teased him.

Clean up he did.

Time to savor the stew...Devadas

With an unassuming grace, Devadas effortlessly elevated the delicious mood of devotion that had been simmering for nine sets to a whole new level.  Backed by a core band of Gaura Vani (mridanga & vocals), SRI Kirtan’s Ishwari and Sruti Ram (vocals), KC Solaris (tabla), Adam Bauer (bass), Richard Davis (guitar), Rasamrta Devi Dasi (cymbals) and Louise Ross (flute), he steered us right into a slow-building bhajan learned from his guru Amma that gradually but inevitably peaked in a tidal wave of ecstatic crescendo. 

The room was an ocean of motion.

People were dancing, clapping, spinning, singing out the Names like “souls crying out for our divine home,” in Gaura Vani’s words.  The mantra seemed to take on a life of its own, letting us surf the crest of the wave just…long…enough before settling us down ever so gently on the shores of our souls, as Kahlil Gibran might say. 

And then we did it all over again.  And we soared even higher…

Soaring...

Radhe Govinda Bhajo, the first chant Devadas led, is a traditional melody that Amma “has been singing for a very long time,” he said.  She taught it to him and he spoon- fed it to us.  It was delicious. 

You can taste it here:

The second chant Devadas led was a complex MahaMantra melody straight from the temples of Kainchi, India, the sacred land where Neem Karoli Baba often hung out and where his ashram stands today.  But that’s another story — and video — coming soon…

Toe-curling

At the risk of sounding hyperbolic, this was for me one of those peak experiences in kirtan that just doesn’t happen every day.  Maybe it was the fact that we’d been there for nearly 12 hours, simmering in the stew, steeping in all the flavors of bhav.  Maybe the group was really “on” after singing together all day, as the boundaries dissolved and egos melted away and the energy rose.   I don’t pretend to understand the magic that happens in kirtan.  I’d reallllly like to, but I think it’s beyond intellectual comprehension.  It defies logical explanation.

The power of mantra, as Dave Stringer has said, is not something you have to “believe in” or even understand; it is something that must be experienced.   

Simple as that.  All you have to do is sing the Names.

All that bhav and free chai too

Special thanks to director Jennifer Canfield and co-founders Susan Murphy and Ed Ritz of the Call and Response Foundation, whose programs support community kirtan events and bring mantra music to populations in need.  Please visit their website, www.callandresponsefoundation.org, and consider donating to support their efforts.  

Captain Shyamdas & First Mate Krishna Das

With the Manhattan skyline as a backdrop, a few hundred people crowded the upper deck of one of NYC’s Circle Line cruisers to chant with an all-star line-up of musicians on the 2nd Annual NYC Bhajan Boat, a fundraiser presented by the Mantralogy record label.

The four-hour joyride circumnavigated the City That Never Sleeps, passing under iconic bridges, getting up close with Lady Liberty, and offering stunning panoramas from every direction.  But for all the world-class sightseeing outside the ship, the real magic was happening right on the cramped and crowded “stage” in the bow of the boat. 

Rockin’ & Rollin’ on the River

Gaura Vani

Shyamdas, who has really pioneered the kirtan cruise, captained this showboat as he has many in the past.  He warmed us up with Radhe and got us off the Pier 83 dock with Krishna. Then Gaura Vani put some wind in our sails with his crew of kindred spirits from New York as the boat headed north up the Hudson River, culminating in a rousing Krishna-Radhe mantra by NYC bhakta Acyuta Gopi that ended way too soon.  See it here, at about 15:40 into this clip from Gaura Vani’s set, posted by Om Factory NY.)  

SRI Kirtan, the Woodstock, N.Y.-based divine duo of Sruti Ram and Ishwari, took over just as the George Washington Bridge loomed overhead, and rocked our bhakti all around the northern tip of Manhattan with their signature Chalisa and a new anti-fracking rap they played live for the first time. Kamaniya Devi and Keshavacharya Das, aka Prema Hara — who have just launched an ambitious 12-state tour — accompanied SRI Kirtan and others.

SRI Kirtan rocked the boat

Now we were rockin’ and rollin’ down the crowded East River, with Roosevelt Island and Queens on our port side, midtown Manhattan’s cityscape starboard.  Nina Rao, the first mate of Krishna Das’s organization, took the helm at her boss’s harmonium (he sang back-up) and offered up a preview of her own upcoming debut album, Antarayaami – Knower of All Hearts, a 12-track double CD that will be released this fall.  (As one might hope, the CD will be heavy on Hanuman Chalisas, including a duet with KD, Rao told us.) Sign up to receive CD news and more at www.chantkirtan.com. 

Excerpted in the video below is a track from the upcoming CD (“Bhajagovindam/Narayana”) that melds three traditional chants in a slow-starting, fast-finishing fusion of mantra melodies.  Don’t miss little Bodhi, nestled in Grandpa KD’s lap, tapping right along on his own mini-drum (watch how he studies Arjun Bruggeman’s hand gestures on the tabla and mimics them).

 

Lady Liberty Dancing With Shiva

Lady Liberty: serenaded by Shiva

The special guest of the day, Krishna Das, had his chance to lead kirtan as well, just as the Williamsburg Bridge dominated the view ahead.  (Bodhi kept right on drumming, this time from the lap of Devadas.)  We all did the Krishna Waltz as we passed under the three massive spans bridging the lower East River, then Shiva danced with Lady Liberty as we rounded the iconic statue of the Roman goddess of freedom — symbol of chains unbound — while chanting Om Namah Shivaya to the Hindu god of destruction and transformation. 

Captain Shyamdas, dressed in a traditional dhoti kurta and a blue Nantucket baseball cap slightly cocked to one side, returned for the final leg up the West Side to seal the journey with a kiss to Radhe.  Krishna Das sang right alongside him as the boat steamed north again, the two occasionally exchanging private laughs like schoolboys with a secret.  Pier 83 appeared far too soon, but Shyamdas promised that the next boatride would be longer — to the Caribbean perhaps.  The crowd cheered.  With a final Radhe Shyam, the boat was docked, and the crew forced us to leave (they had to shoo a lot of us out…)

Charity Cruise Trend Setting Sail

This was the Bhajan Boat’s second cruise in Manhattan, but Shyamdas has been organizing kirtan cruises on the mid-Hudson River for a few years now as benefits for Food for Life Vrindavan, a non-profit organization that feeds poor children in India.  Three other charities — Share Your Care, The Seva Foundation, and Off the Mat Into the World — also benefited from the Sept. 30 NYC cruise.

As word gets out about these charity cruises, it seems that everyone is clamoring for one of their own.  Boston wants one on the Harbor, Toronto wants one on Lake Ontario, Midwesterners want one on the Mississippi, California wants more than one…this is the beginning of a trend folks.  Look for it to grow. 

Ki JAI to that.

The Bhajan Boat back-up band, the musicians and vocalists who supported various wallahs, reads like a who’s who of East Coast kirtaneers:  Arjun Bruggeman (tabla), Steve Gorn and Sundar Das (flutes), David Nichtern and Richard Davis (guitars), Adam Bauer (bass), Devadas (cymbals), Ananta Cuffee (mrdanga), Janaki Cuffee, Acyuta Gopi, Kamaniya Devi and Keshavacharya Das (vocals), Jaya Sita Lopez (cello), and more…Who have we left out?

More photos in our Bhajan Boat Photo Journal on The Bhakti Beat’s facebook page.

Stay tuned to The Bhakti Beat’s YouTube channel for new uploads from the Bhajan Boat and more.